The tragic tale of the Courtesan and Nobleman, driven apart by a father concerned for his family's reputation is played out in Giuseppe Verdi's LA TRAVIATA.
Dubbed the Queen of Bel Canto singing by European critics, celebrated Australian operatic export Jessica Pratt returns home for one performance only in Victorian Opera's I Puritani at Hamer Hall tonight 2 July.
Opera Australia's production of TURANDOT blends Puccini's famous music with striking costumes and elements of Chinese Opera to encourage the audience to imagine an Imperial China filled with crowds waiting for the execution of the latest suitor to fail the Princess' challenge.
The Sydney Opera House will undertake a major maintenance project to upgrade critical stage machinery systems in the Joan Sutherland Theatre.
One of the most beautiful operas of this year's Winter Season, Verdi's devastatingly romantic La Traviata plays from Friday 3 July to Wednesday 22 July at Joan Sutherland Theatre, Sydney Opera House.
Dubbed the Queen of Bel Canto singing by European critics, celebrated Australian operatic export Jessica Pratt returns home for one performance only in Victorian Opera's I Puritani at Hamer Hall on Thursday 2 July.
Set in the modern day, THE UNKNOWN SOLDIER explores the human side of war as fragments of history are pieced together in a deeply moving play.
In recognition of his longstanding contribution to the live performance industry, Live Performance Australia (LPA) is honoured to announce Australian music icon, Paul Kelly as the recipient of this year's JC Williamson Award. Mr Kelly will be presented with the JC Williamson Award honouring his extraordinary career at the 15th annual Helpmann Awards Ceremony to be held at Sydney's Capitol Theatre on Monday 27 July.
World-renowned tenor Anthony Kearns will sing the tenor role in The Irish Ring Concert - i.e., a trilogy of Irish operas that includes Maritana, The Bohemian Girl and The Lily of Killarney - at Ireland's National Concert Hall this Tues., April 28 and Wed., April 29, 2015.
59E59 Theaters welcomes terraNOVA Collective with the NY premiere of UNDERLAND, written by Alexandra Collier and directed by Mia Rovegno. UNDERLAND begins performances tonight, April 3 for a limited engagement through Saturday, April 25. Press opening is Saturday, April 11 at 8:15 PM.
Opera Australia Artistic Director Lyndon Terracini AM and leading Australian theatre producer John Frost AM today announced that actor, comedian and impressionist Gerry Connolly would join the cast of their upcoming production of Anything Goes to play the Captain of the S.S. American during the Melbourne and Brisbane seasons. Due to his increased radio and television commitments, Alan Jones needs to remain located in Sydney so has had to withdraw from the Melbourne and Brisbane seasons, but will join the company to play the Captain during the Sydney Opera House season.
DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.
Thanks to the generous support of the Virginia B. Toulmin Foundation Brooklyn-based theatre company Colt Coeur (Dry Land by Ruby Rae Spiegel, Everything is Ours, by Nikole Beckwith) has commissioned playwright Amelia Roper to create an original play over the next year, with an eye towards production in the company's 2015-2016 season.
59E59 Theaters welcomes terraNOVA Collective with the NY premiere of UNDERLAND, written by Alexandra Collier and directed by Mia Rovegno. UNDERLAND begins performances on Friday, April 3 for a limited engagement through Saturday, April 25. Press opening is Saturday, April 11 at 8:15 PM. The performance schedule is Tuesday - Thursday at 7:15 PM; Friday & Saturday at 8:15 PM; and Sunday at 3:15 PM. Performances are at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues). Tickets are $25 ($17.50 for 59E59 Members). To purchase tickets, call Ticket Central at (212) 279-4200 or go to www.59e59.org.
DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.
Opera Australia's new interpretation of FAUST is a delicious mix of hedonism, debauchery, desire and despair.
I am taken back to the first Opera I saw as a kid and the pomp and circumstance with wearing a tux and walking to the lavish theatre; this was when I fell in love with classical music. Often times we hear opera and other classical art forms are inaccessible to the people, but Houston Grand Opera's English translation of Mozart's THE MAGIC FLUTE (Die Zauberflote) proved that opera isn't a stuffy, highbrow art form for the bourgeois. THE MAGIC FLUTE premiered on September 30, 1791 at Emanuel Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, and Mozart conducted the orchestra. The MAGIC FLUTE often referenced as a singspiel, is an opus with spoken dialogue which lends itself to the elements of classical musical theatre. The heart of this new work was an excerpt from the oriental genie tales collected by poet Christoph Martin Wieland but transitioned to have Masonic elements from the novel Sethos by Abbe Jean Terrasson.
I don't know when the next time the Met is planning to bring back Tchaikovsky's final opera, IOLANTA (libretto by his brother Modest) into its repertory, but they should, and quickly. And if you have the opportunity, run to see it as fast as you can. It's not often that the Met puts on a opera and production so compelling and glorious to watch and hear.
her panoply of experiences with famous directors, conductors, and opera luminaries like Dame Joan Sutherland
Moffatt Oxenbould's (Director) staging of MADAMA BUTTERFLY is revived by Matthew Barclay (Revival Director) to share this doomed love story with new audiences. Whilst other operas presented by Opera Australia in their 2015 season have been re-imaginings, changing locations and eras, MADAMA BUTTERFLY has been left in its early 1900's time-period and house on a hill in Nagasaki setting.
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