Olympia Dukakis and More Set for HIPPOLYTOS, Red Bull Theater's Next 'Revelation Reading', 2/16
by BWW News Desk
- Feb 9, 2015
The next Revelation Reading, Euripides' HIPPOLYTOS, directed by Ted Pappas with Olympia Dukakis, Laila Robins, Robert Cuccioli, Clifton Duncan, Gina Daniels, Phillipe Bowgen, Catherine Gowl, Lara Hillier, January LaVoy, Deanne Lorette, Bhavesh Patel, Jean Tafler, and Edward James Hyland, will take place Monday, February 16th at Cherry Lane Theatre, 38 Commerce Street.
ANGELS IN AMERICA to Return to NYC This Fall with Ivo van Hove's Revival at BAM
by BWW News Desk
- Oct 2, 2014
Angels in America by Tony Kushner will be revived by Toneelgroep Amsterdam an directed by Ivo van Hove at BAM's Howard Gilman Opera House (30 Lafayette Ave) on October 23 & 24 at 7 p.m. and October 25 at 6 p.m. The production will feature set and light design by Jan Versweyveld, costume design by Wojciech Dziedzic, video design by Tal Yarden and music by Wim Selles. In Dutch with English titles.
Museum of the Moving Image Hosts Hou Hsiao-hsien Retrospective, Now thru 10/13
by BWW News Desk
- Sep 12, 2014
Hou Hsiao-hsien, the leading figure of the Taiwanese New Cinema movement, is one of the most important and influential filmmakers to emerge over the past three decades. His sensuous, richly textured work, marked by elegantly staged long takes and an elliptical approach to storytelling, can be seen in such widely acclaimed films as Flowers of Shanghai, A City of Sadness, Dust in the Wind, and Flight of the Red Balloon. His modernist formalism was complemented by a humanist touch expressed most strongly in films that addressed Taiwan's history and identity, often laced with Hou's own memories. From today, September 12 through October 17, 2014, Museum of the Moving Image will present Also like Life: The Films of Hou Hsiao-hsien-the first comprehensive Hou retrospective in New York since 1999. It includes all of Hou's seventeen feature films as director, presented on film (including two new 35mm prints), as well as rare shorts, and a selection of related films, among them Olivier Assayas's documentary HHH: A Portrait of Hou Hsiao-hsien, Edward Yang's seminal Taipei Story (starring, and co-written by, Hou), and Wu Nien-jen's rarely shown A Borrowed Life.
Museum of the Moving Image to Host Hou Hsiao-hsien Retrospective, 9/12-10/13
by Tyler Peterson
- Aug 19, 2014
Hou Hsiao-hsien, the leading figure of the Taiwanese New Cinema movement, is one of the most important and influential filmmakers to emerge over the past three decades. His sensuous, richly textured work, marked by elegantly staged long takes and an elliptical approach to storytelling, can be seen in such widely acclaimed films as Flowers of Shanghai, A City of Sadness, Dust in the Wind, and Flight of the Red Balloon. His modernist formalism was complemented by a humanist touch expressed most strongly in films that addressed Taiwan's history and identity, often laced with Hou's own memories. From September 12 through October 17, 2014, Museum of the Moving Image will present Also like Life: The Films of Hou Hsiao-hsien—the first comprehensive Hou retrospective in New York since 1999. It includes all of Hou's seventeen feature films as director, presented on film (including two new 35mm prints), as well as rare shorts, and a selection of related films, among them Olivier Assayas's documentary HHH: A Portrait of Hou Hsiao-hsien, Edward Yang's seminal Taipei Story (starring, and co-written by, Hou), and Wu Nien-jen's rarely shown A Borrowed Life.
Bookworks Presents June's IT'S ABOUT BOOKS
by BWW News Desk
- Jul 1, 2014
Dear Bookworks Bookworm,
I read a book this month that I had every intention of liking, but didn't. It had a story line that interested me but the characters were one dimensional and flat and the writing that was not worth writing home about. Rather than review a book that disappoints, I decided to review a movie that I had just seen with Clive Owen and Juliette Binoche, Words and Pictures. This is a movie well worth the ticket price. It is always a pleasure seeing a movie where actors do what they should be doing best, acting and where writers are doing what they should be doing best, writing.
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