Producers Bob Boyett and The National Theatre of Great Britain launch the first U.S. tour of the 2011 Tony® Award-winning Best Play and international sensation, War Horse, tomorrow, Thursday, June 14 at Los Angeles's Ahmanson Theatre. The national tour will bring the hit play to 30 U.S. cities during the 2012-2013 season. The winner of five 2011 Tony® Awards, War Horse has been seen by over 2 million people worldwide and is currently playing at New York's Lincoln Center Theater, in London's West End, and at Toronto's Princess of Wales Theatre. Future productions of War Horse are planned for Australia, Berlin and South Africa, as well as a UK Tour. Check out photos from the production below!
Casting was announced today for the upcoming U.S. tour of the 2011 Tony Award-winning Best Play, WAR HORSE. The company, comprised of more than 30 performers, includes Andrew Veenstra as Albert Narracott, Brian Keane as Arthur Narracott, Michael Wyatt Cox as Billy Narracott, Todd Cerveris as Ted Narracott, Angela Reed as Rose Narracott, Jason Loughlin as Lieutenant James Nicholls, and Jason Alan Carvell as Private Schnabel.
Theater Reconstruction Ensemble's world premiere THE THREE SEAGULLS, OR MASHAMASHAMASHA! by Jaclyn Backhaus, directed by John Kurzynowski will run at the HERE Arts Center (145 6th Ave) from March 1- March 10, 2012.
Theater Reconstruction Ensemble's world premiere THE THREE SEAGULLS, OR MASHAMASHAMASHA! by Jaclyn Backhaus, directed by John Kurzynowski will run at the HERE Arts Center (145 6th Ave) from March 1- March 10, 2012.
Theater Reconstruction Ensemble's world premiere THE THREE SEAGULLS, OR MASHAMASHAMASHA! by Jaclyn Backhaus, directed by John Kurzynowski will run at the HERE Arts Center (145 6th Ave) from March 1- March 10, 2012.
Theater Reconstruction Ensemble's world premiere THE THREE SEAGULLS, OR MASHAMASHAMASHA! by Jaclyn Backhaus, directed by John Kurzynowski will run at the HERE Arts Center (145 6th Ave) from March 1- March 10, 2012.
John Faustus, in his soul-consuming quest for knowledge and power, conjures up the most hellish spirits of the underworld, and strikes a bargain with the devil that's just too good to be true.
John Faustus, in his soul-consuming quest for knowledge and power, conjures up the most hellish spirits of the underworld, and strikes a bargain with the devil that's just too good to be true.
John Faustus, in his soul-consuming quest for knowledge and power, conjures up the most hellish spirits of the underworld, and strikes a bargain with the devil that's just too good to be true.
John Faustus, in his soul-consuming quest for knowledge and power, conjures up the most hellish spirits of the underworld, and strikes a bargain with the devil that's just too good to be true. Christopher Marlowe's classic take on magic and mortality is brought to life by an ensemble of actors and designers (including four-time OBIE Award-winner Tina Shepard) working collectively to reconstruct one of the most controversial plays of the last 500 years.
Theater Reconstruction Ensemble presents it's inaugural full-length production, a new staging of Ibsen's A Doll's House. Nora's struggle to play the part of her husband's obedient little lark culminates in the door slam heard 'round the world. The ensemble examines the relationships between husband and wife, greed and power, desperation and necessity, and our own relationship to Ibsen's classic play.
Theater Reconstruction Ensemble presents it's inaugural full-length production, a new staging of Ibsen's A Doll's House. Nora's struggle to play the part of her husband's obedient little lark culminates in the door slam heard 'round the world. The ensemble examines the relationships between husband and wife, greed and power, desperation and necessity, and our own relationship to Ibsen's classic play.
Theater Reconstruction Ensemble presents it's inaugural full-length production, a new staging of Ibsen's A Doll's House. Nora's struggle to play the part of her husband's obedient little lark culminates in the door slam heard 'round the world. The ensemble examines the relationships between husband and wife, greed and power, desperation and necessity, and our own relationship to Ibsen's classic play.
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