Bentertainment and Abrons Arts Center present: Toilet Fire: Rectums in the Rectory, Written and performed by Eliza Bent, Directed by Kevin Laibson. A New Georges supported production, Performances Oct. 29 - Nov. 14 at Abrons Arts Center.
The Wild Project has announced its current and upcoming projects for November 2015. Scroll down for the details!
Toilet Fire: Rectums in the Rectory is Eliza Bent's ceremony and celebration of the one thing that unites us all: our need to go. Using the structure of an ancient religious ritual to talk about matters of digestion, philosophy, and faith, Toilet Fire written and performed by Bent, with direction by Kevin Laibson and music accompaniment by Alaina Ferris, explodes with song, story, audience participation, and unexpected textual twists.
Coming off of their Obie Award winning production of A Beautiful Day in November on the Banks of the Great Lakes at City Center in January and the critically acclaimed Heartbreak at The Bushwick Starr in May, New Georges announces their final production of 2015, the World Premiere of HOW TO GET INTO BUILDINGS by Trish Harnetiaux (If You Can Get to Buffalo with Incubator Arts Project) at The Brick (579 Metropolitan Avenue, Brooklyn; www.bricktheater.com) as part of The Brick's Resident Artist program, December 3-19.
Toilet Fire: Rectums in the Rectory is Eliza Bent's ceremony and celebration of the one thing that unites us all: our need to go. Using the structure of an ancient religious ritual to talk about matters of digestion, philosophy, and faith, Toilet Fire written and performed by Bent, with direction by Kevin Laibson and music accompaniment by Alaina Ferris, explodes with song, story, audience participation, and unexpected textual twists.
Toilet Fire: Rectums in the Rectory is Eliza Bent's ceremony and celebration of the one thing that unites us all: our need to go. Using the structure of an ancient religious ritual to talk about matters of digestion, philosophy, and faith, Toilet Fire written and performed by Bent, with direction by Kevin Laibson and music accompaniment by Alaina Ferris, explodes with song, story, audience participation, and unexpected textual twists.
Toilet Fire: Rectums in the Rectory is Eliza Bent's ceremony and celebration of the one thing that unites us all: our need to go. Using the structure of an ancient religious ritual to talk about matters of digestion, philosophy, and faith, Toilet Fire written and performed by Bent, with direction by Kevin Laibson and music accompaniment by Alaina Ferris, explodes with song, story, audience participation, and unexpected textual twists.
For the first time in two decades, The Kitchen will present a new edition of the acclaimed performance series And That's How the Rent Gets Paid, written by downtown legends Jeff Weiss and Richard C. Martinez. For three nights only (tonight, July 14, through July 16), Weiss and Martinez's thrilling serial drama, which follows a charming serial killer through the queer underbelly of New York City, will be brought to life by director and producer Brooke O'Harra with Kate Valk and Nicky Paraiso. The three-day marathon performance features an eclectic group of 50 performers including David Cale, Jennifer Miller, Keith McDermott, Becca Blackwell, Jess Barbagallo, Moe Angelos and Mark Bennett, among others. Weiss will appear in the production, in various cameo performances, throughout the three-day run.
The wild project just announced its current and upcoming events and performances. Scroll down for details!
For the first time in two decades, The Kitchen will present a new edition of the acclaimed performance series And That's How the Rent Gets Paid, written by downtown legends Jeff Weiss and Richard C. Martinez. For three nights only (July 14-16), Weiss and Martinez's thrilling serial drama, which follows a charming serial killer through the queer underbelly of New York City, will be brought to life by director and producer Brooke O'Harra with Kate Valk and Nicky Paraiso. The three-day marathon performance features an eclectic group of 50 performers including David Cale, Jennifer Miller, Keith McDermott, Becca Blackwell, Jess Barbagallo, Moe Angelos and Mark Bennett, among others. Weiss will appear in the production, in various cameo performances, throughout the three-day run.
The Wild Project has announced its currently running and upcoming events for May and June 2015. Details below!
In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, today, May 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.
The Wild Project has announced its currently running and upcoming events for May and June 2015. Details below!
Five-time Obie Award-winning theater company Clubbed Thumb is proud to announce casting for SUMMERWORKS, its annual series of new plays. Now in its 20th season, SUMMERWORKS will run May 20th through June 29th at The Wild Project (195 E 3rd Street) in Manhattan, and will feature productions of three new plays: D DEB DEBBIE DEBORAH by Jerry Lieblich, directed by Lee Sunday Evans; CARD AND GIFT by Kate E. Ryan, directed by Ken Rus Schmoll; and MEN ON BOATS by Jaclyn Backhaus, directed by Will Davis. Festival passes are now on sale at https://www.artful.ly/clubbedthumb/store/passes, and individual tickets can be purchased at https://www.artful.ly/clubbedthumb.
Emily Climbs (Machine Mechant) imagines a future looking back on a past that is still in our future. Through a collection of performed materials (an amateur stand up routine, excerpts from a one-woman show, interview transcripts, found documents, role playing scenes, and more)the show explores person-hood of Emily Climbs: a failed science-experiment, a devoted companion, a benign provocateur, a socialized woman struggling with the burden of individualism and the American Dream.
In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, March 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.
In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, March 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.
Emily Climbs (Machine Mechant) imagines a future looking back on a past that is still in our future. Through a collection of performed materials (an amateur stand up routine, excerpts from a one-woman show, interview transcripts, found documents, role playing scenes, and more)the show explores person-hood of Emily Climbs: a failed science-experiment, a devoted companion, a benign provocateur, a socialized woman struggling with the burden of individualism and the American Dream.
Award-winning writer and director Tina Satter, along with her company Half Straddle, re-imagine and re-invigorate cult pop and literary tropes in an effort to trouble and question language and identity. As company member Jess Barbagallo has written, 'Characters in Tina's plays are often on the precipice of a subversive self-discovery, and articulate a sad but liberating and intrinsically queer value: that the self is perhaps never to be discovered, but always to be made.' In Satter's meticulous landscapes, both actors and characters playfully embrace fluidity, feminine agency and subversion. Critics have marveled at Satter's theatricality. Ben Brantley in The New York Times called her work, 'enchanting,' and, 'so very refreshing' while Helen Shaw in Time Out New York declared, 'Satter's Half Straddle company is launching a particularly coordinated goal-line drive to a new feminist form.'
Edinburgh Festival sensation, FOREST FRINGE will transform Abrons Arts Center for a building-wide microfestival, this weekend, October 3-5, 2014.
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