One of the biggest challenges in producing Shakespeare, is making it appealing and fresh to audiences of all ages. 'How can it feel both accessible and intriguing?' With these thoughts in mind, Aaron Posner and his team must have had some long brainstorming sessions. Luckily, however, they have truly succeeded at a concept that is both loads of fun and works perfectly for William Shakespeare's The Merry Wives of Windsor. It's 1972 at the Folger and it's quite the time!
Folger Theatre concludes its successful 2019/20 season with The Merry Wives of Windsor. Aaron Posner (King John, The Winter's Tale, Twelfth Night at Folger Theatre) returns to the Folger to direct Shakespeare's delightful comedy on love, money, deception, and the power of women, set here in the early 1970s.
When the mischievous Falstaff overestimates his own scheming prowess and underestimates the savvy wives in the town of Windsor, hilarity is ahead. Folger Theatre concludes its successful 2019/20 season with The Merry Wives of Windsor. Aaron Posner (King John, The Winter's Tale, Twelfth Night at Folger Theatre) returns to the Folger to direct Shakespeare's delightful comedy on love, money, deception, and the power of women, set here in the early 1970s.
Folger Theatre opens the 2019/20 season with 1 Henry IV, Shakespeare's richly layered coming-of-age tale of power, rebellion, honor, and redemption. The production is directed by Rosa Joshi (co-founder of Seattle's upstart crow collective theater company in Seattle; Henry V and As You Like It at Oregon Shakespeare Festival), who makes her DC directorial debut at the Folger.
Folger Theatre opens the 2019/20 season with 1 Henry IV, Shakespeare's richly layered coming-of-age tale of power, rebellion, honor, and redemption. The production is directed by Rosa Joshi (co-founder of Seattle's upstart crow collective theater company in Seattle; Henry V and As You Like It at Oregon Shakespeare Festival), who makes her DC directorial debut at the Folger.
Notable for being the final selection of Woolly's incomparable Founding Artistic Director Howard Shalwitz, Rajiv Joseph's 'Describe the Night' is a must-see for any serious DC area theatergoer
Political legitimacy and enduring human connections are at the forefront of a gorgeous and spare King John at the Folger Theatre. In the assured hands of Helen Hayes Award-winning director Aaron Posner, and with a dynamic and gifted cast, the production makes a powerful case for bringing King John off the shelf and onto the stage far more often.
Secret deals. Threats of mass destruction. Shifting loyalties. Folger Theatre follows its sold-out run of Macbeth with King John, Shakespeare's rarely performed history play chronicling King John's turbulent reign from 1199 to 1216.
King John is Aaron Posner's twentieth directing project with the Folger Theatre. He is a two-time recipient of the Helen Hayes Award, and is also the director of Ford Theatre's current production, Born Yesterday.
Kate Eastwood Norris stars as Philip the Bastard in Folger Theatre's upcoming production of King John. She is a two-time recipient of the Helen Hayes Award, and has been challenging gender expectations in casting for most of her career.
Secret deals. Threats of mass destruction. Shifting loyalties. Folger Theatre follows its sold-out run of Macbeth with King John, Shakespeare's rarely performed history play chronicling King John's turbulent reign from 1199 to 1216. Directed by six-time Helen Hayes Award-winner Aaron Posner, the production features Kate Eastwood Norris (Macbeth, The Taming of the Shrew) as Philip Faulconbridge (the Bastard) and Holly Twyford (A Midsummer Night's Dream, Arcadia) as Arthur's tragic mother, Constance. Brian Dykstra, last seen on the Folger stage in Romeo and Juliet, will play the inscrutable King John.
Rampant ambition and minds unhinged. Shrieking owls and prophesies foretold. Folger Theatre begins its 2018/19 season with Macbeth, Shakespeare's murderous tragedy seen anew and here, set in London's famous Bedlam asylum for a groundbreaking production integrating period music into a famous variation of the play.
Rampant ambition and minds unhinged. Shrieking owls and prophesies foretold. Folger Theatre begins its 2018/19 season with Macbeth, Shakespeare's murderous tragedy seen anew and here, set in London's famous Bedlam asylum for a groundbreaking production integrating period music into a famous variation of the play. The Restoration-era adaptation by Sir William Davenant, which mesmerized audiences from the re-opening of London theaters in the 1660's until well into the 18th century, blends music performed by Folger Consort and the seminal tragedy of the Scottish king.
Rampant ambition and minds unhinged. Shrieking owls and prophesies foretold. Folger Theatre begins its 2018/19 season with Macbeth, Shakespeare's murderous tragedy seen anew and here, set in London's famous Bedlam asylum for a groundbreaking production integrating period music into a famous variation of the play.
Rampant ambition and minds unhinged. Shrieking owls and prophesies foretold. Folger Theatre begins its 2018/19 season with Macbeth, Shakespeare's murderous tragedy seen anew and here, set in London's famous Bedlam asylum for a groundbreaking production integrating period music into a famous variation of the play. The Restoration-era adaptation by Sir William Davenant, which mesmerized audiences from the re-opening of London theaters in the 1660's until well into the 18th century, blends music performed by Folger Consort and the seminal tragedy of the Scottish king.
Led by the incomparable Ted van Griethuysen, The Father forms a palpable connection with the audience as it explores what happens when loved ones, and indeed one's own self, become unrecognizable.
Clare Barron's apocalyptic play BABY SCREAMS MIRACLE is, fundamentally, an interesting and exceptionally written exploration of the forces of religion and of nature on one small town American family dealing with its own kind of inner turmoil. A uniformly strong cast under the direction of Artistic Director Howard Shalwitz brings out the best of the already strong script at Woolly Mammoth Theatre Company.
