Jeremy Maxwell News

The Rocky Horror Show is BACK on the Boiler Room Theatre stage! After last year's rave production of this cult classic, the time warp is back for you and your friends to enjoy! Six Performances Only! October 26-November 3!

Boiler Room Theatre revives its award-winning production of The Rocky Horror Show for six performances in October, running October 26 through November 3, including two midnight shows and a special Halloween performance.

Dressed to the nines-despite forecasts of thunderstorms and a tornado watch that hung over the region-theater people from throughout Tennessee gathered at Belmont University's Bill and Carole Troutt Theatre on Sunday night for the 2013 First Night Honors. Hosted by Holly Shepherd and Joel Diggs, the gala evening honored eight leading lights of Tennessee theater as they were recognized as members of the First Night Class of 2013 Honorees.

We've been doing our part to prepare ye the way, watching the action onstage, taking some furtive peeks backstage, listening to all the offstage gossip and venturing beyond the confines of the theater to gain the informed knowledge to see more shows in the Volunteer State than you ever thought possible. So, good people of the theaterati, read on and get all the information you need to know in this, our latest installment of Music City Confidential. This is #6…

In fact, Wilkinson's new and fresh version of The Odd Couple comes down to one thing: Casting. Sure, Oscar is still a slovenly and slobby, even if quick-witted, mess, and Felix is an effete fussbudget (and, if I were a psychologist, I could have a field day with all the subtext going on in that hot NYC apartment in the mid-1960s), but their friends seem different thanks to the director's choice of actor for each role.

Derek Whittaker and Charlie Winton star as Oscar Madison and Felix Unger in Chaffin's Barn Dinner Theatre's production of The Odd Couple, the timeless Neil Simon comedy opening Thursday, July 12, and continuing through August 19.

Set in 1976, Ralph Pape's Say Goodnight, Gracie deftly blends wistful nostalgia with tinges of regret that always tend to surface when you're faced with a high school reunion. And smoking pot; smoking pot makes anything seem more complex and redolent with hidden meaning and deeper regret than when you're thinking about them straight. I say this from personal experience. I did not, however, inhale.

Just when you thought it was safe to go to the theater once again, we welcome you to the debut installment of Music City Confidential, all the news that's fit to print (or not-depending on your perspective) from Nashville's ever-growing, ever-fascinating (okay, so we obviously don't have enough to occupy ourselves) live theater industry (we're trying that out-does it work? Let us know, theaterati!) Here amid the florid prose and flowery praise, you'll find all the stories that don't quite fit elsewhere, some of 'em kind of gossipy, some of 'em stone-cold serious, some of 'em just lists of names you need to know. You'll also find photos from our new "Intermission@" series, details about the latest cast parties and various and sundry minutiae-the veritable flotsam and jetsam-from backstage, onstage, offstage and beyond…

Ralph Pape's Say Goodnight, Gracie tells the story of life, dreams, high school reunions and Devil Dogs. It is New York City, 1976, and we meet five members of the first Television Generation: Jerry, a struggling actor, his girlfriend Ginny, a secretary, Steve, a prankish would-be poet and television writer, Bobby, a musician who has been scraping by with dates in small clubs in suburban New Jersey, and his girlfriend, Catherine, a beautiful and rather kinky airline stewardess.

SAY GOODNIGHT, GRACIE by Ralph Pape tells the story of life, dreams, high school reunions and Devil Dogs. It is New York City, 1976, and we meet five members of the first Television Generation: Jerry, a struggling actor, his girlfriend Ginny, a secretary, Steve, a prankish would-be poet and television writer, Bobby, a musician who has been scraping by with dates in small clubs in suburban New Jersey, and his girlfriend, Catherine, a beautiful and rather kinky airline stewardess.

Ralph Pape's Say Goodnight, Gracie tells the story of life, dreams, high school reunions and Devil Dogs. It is New York City, 1976, and we meet five members of the first Television Generation: Jerry, a struggling actor, his girlfriend Ginny, a secretary, Steve, a prankish would-be poet and television writer, Bobby, a musician who has been scraping by with dates in small clubs in suburban New Jersey, and his girlfriend, Catherine, a beautiful and rather kinky airline stewardess.

SAY GOODNIGHT, GRACIE by Ralph Pape tells the story of life, dreams, high school reunions and Devil Dogs. It is New York City, 1976, and we meet five members of the first Television Generation: Jerry, a struggling actor, his girlfriend Ginny, a secretary, Steve, a prankish would-be poet and television writer, Bobby, a musician who has been scraping by with dates in small clubs in suburban New Jersey, and his girlfriend, Catherine, a beautiful and rather kinky airline stewardess.

The Boiler Room Theatre's Youth Education Program, YEP!, will be performing CHARLOTTE'S WEB on Saturdays in March at 10:00am.

The Boiler Room Theatre's Youth Education Program, YEP!, will be performing CHARLOTTE'S WEB on Saturdays in March at 10:00am.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Beautifully conceived by an ambitious, driven director and artfully brought to life by a stellar cast of actors, Pacific Overtures-the musical by Stephen Sondheim and John Weidman-seems, at first, an unlikely choice for the sophomore season of Nashville's Blackbird Theater. Yet when you consider the company's prior offerings (which include Twilight of the Gods, an original play by Wes Driver and Greg Greene, the company's co-founders; Tom Stoppard's intellectually compelling Arcadia; and G.K. Chesterton's rarely produced Magic), it fits perfectly into the Blackbird canon. And, like those earlier productions, Pacific Overtures is another artistic triumph, the realization of a long-held dream by director Greene to bring his favorite work for musical theater to the stage.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Nashville audiences-and chattering, anticipatory theater critics-will be given the opportunity to weigh in with their own impressions of Pacific Overtures, thanks to an ambitious production from Blackbird Theater, the acclaimed company now in its sophomore season at David Lipscomb University's Shamblin Theatre.

Playwright Nate Eppler, Mas Nashville's FIVE, the Boiler Room Theatre, Lipscomb University's Hairspray, ACT 1's American Buffalo and the national touring company of Memphis, the Musical were the top winners at Sunday night's Midwinter's First Night at Nashville's Keeton Theatre, which also featured the presentation of the BroadwayWorld.com Nashville and Tennessee theatre awards.

Under the sure-handed direction of Morton, who has brought together an impressive cast of adult actors with two different casts of youngsters, the whole of Oliver! is remarkable, a thoroughly delightful evening of theater that allows those older thespians to show off their talents while showcasing the budding talents of her younger charges, who display stage presence and focus throughout the tune-filled musical. In fact, it is Morton's skilled and practiced eye in regards to casting that really sets this Oliver! apart from any of the others we've seen. Frankly, the woman knows what she's doing.