The Carolyn Dorfman Dance Company and Norwegian/Jewish actress/vocalist Bente Kahan present The Legacy Project: Echoes, an evening of dance, theater and live music. The Legacy Project: Echoes includes elements of their individual repertoires and the collaborative piece Silent Echoes and features the world premiere of Tikkun with commissioned score by renowned jazz and Klezmer musician Greg Wall.
The Carolyn Dorfman Dance Company and Norwegian/Jewish actress/vocalist Bente Kahan present The Legacy Project: Echoes, an evening of dance, theater and live music. The Legacy Project: Echoes includes elements of their individual repertoires and the collaborative piece Silent Echoes and features the world premiere of Tikkun with commissioned score by renowned jazz and Klezmer musician Greg Wall.
The Carolyn Dorfman Dance Company and Norwegian/Jewish actress/vocalist Bente Kahan present The Legacy Project: Echoes, an evening of dance, theater and live music. The Legacy Project: Echoes includes elements of their individual repertoires and the collaborative piece Silent Echoes and features the world premiere of Tikkun with commissioned score by renowned jazz and Klezmer musician Greg Wall. Carolyn Dorfman has created a body of work, The Legacy Project, honoring her Eastern-European Jewish heritage.
The Carolyn Dorfman Dance Company and Norwegian/Jewish actress/vocalist Bente Kahan present The Legacy Project: Echoes, an evening of dance, theater and live music. The Legacy Project: Echoes includes elements of their individual repertoires and the collaborative piece Silent Echoes and features the world premiere of Tikkun with commissioned score by renowned jazz and Klezmer musician Greg Wall.
In November, Kristin Huffman made her Broadway debut as Sarah (flute, piccolo and sax) in John Doyle's production of Company. The actress, with a new series of tales that go inside the making of Company from an actor's perspective, starting at the Cincinnati Playhouse and on to New York, continues her stories about a 15-year career that has led her to the door of the Ethel Barrymore Theatre.
There is much gladness and gaiety coming from the Center House Theatre. Book-It closes their season with an inspired adaptation of Edith Wharton's classic 1905 novel about wealth, sex, and manners. Under the confident direction of Jennifer Jones, this House of Mirth is a cerebral wonder. A stunning leading performance highlights one of the best offerings of the year.