A human ball of silver glitter hanging from a cord is lowered above what looks like a bungalow-sized muffin top. (It's supposed to represent a turtle shell.) Before the glitter ball makes its landing the cover is removed to reveal what looks like a tribe of humanish amphibians bouncing on trampolines and twirling on the muffin/turtle's frame. Shortly after, a sleazy-looking clown in a tropical shirt tosses a condom to a woman in the front row and says, 'Call me!' Yes, dear readers, Cirque du Soleil is back in town.
The Music Theatre Company (TMTC), Highland Park's Equity theatre, 1850 Green Bay Road, is proud to announce the company's 2013 mainstage production, The Pajama Game. Directed by Jess McLeod and choreographed by Founding Artistic Director Jessica Redish, April 18 - May 12, with press opening Thursday, April 25 at 8 p.m. Preview performances are April 18 - 21. Performances are Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. Preview ticket prices are $27 for students with ID and seniors (60+) and $35 for the general public. Regular ticket prices are $32 for students and seniors and $40 for the general public. To purchase tickets or for more information call The Music Theatre Company at 847.579.4900or visit www.themusictheatrecompany.org.
Today in 2006, The Pajama Game opened at the America Airlines Theatre, where it ran for 129 performances. The Pajama Game is a musical based on the novel 7½ Cents by Richard Bissell. It features a score by Richard Adler and Jerry Ross. The story deals with labor troubles in a pajama factory, where worker demands for a seven-and-a-half cents raise are going unheeded. In the midst of this ordeal, love blossoms between Babe, the grievance committee head, and Sid, the new factory superintendent. The original Broadway production opened on May 13, 1954, and ran for 1,063 performances.
Theatre in the Park will be unveiled with a major revival of the musical Barnum presented in association with Cameron Mackintosh. Directed by Timothy Sheader, Artistic Director of Regent's Park Open Air Theatre, this production will star the versatile and consummate Broadway entertainer Christopher Fitzgerald in the title role.
The Pajama Game's abbreviated run (just four public performances in four days) means that time's a-wasting to get your tickets for the remaining two shows tonight and tomorrow afternoon. So get to it! You'll be glad you did.
Beki Baker directs and 2011 First Night Award-winning Justin Boccitto will choreograph as Lipscomb University's Department of Theatre brings the Richard Adler-Jerry Ross Tony Award-winning musical The Pajama Game to the stage of Collins Alumni Auditorium tonight, November 1-4.
Lipscomb University Theatre presents the trailer for its upcoming production of Pajama Game. Beki Baker directs and 2011 First Night Award-winning Justin Boccitto will choreograph as Lipscomb University's Department of Theatre brings the Richard Adler-Jerry Ross Tony Award-winning musical The Pajama Game to the stage of Collins Alumni Auditorium November 1-4.
Beki Baker directs and 2011 First Night Award-winning Justin Boccitto will choreograph as Lipscomb University's Department of Theatre brings the Richard Adler-Jerry Ross Tony Award-winning musical The Pajama Game to the stage of Collins Alumni Auditorium November 1-4.
In May 1954, the musical The Pajama Game opened at the St. James Theatre, where it ran for 1,063 performances. It opened in the West End the following year, played Broadway most recently in a 2006 revival starring Kelli O'Hara and Harry Connick Jr., and, according to The Daily Mail's Baz Bamigboye, is now slated to play Chichester Festival's Minerva Theatre in early 2013.
Houston's High School for the Performing and Visual Arts (HSPVA) rigorously trains their theatre students in a way that prepares them to work in the professional theatrical world. It nurtures both individual and ensemble creativity and exploration, while allowing the students to dedicate themselves to the mastery of their craft. With that philosophy in mind, the school is programming Richard Adler, Jerry Ross, George Abbot, and Richard Bissell's 1954 hit musical THE PAJAMA GAME for their 2012 All School Musical. Maintaining the integrity of the original work, HSPVA is producing the full two-act show, including the Act II ballet, with minimal minor cuts.
Jessica Redish, founding artistic director of The Music Theatre Company (TMTC), Highland Park's Equity theatre, 1850 Green Bay Road, is proud to announce the company's fifth season. The 2012-2013 season features the mainstage production, in spring 2013, of the Tony Award-winning The Pajama Game, directed by Jess McLeod and choreographed by Founding Artistic Director Jessica Redish, three Musicals in Concert and five Artists in Concert. Season subscriptions for the Musicals in Concert series and single tickets for the 2012 - 2013 season are on sale now. To purchase subscriptions, single tickets or for more information call The Music Theatre Company at 847.579.4900 or visit www.themusictheatrecompany.org.
Palmetto Records will release Tony Award winner and two-time Grammy nominee Betty Buckley's latest solo album, Betty Buckley: Ah, Men! The Boys of Broadway, in stores nationwide and online today, Tuesday, August 28, 2012. Inspired by her critically acclaimed 2011 concert at Feinstein's at the Lowes Regency in New York City, Buckley reinterprets classic Broadway songs that were originally made famous by men.
Today in 1995, the first Broadway revival of Damn Yankees closed at the Marquis Theatre, where it ran for 533 performances. Damn Yankees is a musical comedy with a book by George Abbott and Douglass Wallop and music and lyrics by Richard Adler and Jerry Ross. The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball.
