pera Saratoga's Artistic and General Director Lawrence Edelson announced today updated casting and additional events to be featured as part of the company's 2019 Summer Festival, beginning May 25th, 2019 and running through July 14th, 2019.
In celebration of International Women's Day, DCINY guest conductor Nancy Menk leads an orchestra and all-female choir in various choral works for women's voices. DCINY Artistic Director and Principal Conductor Jonathan Griffith conducts John Rutter's Magnificat with the Distinguished Concerts Orchestra and Distinguished Concerts Singers International. The concert takes place on Sunday, March 17, 2 PM at Stern Auditorium/Perelman Stage, Carnegie Hall. Tickets start at $20. For tickets and information, visit DCINY's website.
The programs of Kent Tritle's spring 2019 concerts offer a display of the conductor's work on both a grand and intimate scale. 'New York's choral conducting superstar' (Time Out New York), leads the Oratorio Society of New York at Carnegie Hall in Sibelius's massive Kullervo, and in Verdi's mighty Requiem. Narrowing the lens, he conducts Musica Sacra in an a cappella program of works interleaving the Renaissance William Byrd's Mass for Five Voices with new works, including the world premiere of Migration by Michael Gilbertson for choir and cello; and he leads the Cathedral Choir and Orchestra of St. John the Divine in a program of music by Poulenc and the Faure Requiem.
Opera Saratoga's Artistic and General Director Lawrence Edelson announced the three operas that will be featured at the center of the company's 2019 Summer Festival, to be presented from June 29 through July 14, 2019.
Opera Saratoga's Artistic and General Director Lawrence Edelson announced the three operas that will be featured at the center of the company's 2019 Summer Festival, to be presented from June 29 through July 14, 2019.
Opera Saratoga's Artistic and General Director Lawrence Edelson announced today the three operas that will be featured at the center of the company's 2019 Summer Festival, to be presented from June 29th through July 14th, 2019.
The tenor Charles Sy, a native of Toronto, is the First Place winner of the Oratorio Society of New York's 2018 Lyndon Woodside Oratorio-Solo Competition. The award was announced by Competition Chairwoman Janet Plucknett following a performance by eight finalists in Weill Recital Hall at Carnegie Hall on Saturday, April 14. The Oratorio-Solo Competition, the only competition to focus exclusively on oratorio singing, is now in its 42nd year.
IlluminArts presents A Female Force: A program inspired by the work of artist, Ana Mendieta
Known for pioneering rare and captivating site-specific performances, On Site Opera (OSO) will produce the New York premiere (and the first production since its world premiere) of Ricky Ian Gordon's Morning Star on March 21-22, and 25, 2018, at the Eldridge Street Synagogue, in partnership with the Museum at Eldridge Street.
I wouldn't exactly call Matt Aucoin, 27, a show-off, even though he wrote the music and libretto for THE CROSSING--his 2015 opera having its NY debut at BAM's Next Wave Festival this past week--and conducted the performance as well. (He left the subtle, fine direction to Diane Paulus, who originally mounted it at the American Repertory Theater in Cambridge, MA, where it was commissioned for the National Civil War Project.) But I would say he's remarkably (and justifiably) confident.
CROSSING plays through October 8 at the Brooklyn Academy of Music, and the critics are weighing in!
BAM presents The New York premiere of Matthew Aucoin's acclaimed opera Crossing, an American Repertory Theater production directed by Diane Paulus, running tonight, October 3, through October 8, 2017 at BAM Howard Gilman Opera House (30 Lafayette Ave).
BAM presents the New York premiere of Matthew Aucoin's acclaimed opera Crossing, an American Repertory Theater production directed by Diane Paulus, running October 3-8, 2017 at BAM Howard Gilman Opera House (30 Lafayette Ave).
The renamed Charlottesville Opera's 40th summer season begins later this month with performances at The Paramount Theater of Verdi's tragic masterpiece, Rigoletto and Rodgers and Hammerstein's landmark musical, Oklahoma!.
Just after hearing the wonderfully well sung, semi-staged DAS RHEINGOLD at the NY Philharmonic, under departing Music Director Alan Gilbert, I saw the current Broadway revival of THE LITTLE FOXES. It seemed Richard Wagner's gods and Lillian Hellman's Hubbards had lots in common: The small-minded, self-serving gods of this production, at least, could have been friends and neighbors of the mendacious, corrupt Southerners in Hellman's play (or even of a would-be-royal family in Washington, DC).
Alan Gilbert and the New York Philharmonic (photo: Chris Lee) In 2009, the year Alan Gilbert took over as Music Director of the New York Philharmonic, Alex Ross wrote in the New Yorker: “Simply put, the orchestra is playing better than it has in the seventeen years that I've been a critic in New York.” The intervening years have seen Gilbert go from strength to strength, with critics and audiences alike responding with generous enthusiasm to the superb quality of the performances and to the new initiatives that transformed the orchestra into “a force of permanent revolution” (New York magazine).
The New School's Mannes School of Music will celebrate its centennial with a concert at Carnegie Hall honoring the school's rich history on Tuesday, April 25 from 7 to 10 p.m.
In the third of Alan Gilbert's final four subscription weeks as New York Philharmonic Music Director, he will lead an enhanced concert production of Wagner's Das Rheingold. Soloists include bass-baritone Eric Owens as Wotan, mezzo-soprano Jamie Barton as Fricka (in her New York Philharmonic debut), baritone Christopher Purves as Alberich (debut), tenor Russell Thomas as Loge, mezzo-soprano Kelley O'Connor as Erda, bass Morris Robinson as Fasolt (debut), bass Stephen Milling as Fafner (debut), soprano Rachel Willis-Sorensen as Freia (debut), tenor Brian Jagde as Froh (debut), bass-baritone Christian Van Horn as Donner (debut), tenor Peter Bronder as Mime (debut), soprano Jennifer Zetlan as Woglinde, mezzo-soprano Jennifer Johnson Cano as Wellgunde, and mezzo-soprano Tamara Mumford as Flosshilde. The enhanced concert production will be directed by Louisa Muller with costume design - featuring character-based treatment of modern concert attire - by David C. Woolard. The performances will take place Thursday, June 1, 2017, at 7:30 p.m.; Saturday, June 3 at 8:00 p.m.; and Tuesday, June 6 at 7:30 p.m.
Mannes School of Music's centennial culminates in Mannes' Centennial Celebration, a concert at Carnegie Hall honoring the school's rich history and the next 100 years ahead. This concert features live performances by past and present esteemed alumni, faculty, and students including Michel Camilo, Simone Dinnerstein, Frederica von Stade, Ricky Ian Gordon, the Orion Quartet and the Mannes Orchestra under the baton of music director David Hayes, and many more.
Mannes School of Music will celebrate its centennial with a concert at Carnegie Hall honoring the school's rich history and its vision for the future. The concert will feature live performances by esteemed alumni, past and present faculty, and students.
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