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Photo Coverage: The 2012 Drama Desk Starry Arrivals Part 1

Yesterday, June 3, The 57th Annual Drama Desk Awards were held at The Town Hall, celebrating this year's big winners. The festivities were presided over by star of stage and screen Brooke Shields and Broadway favorite - and previous Drama Desk winner - Brian d'Arcy James. BroadwayWorld was on the red carpet for the starry arrivals and brings you Part 1 of the photo coverage below!

Drama Desks to Stream Live Tonight, Follow BWW for LIVE Coverage!

Nominations for the 57th Annual Drama Desk Awards were announced at a news conference on April 27 by Drama Desk winners Donna Murphy and Brian d'Arcy James. After weeks of anticipation, the ceremony is tonight, June 3, at The Town Hall and BroadwayWorld will be bringing you the full spectrum of coverage, of course!

InDepth InterView Tony Awards Edition: Joe DiPietro - Part 2: NICE WORK IF YOU CAN GET IT, THE TOXIC AVENGER & What's Next

Today we are talking to a two-time Tony Award winning lyricist and book writer who was responsible for the 2010 Best Musical winner, MEMPHIS, and who has since written the libretto of the Gershwin revue NICE WORK IF YOU CAN GET and received a well-earned Tony nomination for his efforts; one of the show's ten nods - Joe DiPietro. In this concluding portion of our conversation, DiPietro and I break down the process of creating NICE WORK IF YOU CAN GET IT and he comments on the starry cast - including Matthew Broderick, Kelli O'Hara, Judy Kaye and Estelle Parsons - and the process of collaboration in bringing the 2012 Tony Awards top nominee to the Broadway stage. Additionally, DiPietro fills us in on the future for THE TOXIC AVENGER and its tentative Broadway plans, as well as the upcoming West End mountings of MEMPHIS and, hopefully, NICE WORK - and, a look ahead to his next David Bryan collaboration, CHASING THE SONG, as well. Plus, a glance back at his work on I LOVE YOU, YOU'RE PERFECT NOW CHANGE, F*CKING MEN and ALLEGRO and his favorite current pop acts.

InDepth InterView Tony Awards Edition: Joe DiPietro - Part 1: MEMPHIS, Early Inspirations & Film Scoop!

Today we are talking to a two-time Tony Award winning lyricist and book writer who was responsible for the 2010 Best Musical winner, MEMPHIS, and who has since written the libretto of the Gershwin revue NICE WORK IF YOU CAN GET and received a well-earned Tony nomination for his efforts; one of the show's ten nods - Joe DiPietro. Discussing the finer points of his many musicals with a special focus on the two currently running on Broadway - MEMPHIS and NICE WORK - DiPietro eloquently elaborates on the process of creating both shows and the challenges new musicals these days face on their developmental road to Broadway. Additionally, we discuss Montego Glover, Chad Kimball, Matthew Broderick, Kelli O'Hara, Judy Kaye, Adam Pascal and the many other talented individuals onstage and off who have participated in the two hit productions treading the boards eight times a week. Besides the complete 411 on MEMPHIS in Part I and NICE WORK IF YOU CAN GET IT in Part II, DiPietro also opens up about his new musical endeavor with Bon Jovi and MEMPHIS composer David Bryan, THE TOXIC AVENGER, and its star, Constantine Maroulis - and don't miss my exclusive interview with Constantine all about the most recent Alley Theater iteration of the show, available here. Plus, DiPietro shares fond remembrances of shows past - I LOVE YOU, YOU'RE PERFECT, NOW CHANGE, F*CKING MEN and ALLEGRO - and future - CHASING THE DREAM - and expresses his infectious enthusiasm for the theatrical arts in general by revealing his early theatre memories, favorite scores and general love for the art form. All of that and much, much more! In Part I, DiPietro and I analyze MEMPHIS and take a step-by-step look at its creation and the development of the Tony Award-winning Best Musical. Additionally, DiPietro shares his theatrical influences and the shows and scores that meant the most to him growing up. Plus, he shares his thoughts on GLEE, SMASH and the new movie musical era.

Photo Exclusive: Behind-the-Scenes of NICE WORK IF YOU CAN GET IT's Cast Recording Session!

The Tony-nominated Best Musical NICE WORK IF YOU CAN GET IT just recorded an Original Broadway Cast album and we have the Exclusive behind-the-scene shots, along with backstage photos of a recent performance! Factory label to be distributed by Sony. The album was recorded at Kaufman Astoria Studios in Long Island City, NY on May 20th and 21st. The release date will be announced soon. The album will be produced by six-time Grammy® nominee Robert Sher.

