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AMC Orders Pilot for KNIFEMAN, GALYNTINE

AMC today announced that it had ordered two pilots, Knifeman and Galyntine, both of which will be produced by AMC Studios in 2014 for consideration for series for 2015.

DEE SNIDER'S ROCK & ROLL CHRISTMAS TALE to Play Chicago's Broadway Playhouse, Beginning Nov. 2014

Broadway In Chicago has announce that DEE SNIDER'S ROCK & ROLL CHRISTMAS TALE, starring and written by iconic rocker Dee Snider, directed by Adam John Hunter and produced by John B. Yonover, will play the Broadway Playhouse at Water Tower Place (175 E Chestnut) Nov. 4, 2014 through Jan. 4, 2015. DEE SNIDER'S ROCK & ROLL CHRISTMAS TALE will be part of the Broadway In Chicago 2014 Fall Season.

David Nardi Releases RIPPED TO SHREDS

Closet hippie, staunchly-disciplined Roman Catholic, a soldier's soldier, David Nardi re-imagines the atmosphere of the Vietnam War and its era in American history. The main narrative will have readers seeing the war through the eyes of a young lieutenant in Ripped To Shreds. He calls it 'a tale of historical abandon'. This is well-realized and documented, as Nardi is a brilliant student of the chaos that accompanied a global paradigm shift in 1960s. His narrative is rounded off by lyrics and poetry, perhaps his way of showing the ambivalent heart of every thinking man who participated and matured in the events and cultural issues of that era.

BWW Reviews: Over the Top Production of ROCK OF AGES at the Fox Theatre

A certain generation (namely, my own) is going to really get a kick out of ROCK OF AGES. Those younger than me will still be amused by its wildly over the top antics, but those that are older may be a bit befuddled by the constant barrage of cultural references from the late 1980's, and probably have no familiarity at all with most of the music that's from that era. I think ROCK OF AGES is a gloriously hilarious and completely ridiculous homage to the big hair, hard rock anthem bands that ruled MTV and the radio at that time. This was cruising music when I was in my late teens and early twenties, so I instantly identified with the attitudes presented, and the music that accompanies each melodramatic moment.

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