Interview: Give Credit Where Credit is Due When it Comes to The Orchestrator!
Recently I wrote a Broadway World feature dealing with a partial restoration of Robert Ginzler’s original orchestrations for Bye, Bye, Birdie at the Kennedy Center by conductor John Bell with additional work by Joshua Clayton. When the piece was shared on social media, it started a bigger conversation about proper credit for the original orchestrator. Robert Ginzler was somehow never acknowledged in the Kennedy Center program.
