James Macdonald returns to the Almeida to direct the world premiere of Christopher Hampton's new version of Ödön von Horváth's Judgment Day. Judgment Day will run at the Almeida from 3 September - 17 October 2009, with press night on 10 September. Set designs are by Miriam Buether with costume design is by Moritz Junge, lighting by Neil Austin, sound by Chris Shutt and music by Matthew Herbert.
UK actress Summer Strallen has been cast as Meg Giry in Andrew Lloyd Webber's LOVE NEVER DIES the sequel to THE PHANTOM OF THE OPERA. Strallen recently portrayed the role of Maria Von Trapp in Andrew Lloyd Webber's revival of THE SOUND OF MUSIC at the London Palladium.
The Daily Mail's Baz Bamigboye has revealed that Joseph Millson and Liz Robertson have joined the cast of Andrew Lloyd Webber's LOVE NEVER DIES, starring alongside previously confirmed cast members Sierra Boggess, Ramin Karimloo and Summer Strallen.
James Macdonald returns to the Almeida to direct the world premiere of Christopher Hampton's new version of Ödön von Horváth's Judgment Day. Judgment Day will run at the Almeida from 3 September - 17 October 2009, with press night on 10 September. Set designs are by Miriam Buether with costume design is by Moritz Junge, lighting by Neil Austin, sound by Chris Shutt and music by Matthew Herbert.
James Macdonald returns to the Almeida to direct the world premiere of Christopher Hampton's new version of Ödön von Horváth's Judgment Day. Judgment Day will run at the Almeida from 3 September - 17 October 2009, with press night on 10 September. Set designs are by Miriam Buether with costume design is by Moritz Junge, lighting by Neil Austin, sound by Chris Shutt and music by Matthew Herbert.
James Macdonald returns to the Almeida to direct the world premiere of Christopher Hampton's new version of Ödön von Horváth's Judgment Day. Judgment Day will run at the Almeida from 3 September - 17 October 2009, with press night on 10 September. Set designs are by Miriam Buether with costume design is by Moritz Junge, lighting by Neil Austin, sound by Chris Shutt and music by Matthew Herbert.