Katharine McPhee News

Since NBC's musical drama series SMASH is kicking into high gear as the Marilyn Monroe musical that forms the core of the show's story approaches its first workshop presentation on Monday night's episode - with the highly awaited appearance of Broadway legend Bernadette Peters coming next week, as well; playing the mother of the Marilyn musical star, Ivy Lynn (Megan Hilty) - now is the ideal opportunity to, well, "Fade in on a girl / With a hunger for fame / And a face and a name to remember," to quote Marc Shaiman and Scott Wittman's crown jewel in a diadem of a songstack for the show-within-the-show, BOMBSHELL. The show-within-the-show is better that most scores on Broadway these days and that is a credit to the Tony-winning tunesmiths and their ability to make musical theatre that is polished and professional, yet totally fun, bawdy and accessible, as well. Look no further than this week's "History Is Made At Night" or last week's "Let's Be Bad" - to say nothing of the pilot's twofer of titanic theatrical prowess in the form of "The National Pastime" and the afore-quoted "Let Me Be Your Star". Plus, we have to remember, SMASH has not one Marilyn, but two, so the future possibilities of who will be singing these songs and how they will be presented is totally unknown. As we shall see in the clips below, "Let Me Be Your Star" will now have its third iteration on the show, acting as the opening number in the workshop presentation as Ivy Lynn belts it to the rafters, ballad-style - not unlike the Karen/Ivy stage sequence presented in Episode 2 as a dream. Using just the example of "Star", we can see how rich and rewarding it is to further explore the depths of drama and heights of wit amply apparent in the sometimes caustic, sometimes campy and always enjoyably, embraceable unique work of Shaiman & Wittman on their songs for SMASH. The story setting them up, drama surrounding and contained within them - with the meta-narrative of the behind-the-scenes going on we are privy to acting as another layer - makes the production numbers the most brightly glittering stars of the SMASH universe. Katharine McPhee's "Somewhere Over The Rainbow", "Call Me" and "Rumor Has It", as well as Hilty's "Crazy Dreams", were all viable and entertaining covers in their own right, yet the original songs are what make SMASH really sing - and zing, sting and ring-a-ding-ding.

HIGHLIGHTS OF THE WEEK: Bernadette visits SMASH, The Acting Copany honors Patti, MEMPHIS hits 1000 shows, and so much more!

Yesterday, I had the exceptional privilege of talking to Oscar-winning stage and screen star Anjelica Huston and Broadway sensation Megan Hilty all about the new NBC musical series SMASH and their roles in it, and, while both their complete Spotlight On SMASH InDepth InterViews will be coming in full next week, we have some breaking news to share with you now that is certain to excite the many SMASH fans here on BroadwayWorld and beyond!

Next week on SMASH, Everything comes to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team present 'Marilyn The Musical' to would-be investors. Ivy (Megan Hilty) is under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermines her at every turn. Karen (Katharine McPhee) must decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) must face up to the consequences of their actions. Check out a sneak peek of Peters singing 'Everything's Coming Up Roses' from the episode below!

Joshua Bergasse, choreographer of NBC's musical drama SMASH, has found an outlet for the sort of work inspired by the old MGM musicals he grew up watching. "Those old shows used dance as part of the story,' he said, 'and I try to make the dance sequences part of the SMASH story."

Next week on SMASH, Everything comes to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team present 'Marilyn The Musical' to would-be investors. Ivy (Megan Hilty) is under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermines her at every turn. Karen (Katharine McPhee) must decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) must face up to the consequences of their actions. In the video below, Peters chats about her upcoming guest spot. Click below to hear what she has to say!

Next week on SMASH, Everything comes to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team present 'Marilyn The Musical' to would-be investors. Ivy (Megan Hilty) is under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermines her at every turn. Karen (Katharine McPhee) must decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) must face up to the consequences of their actions. Check out photos from the episode below!

On last night's episode of the NBC musical drama series SMASH entitled 'Chemistry', Ivy (Megan Hilty) faced major problems as her voice began to fail her. Julia (Debra Messing) struggled to avoid Michael (guest star Will Chase) - but she couldn't. Eileen (Anjelica Huston) explored her inner hipster at a downtown dive bar with her new pal Ellis (Jaime Cepero), while Karen (Katharine McPhee) was an even bigger fish out of water, as she booked a side gig at a bar mitzvah on Long Island. Miss the episode? catch up below!