Carson Kressley (Mr. Applegate) is devilishly delicious, providing a subtle playing field for the entire cast to play on. The audience delights in the Kressley-isms sprinkled throughout. Kressley's vocals and comedic timing prove that he can do more than just make people look fashionably good.
The Academy of Television Arts & Sciences announced this morning the 64th Annual Primetime Emmy(R) Award nominations, recognizing AMC with 34 nominations, the most for any basic cable network for the fifth year in a row, breaking the previous 29 nomination record for the network from 2011.
As a super-special prelude to BroadwayWorld's forthcoming InDepth InterView with Cheyenne Jackson, today we are shining a light on his two infectiously catchy and frothily pleasing pop singles from a forthcoming EP tentatively scheduled for release later this year - "Drive" and "Before You". Particularly given this week's world premiere of the eye-grabbing new music video for the instant earworm "Before You", now was the perfect time to catch up with one of Broadway and Hollywood's biggest rising stars as he prepares for his roles on the new NBC reboot of THE MUNSTERS, created by PUSHING DAISES and upcoming HANNIBAL writer/producer Bryan Fuller, titled MOCKINGBIRD LANE, as well as his part in the new star-studded Steven Soderbergh-directed HBO Liberace biopic BEYOND THE CANDELABRA, co-starring Oscar-winners Michael Douglas and Matt Damon, all about his many exciting endeavors. While the InDepth InterView covers those fresh topics as well as his new songwriting career and upcoming EP - as well as much, much more - today we are focusing primarily on the two new summer singles, some live performances of them, and, of course, both of their subsequent uniquely effective music videos. The music video for "Drive" is an instantly visually arresting animated road-trip travelogue depicting a cartoon Cheyenne navigating life's highways and byways while casting the occasional glance in the literal and proverbial rearview mirror, whereas "Before You" is a slightly ROCKY HORROR-esque, almost entirely black-and-white throwback to the frivolous sci-fi and horror-themed cheesy B-movies of the era - complete with a house of horrors featuring zombies, mummies, monsters and Rachel Dratch in a bizarre bird-themed hat. Both videos go the unexpected route in delivering the song's message, yet each hits their target in managing to showcase Cheyenne's considerable skills to their best advantage.
On Thursday, three-time Tony Award-winning Broadway composer Richard Adler passed away at the ripe old age of 90. Responsible for two of the biggest Broadway smash hits of the 1950s, THE PAJAMA GAME and GAMN YANKEES, Adler never quite managed to equal his career-high double-hitter of that era, yet his earlier work with Tony Bennett ('Rags To Riches'), Doris Day ('Everybody Loves A Lover') and Marilyn Monroe (the iconic 'Happy Birthday, Mr. President') surely shall solidify his place in the firmament of entertainment history along with his two classic musicals from the Golden Age. Winning both Best Score and Best Musical for both THE PAJAMA GAME and DAMN YANKEES, Adler's partnership with lyricist Jerry Ross - which began on Broadway in 1953 with JOHN MURRAY ANDERSON'S ALMANAC - was tragically cut short just months after the DAMN YANKEES premiere when Ross was diagnosed with lung disease and passed away soon thereafter. Yet, thanks to the beloved film versions of THE PAJAMA GAME and DAMN YANKEES and continued interest in the entities as expressed in the revivals and reappraisals of both onstage from Broadway to Biloxi to Bombay year after year, the snappy, snazzy tunes of Adler and Ross live on eight times a week all around the world - even now, more than fifty years after they premiered. Unfortunately, Adler's subsequent shows with other collaborators post-1955 failed to capture the early magic of his previous projects with Ross and his earlier musical and theatrical endeavors in the pop arena, with the racially charged KWAMINA flopping on Broadway in 1961 (though he took home a Best Composer Tony Award for his efforts anyway) and the awkwardly titled MUSIC IS failing to recreate the magic of its source material, Shakespeare's TWELFTH NIGHT, in 1976. A MOTER'S KISSES, starring Bea Arthur and a young Bernadette Peters, died on the road, as well. In the intervening years, Adler attempted musical adaptations taken from a number of intriguing sources - OF HUMAN BONDAGE and others among them - though only his ballet scores seemed to reach an audience; particularly his last, commissioned for a new production of Lorca's THE HOUSE OF BERNARDA ALBA in 1998. Of course, THE PAJAMA GAME has had two Broadway revivals - most recently the rapturously received Kathleen Marshall-directed production starring Harry Connick, Jr. and Kelli O'Hara; and DAMN YANKEES famously returned to the Great White Way with much ado in 1994 starring Victor Garber. Now seems particularly ripe for remounting YANKEES, as we approach twenty years in its absence - especially given the musical's seriously smashing showing at Encores! in 2007. Who knows, perhaps some risky producer will even take a chance on a new production of KWAMINA, MUSIC IS, A MOTHER'S KISSES or one of the bottom drawer shows someday soon to see if they possess any of the limitless potential shown by Adler's earlier work. Or maybe a stage treatment of his TV musical GIFT OF THE MAGI (originally composed for then-wife Sally Ann Howes)? Or, better yet, how about a revue? What a stupendous songstack Adler created over the course of his career - 'Whatever Lola Wants' to 'Hey There' to 'Hernando's Hideaway' to 'You Gotta Have Heart' to 'Steam Heat' to the aforementioned Bennett, Day and Monroe standards and so many more chestnuts.
