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BWW Review: Well, Hello, Jonas, It's So Nice to Have You Back Where You Belong (New York, That Is)

The opening lines of Jonas Kaufmann’s lieder concert at Carnegie Hall Saturday night, weren’t exactly ones that fill the heart with joy: “My songs are filled with poison—why shouldn’t that be true? Into my budding manhood, you poured your poison through.” But to have Kaufmann back in New York was a wondrous thing. And he gave us plenty to be thankful for.

Burbank International Film Festival to Host Academy Awards Viewing Party

The Burbank International Film Festival (BIFF) announces its first event of the year. The Annual Red Carpet/Academy Awards Viewing Party will take place on Sunday, February 9th at L.A. Castle Studios in Burbank. The Red Carpet and Hosted Cocktail Reception will begin at 4:00pm, followed by a Gourmet Dinner catered by Chef Jay Lipnicki with the Academy Awards at 5:00pm projected on a giant 10' X 20' screen. For more information and to get tickets, go online at www.itsmyseat.com/oscars/ 

BMI Continues It's Support Of The Acclaimed Sundance Institute Film Music and Sound Design Lab

Broadcast Music, Inc. (BMI), is proud to continue its support of the Sundance Institute Film Music and Sound Design Lab for more than two decades. The Lab returns to the Skywalker Sound legendary facilities for the seventh year from July 9-22. This year's international group of fellows include Ho-Ling Tan, Jorge Aragon, Brito Gene Back, Ghiya Rushidat, Aska Matsuyami, Ozie Cargile, Sara Broshofske and Emily Rice, who represent a variety of countries from Cuba, Hong Kong, Japan, Saudi Arabia, the UK and the U.S.A.

Pianist Nobuyuki Tsujii Replaces Murray Perahia in Upcoming Recital on May 10

Carnegie Hall today announced that pianist Murray Perahia must regretfully withdraw from his upcoming recital scheduled for Friday, May 10 at 8:00 p.m.in Stern Auditorium / Perelman Stage due to medical reasons. Pianist Nobuyuki Tsujii has agreed to step in for Mr. Perahia, performing works by Satie, Debussy, Ravel, and Chopin.

Winners Of The 2019 George London Awards Are Announced

The winners of the 48th annual George London Foundation Awards Competition for young American and Canadian opera singers were announced at the conclusion of the competition's final round this evening, which took place before an enthusiastic audience at Gilder Lehrman Hall at The Morgan Library & Museum in New York City.

Kent Tritle Announces 2019 Spring Concert Season

The programs of Kent Tritle's spring 2019 concerts offer a display of the conductor's work on both a grand and intimate scale. 'New York's choral conducting superstar' (Time Out New York), leads the Oratorio Society of New York at Carnegie Hall in Sibelius's massive Kullervo, and in Verdi's mighty Requiem. Narrowing the lens, he conducts Musica Sacra in an a cappella program of works interleaving the Renaissance William Byrd's Mass for Five Voices with new works, including the world premiere of Migration by Michael Gilbertson for choir and cello; and he leads the Cathedral Choir and Orchestra of St. John the Divine in a program of music by Poulenc and the Faure Requiem.

84 Artists Awarded MacDowell Fellowships for Summer Residencies

 The MacDowell Colony has awarded fellowships to 84 artists from 18 states and six countries, from Colorado to Virginia and from Portugal to Nigeria. They are working in seven disciplines, and 43 percent identify as culturally diverse while 56 percent are women. The fellowships are for upcoming summer residencies at one of the nation's leading contemporary arts organizations. 

New Amsterdam Singers to Premiere New Work

For the third and final concert of its 50th anniversary season, New Amsterdam Singers, led by Music Director Clara Longstreth, will perform the world premiere of The Wave Rises by Ben Moore, a work commissioned by the chorus as part of its 50-year celebration.

Kent Tritle Announces Spring 2018 Line Up

In the spring of 2018, choral conducting superstar (Time Out New York) Kent Tritle leads two programs featuring world premieres of works with American themes that are resonating especially strongly today: with the Oratorio Society of New York, Sanctuary Road, an oratorio about the Underground Railroad with music by Paul Moravec and text by Mark Campbell (commissioned by the OSNY) based upon the accounts of William Still, as well as Behzad Ranjbaran's We Are One (commissioned by the Los Angeles Chamber Orchestra) on May 7; and a program at the Cathedral Choir of St. John the Divine celebrating the immigrant history of New York in collaboration with early/world music group Rose of the Compass that includes the world premiere of a commissioned work by Robert Sirota, text by Reverend Victoria Sirota, on April 9.

BWW Review: Jonas Kaufmann Returns to Carnegie and the Audience Rejoices

After a string of cancellations--including the Met's new TOSCA--tenor Jonas Kaufmann made a triumphant return to New York last Saturday at Carnegie Hall, in a recital with his frequent collaborator Helmut Deutsch. Of course, he could have been singing the telephone book and this audience would have lapped it up; instead, he performed Schubert's famed song cycle for tenor and piano, DIE SCHOENE MUELLERIN (THE MILLER'S BEAUTIFUL DAUGHTER).

Daniil Trifonov Continues Perspectives Series at Carnegie Hall With Five Concerts

After a tremendously successful solo recital and performance with Valery Gergiev and the Mariinsky Orchestra in fall 2017, pianist Daniil Trifonov continues his Perspectives series on Tuesday, February 6 at 8:00 p.m. in Stern Auditorium / Perelman Stage in collaboration with baritone Matthias Goerne as they explore Trifonov's self-described fascination with vocal music. The program includes Schumann's Dichterliebe; Berg's Four Songs, Op. 2; Wolf's Three Poems of Michelangelo; selections from Shostakovich's Suite, Op. 145; and Brahms's Vier ernste Ges nge, Op. 121.

The Cleveland Orchestra Celebrates 100th Season with Carnegie Hall Concerts

Celebrating its 100th year during the 2017 2018 season, The Cleveland Orchestra returns to Carnegie Hall's Stern Auditorium / Perelman Stage for two concerts in January, led by Music Director Franz Welser-M st. Since its Carnegie Hall debut in 1922, The Cleveland Orchestra has performed at the Hall a total of 222 times in its 100-year history.

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