Playwrights Horizons, under the leadership of Artistic Director Tim Sanford and Managing Director Leslie Marcus, has announced the six productions of its 2014/2015 Season. The six works will be presented at the theater company's home at 416 West 42nd Street. In season order, they will be:
Continuing its tradition of presenting innovative and cutting-edge works, Lisa Steindler, Artistic Director of Z Space announces the world premiere of Hundred Days, a folk rock odyssey conceived and composed by The Bengsons.
Soho Rep. announces casting and performance dates for the world premiere of Branden Jacobs-Jenkins's An Octoroon, directed by Soho Rep. Artistic Director Sarah Benson. The production, April 23-May 18, concludes a banner New York season for the celebrated playwright, whose Appropriate makes its New York premiere February 25-April 6 at Signature Theatre.
The Drama Desk and Obie Award-winning Keen Company today announced the Keen Teens, the educational theatre partnership between Off-Broadway's Keen Company and the theatrical publishing company Samuel French, has selected the writers for the program's eighth season: Kristoffer Diaz, Halley Feiffer, and Kenny Finkle, who have been commissioned to write thirty-minute, large cast plays, which will be produced with student actors Off-Broadway.
New Georges' 22nd production year will spotlight on The New Georges Jam ON TOAST at Dixon Place, a new play festival that will feature work by the New Georges Jam, a "performance gym" for early-career playwrights and directors founded at New Georges in 2010 by Lucy Alibar(Beasts of the Southern Wild), Jess Chayes (HOME/SICK) and Portia Krieger (Eager to Lose). The New Georges Jam ON TOAST will feature 19 Jammers past and present - including two playwrights receiving their first New York productions. But first New Georges will kick things off with The 1st George Sand Invitational One-Minute Play Festival, the first all-women edition of the nationwide One-Minute Play Festival, January 13th & 14th at INTAR Theatre, featuring one-minute plays by over 50 female playwrights. The '14 season will also feature a special collaboration between New Georges and Barnard College in March, New Plays at Barnard, which will bring downtown artists and the new-play experience to students at Barnard and Columbia.
The One-Minute Play Festival and New Georges have created a dynamic partnership for The 1st George Sand Invitational One-minute Play Festival with part of the proceeds to benefit New Georges' indispensable workspace for women theater artists: The Room.
Continuing its tradition of presenting innovative and cutting-edge works, Lisa Steindler, Artistic Director of Z Space announces the world premiere of Hundred Days, a folk rock odyssey conceived and composed by The Bengsons.
Labyrinth Theater Company, the award-winning, downtown ensemble, announced today the New York Premiere of The Muscles in Our Toes by Labyrinth Company Member Stephen Belber, and directed by Anne Kauffman. The play will be produced in late Spring 2014 at Labyrinth's home in New York City's West Village, the Bank Street Theater (155 Bank Street).
Perhaps the defining characteristic of Soho Rep, under the artistic direction of Sarah Benson, is the institution's commitment to artists creating surprisingly big theatrical events in its very small space on Walker Street. Soho Rep's 2013-14 season, announced today, provides ample evidence of that commitment, comprising two shows that are among the biggest the organization has ever produced: the New York premiere of David Adjmi's Marie Antoinette, directed by Rebecca Taichman and featuring Marin Ireland (Blasted); and Branden Jacobs-Jenkins' An Octoroon, directed by Benson.
On Sunday, September 22 New Georges held their BIG Benefit at Seamen's House, a private townhouse in Chelsea. The fundraiser featured a special performance by Eisa Davis and short plays and songs written specifically for the event by Laura Eason, Boo Killebrew, Julie Kramer, Rachel Peters and Charise Castro Smith, featuring Heidi Schreck, Maria-Christina Oliveras, Amy Wilson, Stephanie Wright Thompson, Eric Clem and others. Scroll down for photos from the festivities!
Kathleen Chalfant and Kate Mulgrew will host the Vineyard Theatre's annual Emerging Artists Luncheon today, Oct. 3 from noon to 2 p.m. at the National Arts Club (15 Gramercy Park South) in Manhattan. The event will feature the presentation of the 2013 Paula Vogel Playwriting Award to Christopher Chen, a San Francisco-based playwright whose works include THE HUNDRED FLOWERS PROJECT and other plays. Ms. Vogel will be in attendance and present the award.
Christopher Chen -- a San Francisco-based playwright whose works include THE HUNDRED FLOWERS PROJECT and other plays - is the 2013 recipient of the Paula Vogel Playwriting Award, presented annually by Vineyard Theatre to an emerging playwright of exceptional promise, it has been announced by Douglas Aibel, Vineyard Theatre's Artistic Director and Sarah Stern, Co-Artistic Director.
At a benefit event held for New Georges on Sunday, September 22, Producing Artistic Director Susan Bernfield and board member Michael Osso announced a new program at New Georges, The Audrey Residencies, and the artists and projects chosen for 2013-14, the program's inaugural year. Sunday's event also featured the premiere showing of a video about New Georges produced by tdf for tdfSTAGES' Meet the Theatre series and directed by Mark Blankenship, tdf's online content editor, to be released in early November.
Kathleen Chalfant and Kate Mulgrew will host the Vineyard Theatre's annual Emerging Artists Luncheon on Thursday, Oct. 3 from noon to 2 p.m. at the National Arts Club (15 Gramercy Park South) in Manhattan. The event will feature the presentation of the 2013 Paula Vogel Playwriting Award to Christopher Chen, a San Francisco-based playwright whose works include THE HUNDRED FLOWERS PROJECT and other plays. Ms. Vogel will be in attendance and present the award.
Christopher Chen -- a San Francisco-based playwright whose works include THE HUNDRED FLOWERS PROJECT and other plays - is the 2013 recipient of the Paula Vogel Playwriting Award, presented annually by Vineyard Theatre to an emerging playwright of exceptional promise, it has been announced by Douglas Aibel, Vineyard Theatre's Artistic Director and Sarah Stern, Co-Artistic Director.
Perhaps the defining characteristic of Soho Rep, under the artistic direction of Sarah Benson, is the institution's commitment to artists creating surprisingly big theatrical events in its very small space on Walker Street. Soho Rep's 2013-14 season, announced today, provides ample evidence of that commitment, comprising two shows that are among the biggest the organization has ever produced: the New York premiere of David Adjmi's Marie Antoinette, directed by Rebecca Taichman and featuring Marin Ireland (Blasted); and Branden Jacobs-Jenkins' An Octoroon, directed by Benson.
Sundance Institute and the LUMA Foundation previously announced that the two organizations would collaborate to host The Sundance Institute | LUMA Foundation Theatre Directors Retreat at Domaine de l'Armelliere, today, July 29 - August 9, in Arles, France. Under the supervision of Philip Himberg, Artistic Director of The Sundance Institute Theatre Program, Producing Director Christopher Hibma and Program Associate Anne Kauffman, the Retreat will be the first theatre director-centered residency at the Institute.
Sundance Institute and the LUMA Foundation today announced that the two organizations will collaborate to host the Sundance Institute | LUMA Foundation Theatre Directors Retreat at Domaine de l'Armelliere, July 29 - August 9, in Arles, France. Under the supervision of Philip Himberg, Artistic Director of the Sundance Institute Theatre Program, Producing Director Christopher Hibma and Program Associate Anne Kauffman, the Retreat will be the first theatre director-centered residency at the Institute.
Jenny Schwartz's Somewhere Fun, receiving a splendidly performed and whimsically mounted production from director Anne Kauffman at the Vineyard, is one of those plays where an author's traditional response to the traditional post-viewing question is, 'Well, what do you think it means?'