From May 2014 - March 2015, Sadler's Wells presents its biggest ever programme of inclusive dance. =dance is a new series featuring some of the most exciting and innovative work created and performed by deaf and disabled artists.
From May 2014 - March 2015, Sadler's Wells presents its biggest ever programme of inclusive dance. =dance is a new series featuring some of the most exciting and innovative work created and performed by deaf and disabled artists.
NUNO SILVA is a highly individual artist whose career spans contemporary dance, classical opera, fado singing and West End musicals. Known to dance audiences for his muscular physicality and fine fado singing - particularly as the prodigal son in Arthur Pita's 'God's Garden' - and to West End audiences from his dazzling performance in 'Cabaret' at the Savoy Theatre and his inventive, physical theatre role in 'The Light Princess' at the National Theatre, Nuno returns to his first love, the fado music of Portugal in his own show A Darker Shade of Fado which kicks off a UK tour at the Lighthouse in Poole on April 26th.
NUNO SILVA is a highly individual artist whose career spans contemporary dance, classical opera, fado singing and West End musicals. Known to dance audiences for his muscular physicality and fine fado singing - particularly as the prodigal son in Arthur Pita's 'God's Garden' - and to West End audiences from his dazzling performance in 'Cabaret' at the Savoy Theatre and his inventive, physical theatre role in 'The Light Princess' at the National Theatre, Nuno returns to his first love, the fado music of Portugal in his own show A Darker Shade of Fado which kicks off a UK tour at the Lighthouse in Poole on April 26th.
NUNO SILVA is a highly individual artist whose career spans contemporary dance, classical opera, fado singing and West End musicals. Known to dance audiences for his muscular physicality and fine fado singing - particularly as the prodigal son in Arthur Pita's 'God's Garden' - and to West End audiences from his dazzling performance in 'Cabaret' at the Savoy Theatre and his inventive, physical theatre role in 'The Light Princess' at the National Theatre, Nuno returns to his first love, the fado music of Portugal in his own show A Darker Shade of Fado which kicks off a UK tour at the Lighthouse in Poole on April 26th.
Last summer, BroadwayWorld reported that The National Theatre's 'documentary-style' musical LONDON ROAD would be made into a feature film, with screenplay by playwright and book writer Alecky Blythe and director Rufus Norris. Composer Adam Cork adapted the score.
As the West End had a bit of a clear-out last night, with Stephen Ward, The Full Monty and The Duck House also making an exit, perhaps From Here To Eternity's departure might be a little overlooked.
On February 12th 2014 at the Joyce Theater, Royal New Zealand Ballet under the artistic direction of iconic ballet star Ethan Stiefel opened a five-day run that marks the conclusion of the troupe's first U.S. tour in 21 years. Dancegoers in four cities -- Los Angeles, Santa Barbara, Minneapolis, and New York -- have had the chance to see the admirable results of Stiefel's vision and hard work with the 61-year-old company since he took the helm in September of 2011 at the age of 38.
The Joyce Theater Foundation, Inc. will present the New York debut of the Royal New Zealand Ballet, performing a mixed bill of three works, from February 12-16. Under the artistic direction of former New York City Ballet and American Ballet Theater principal dancer Ethan Stiefel, the company will present pieces by Benjamin Millepied, Javier De Frutos and Andrew Simmons. Tickets are $10-$75 (Joyce Members $26; $44) and can be purchased through JoyceCharge at www.Joyce.org or by calling 212.242.0800. Please note: ticket prices are subject to change. The Joyce Theater is located at 175 Eighth Avenue at 19th Street, in Chelsea.
Further to previous notices, producers today confirmed that From Here to Eternity will close on 29 March 2014 following a six month run at the Shaftesbury Theatre. ?From Here to Eternity is adapted from one of the greatest novels of the twentieth century, this gripping tale of illicit love and army life unites the writing talents of Tim Rice (lyrics), Stuart Brayson (music) and Bill Oakes (book). It marks Tim's first new stage musical for over ten years and Stuart's West End debut.
On Saturday at the Shaftesbury Theatre the Military Wives Choir shared the stage with the full company of From Here to Eternity to mark today's anniversary of the attack on Pearl Harbor, an event integral to the plot of the musical. Introduced by Tim Rice, the choir of 36 joined the company for a moving curtain call rendition of Boys of '41 - the song in the show dedicated to the soldiers who lost their lives in the attack.
To mark the anniversary of the attack on Pearl Harbor, an event integral to the plot of From Here To Eternity, the producers of the show are delighted that The Military Wives Choir will be joining the full company of the musical on stage to perform a curtain call rendition of the song in the show which is dedicated to the soldiers who lost their lives in the attack - Boys of '41.
From Here To Eternity - the Musical released its very first full length theatrical trailer, showcasing the array of memorable songs, stunning sets and exotic costumes in the production.
Tim Rice's FROM HERE TO ETERNITY just opened last night, October 23, at the Shaftesbury Theatre. Darius Campbell (Chicago, West End) plays Warden, Siubhan Harrison (Grease, West End) plays Lorene, Robert Lonsdale (Anna Christie, Donmar Warehouse) plays Prewitt, Ryan Sampson (Open Court, Royal Court) plays Maggio and Rebecca Thornhill (South Pacific, UK tour) plays Karen.
Tim Rice's FROM HERE TO ETERNITY began previews at the Shaftesbury Theatre on 30 September, starring Darius Campbell (Chicago, West End) as Warden, Siubhan Harrison (Grease, West End) as Lorene, Robert Lonsdale (Anna Christie, Donmar Warehouse) as Prewitt, Ryan Sampson (Open Court, Royal Court) as Maggio and Rebecca Thornhill (South Pacific, UK tour) as Karen. Let's see what the critics had to say...
One has to admire the bravery of anyone who's willing to launch a brand-new musical at the Shaftesbury Theatre. Despite the successes of Hairspray and Rock of Ages, people seem to enjoy whispering about the 'curse of the Shaftesbury' due to its string of flops, and it seems to me that a fair number of onlookers really do want new shows to fail just for the continuation of this coincidental curse.