As we near the halfway point for Season One, it is evident now more than ever that SMASH has established a pretty clear-cut style, structure and overall dramatic direction - each week we can depend upon most if not all of the following in one form or another: a fabulous Marilyn Monroe-themed musical production number; a soul-baring rehearsal scene or three; a pop cover or two (both a classic and a current one, if possible); some Derek (Jack Davenport) and Ivy (Megan Hilty) diva drama and hand-wringing; cattiness, backstabbing and shade thrown in the direction of, and almost always directly affecting, sweet-as-pie Karen (Katharine McPhee), an all-too sympathetic character who just can't seem to catch a break (bar mitzvah tween audiences excluded); a peek into the lives of the Marilyn musical songwriters, Julia (Debra Messing) and Tom (Christian Borle), currently developing the show-within-the-show before our very eyes and ears; Julia and Tom's subsequent respective romantic relationships and entanglements (showmances and otherwise; though it seems there are many more of the former than the latter with these two); and, of course, Anjelica Huston being both poignant in one way or another in her delicate portrayal of Eileen and also just plain divine as only she can be, kicking ass and taking names as the lead producer of the show-within-the-show. All in all, the show-within-the-show based on Marilyn Monroe acts as the real machine running SMASH and keeping it all connected. And, that about sums it up. Shake, stir and serve - there you have SMASH in a sentence or two. Better still, this formula really works - and also really works wonders, from time to time, too. Each week dishes up its fair share of surprises, as well. I mean, who could foresee that scintillating scene with Julia and Joe DiMaggio (Will Chase) post-rehearsal paralleling the Marilyn/DiMaggio duet just rehearsed? Or, furthermore, Karen positively killing Florence & The Machine at a bar mitzvah like she most certainly did? Best of all, Marc Shaiman and Scott Wittman provided another tantalizing and terrific new Marilyn song with a fiercely fresh style and sound in the spectacular form of the romantically rapturous, late-50s doo-wop-hued duet "History Is Made At Night", given a particularly playfully seductive performance by Chase and Hilty as the undeniably perfect Monroe and Joe DiMaggio (though Chase's character does not seem like he will be sticking around much longer). Plus, how badass was Eileen (Anjelica Huston) at the very end of the episode and how all around awesome was her delivery of the final line? Shoot to score, indeed - and, on 'Chemistry', there was more focus on the scoring, both in the musical and sexual senses, than on anything else. Above all, last night's SMASH showed that one aspect of show business shall always remain a viable, hot-cross-bun-level-hot commodity: sex.

Katherine McPhee's character Karen on the NBC hit 'Smash' Karen sings to a group of pre-teens at a bar mitzvah in a clip form the March 12 episode. Check out the sneak peek video here!

On the March 12th episode of the NBC musical drama series SMASH entitled 'Chemistry', Ivy (Megan Hilty) faces major problems as her voice begins to fail her. Julia (Debra Messing) struggles to avoid Michael (guest star Will Chase) - but she can't. Eileen (Anjelica Huston) explores her inner hipster at a downtown dive bar with her new pAl Ellis (Jaime Cepero), while Karen (Katharine McPhee) is an even bigger fish out of water, as she books a side gig at a bar mitzvah on Long Island. Jack Davenport, Christian Borle, Raza Jaffrey and Brian d'Arcy James also star. Will Chase guest stars. The episode airs at 10:00 pm/ET on the NBC network. Check out a clip from the episode below!

Packing more music per minute than any episode of the show since the pilot, last night's SMASH showed the ever-developing musical dramedy series finding its footing and delineating the many relationships and interrelationships of the onstage and backstage cast of characters that populate it - and, as always, the music made the night. Will Chase scored yet again with a soulful "Song For You"; McPhee emanated sultriness in her cover of James Brown's "It's A Man's Man's World"; and, in particular, Megan Hilty made the bawdiest and most big Broadway-sounding song from the Marilyn Monroe musical we have yet heard hit like Joe DiMaggio's bat when it met a meatball in the big 20th Century Fox production number we are sure to remember. When it comes to the musical numbers, SMASH is adult musical storytelling done exceptionally well with a precise, professional sheen. The story and characters have exhibited a lot of areas where they could go in future episodes, and, now, by the fifth episode, the style and music/drama formula is being perfected right before our eyes. What has resulted is that we are witnessing SMASH as a show finding its voice with all the world to hear - not an enviable position to be in, but that is the name of the game of a network TV gamble on the level of this. And, anyway, what sights and sounds we have to look forward to in the coming weeks as the Marilyn musical within the show begins to take a more tangible shape - and Bernadette Peters makes her SMASH debut in less than two weeks!