NICE WORK IF YOU CAN GET IT Cast Album in the Works!

The Tony-nominated Best Musical NICE WORK IF YOU CAN GET IT will get an Original Broadway Cast Recording on the Shout! Factory label to be distributed by Sony. The album will be recorded at Kaufman Astoria Studios in Long Island City, NY on May 20th and 21st. The release date will be announced soon. The album will be produced by six-time Grammy® nominee Robert Sher.

Austin Pendleton Directs Boston Midsummer Opera's DON PASQUALE, 7/25-29

For its seventh season Boston Midsummer Opera (BMO) presents the comic piece, Donizetti's Don Pasquale, playing at the Tsai Performance Center at Boston University for three performances only, July 25, 27, and 29. Obie Award winner/Tony Award nominee Austin Pendleton directs the fully staged and costumed production. Music director and nationally acclaimed conductor Susan Davenny Wyner leads the performances, which will be performed with orchestra and sung in English. Metropolitan Opera bass Ricardo Lugo will sing the role of Don Pasquale.

Photo Coverage: The 57th Annual Drama Desk Nominee Reception - All the Nominees!

Nominations for The 57th Annual Drama Desk Awards were announced on Friday, April 27, 2012 at Feinstein's at Loews Regency by Drama Desk Award winners Brian d'Arcy James and Donna Murphy, with Death Takes a Holiday, Follies and Nice Work If You Can Get It leading the pack. Yesterday, May 8, all of the nominees were celebrated at a special reception and BroadwayWorld was there to capture it all.

NICE WORK IF YOU CAN GET IT Announces National Tour for Fall 2013

The producers of the critically acclaimed and Tony-nominated Best Musical NICE WORK IF YOU CAN GET IT are pleased to announce the launch of a US national tour in the fall of 2013. NICE WORK IF YOU CAN GET IT is the new musical comedy directed and choreographed by three-time Tony Award-winner Kathleen Marshall (Anything Goes) featuring music and lyrics by George Gershwin and Ira Gershwin and a book by two-time Tony Award-winner Joe DiPietro (Memphis). The production is currently playing on Broadway at the Imperial Theatre (249 West 45th Street).

Photo Blast From The Past: 2012 Tony Nominees - The Woman

Awards season is in full swing and to celebrate all of the 2011-2012 nominees, we've dug deep into our archives to bring you vintage photos of all of the talent during special moments in their careers. Check out the 2011-2012 Tony-nominated women below!

SOUND OFF: The Tell-Tale 2012 Tony Nominations

This Tuesday marked the second most exciting day of any given year for Broadway babies - the Tony Award nominations. The actual awards ceremony on CBS - Broadway's night of nights - is still a few weeks off, but now is certainly an ideal time to size up the competition(s) and see who will most likely walk away with Tony gold come June 10 - and this year's ceremony, more than most before, could very well be as surprising as this season was; or Tuesday's nominations themselves were, for that matter. While the 2011-2012 Broadway season certainly fell far short of the heady promise many ascribed to its prospects way back last Summer, we certainly saw the fulfillment of some big dreams for some notable names if not an all-in-all banner year for Broadway when collectively considered. The highly-praised Off-Broadway critical darling LYSISTRATA JONES landed with a thud early in the season, as did the re-jiggered, gender-bending revival of ON A CLEAR DAY YOU CAN SEE FOREVER and its star Harry Connick, Jr., and, even the lauded and relatively successful revival of Stephen Sondheim's peerless masterpiece FOLLIES failed to make any money and closed. GODSPELL did not fare much better, though it is still running. The two highly-anticipated revivals of Andrew Lloyd Webber's classic early successes JESUS CHRIST SUPERSTAR and EVITA were met with indifferent reviews - with the latter receiving some nasty press for its stars, neither of whom received Tony nominations - but receptive audiences so far. THE GERSHWINS' PORGY & BESS could take Best Revival, after all - but will NICE WORK's Kelli O'Hara edge out four-time Tony recipient Audra McDonald? New plays did not fare much better than the measly crop of musicals, but OTHER DESERT CITIES and VENUS IN FUR seemed to hit their target demographics squarely, but CLYBOURNE PARK looks to be the frontrunner for Best Play despite all that. We shall see. Mike Nichols may take home another Best Director for his sensitive, if workmanlike revival of Arthur Miller's DEATH OF A SALESMAN, as conceivably could Philip Seymour Hoffman and Andrew Garfield. John Lithgow is offering up some fierce competition in THE COLUMNIST, though. The acting races are tight, for sure, in both plays and musicals, with more newcomers and first-time nominees than any season this century.

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