Select songs from tonight's new episode of the NBC musical drama series SMASH (Mondays, 10-11 p.m. ET), will be available today from NBCUniversal Television Consumer Products and Columbia Records on the iTunes store at http://www.itunes.com/NBCSmash.

As BroadwayWorld previously reported, Broadway legand Benadette Peters will guest star on the March 19 episode of SMASH, and the show has just released an official description that reveals some details on her appearance. As described by KSiteTV: 'Everything comes to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team present "Marilyn The Musical" to would-be investors. Ivy (Megan Hilty) is under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermines her at every turn. Karen (Katharine McPhee) must decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) must face up to the consequences of their actions.'

NBC has released two new video previews from the Monday, March 5th episode of the musical drama series SMASH. In the first clip, Karen (Katharine McPhee) discovers what she 'brings to the party' in a sensual performance of James Brown's 'It's a Man's Man's Man's World'. In the second clip, Ivy (Megan Hilty) exudes Marilyn in her performance of 'Let's Be Bad', as rehearsal transforms into a Broadway fantasy.

In this Monday's episode of the NBC musical drama SMASH, guest star Will Chase's character, Michael attempts to win back the affections of his former love Julia, played by Debra Messing and serenades her with his version of Leon Russell's 'A Song For You'.

NBC has just released a sneak peek clip of next week's SMASH episode entitled 'Let's Be Bad'. In the episode, Derek asks Karen to demonstrate to Ivy the 'correct' way to sing 'Happy Birthday'. While Karen does her best not to anger the 'Marilyn Monroe' star, Ivy still gives her a glance that suggests, 'if looks could kill!'

SMASH is out for blood - wolf's blood, that is. So, go howl! In the climax of the series so far - at least since that thrilling finale to the pilot episode - the wildly talented cast of characters that inhabit SMASH were joined in purpose and performance for the first time onscreen all together, singing "I Never Met A Wolf That Didn't Like To Howl" - well, at least the current top choices for Marilyn Monroe (Megan Hilty) and Joe DiMaggio (Will Chase) by the songwriting duo (portrayed by Debra Messing and Christian Borle) behind the show-within-the-show; guest appearance by prospective investor portrayed by pop idol and current Broadway star Nick Jonas notwithstanding. Yet, Katharine McPhee shone bright in her secondary storyline, bringing defiant joie de vivre to a karaoke cover of Adele's soulful earworm "Rumor Has It" at the close of the show. Nick Jonas got a moment in the musical spotlight, as well, in a self-played piano accompanied cover of Michael Buble's "Haven't Met You Yet". On the dramatic side of SMASH, the twists and turns of the theatre-centric musical series are beginning to create intriguing complexities for the individuals caught in the tumult - none the least being the budding romances between Derek (Jack Davenport) and Ivy Lynn (Megan Hilty), but also the secret liaison rekindled of one half of the songwriting duo (Messing) and Joltin' Joe (Chase) himself. Plus, the other half of the team behind the Marilyn musical, Tom (Christian Borle), finally got his own romantic plotline and sudsy, soap-ish moment. It seems to be a prerequisite that each cast member have a post-coital scene at some point, so, one supposes Eileen (Anjelica Huston) and her ex husband, Jerry (Michael Cristofer), may re-team behind the scenes - or, maybe not. Eileen was given finest material of the night as far as I'm concerned and Huston's delicate portrayal of a woman conflicted was artful in its attentiveness and believability. She imbues the material with a grace and gravitas that few stars can consistently achieve as she has done throughout her career and continues to do so here on SMASH. Episode Four cleanly and clearly displayed the attributes we came to love about the pilot - natural integration of fabulous Marilyn-themed musical numbers into the drama, as in "Howl"; superlative new renditions of modern-day pop hits, such as "Rumor Has It"; and a specialty song or two, too, like Nick Jonas and his Michael Buble party accompaniment. While it did not break new ground as far as where the show is heading as a series like last week's show, this episode gave us an inkling of the entertainment experience coming in the next few weeks as we anticipate the arrival of many new and exciting guest stars, such as Bernadette Peters and Uma Thurman, in addition to the pain, passion, ecstasy and As for the rest of the drama, music and comedy, read on!

Select songs from tonight's new episode of the critically acclaimed NBC musical drama series SMASH (Mondays, 10-11 p.m. ET), will be available today from NBCUniversal Television Consumer Products and Columbia Records on the iTunes store

Broadway stars Nick Jonas and Wesley Taylor will be featured on the February 27th episode of NBC's SMASH. The episode is entitled 'The Cost of the Art' and will air at 10:00 pm/ET on the NBC network.