Casting is complete for Theatre Aspen's upcoming summer season, reported Artistic Director Paige Price. The award-winning regional theatre unveils the brand new Hurst Theatre in Rio Grande Park on June 24th with two musicals and a comedy. The new theatre tent was installed during a snow storm on May 19th, work on the interior will begin immediately.
Following a successful launch at the New York Musical Theater Festival (NYMF) in 2010, Artists WithOut Limits (AWOL) Theatre Project, Inc. announces the second annual presentation of 8Minute Musicals, a program that challenges emerging musical theatre writers and composers to create 8 original 8-minute musicals in just two weeks. An impressive collection of theatrical talents are strategically placed into teams and given a common theme as inspiration for their work. The freshly-inked pieces are fully staged, briefly rehearsed, then presented to the public on Monday, March 14 at the TBG Theatre.
Following a successful launch at the New York Musical Theater Festival (NYMF) in 2010, Artists WithOut Limits (AWOL) Theatre Project, Inc. announces the second annual presentation of 8Minute Musicals, a program that challenges emerging musical theatre writers and composers to create 8 original 8-minute musicals in just two weeks.
Following a successful launch at the New York Musical Theater Festival (NYMF) in 2010, Artists WithOut Limits (AWOL) Theatre Project, Inc. announces the second annual presentation of 8Minute Musicals, a program that challenges emerging musical theatre writers and composers to create 8 original 8-minute musicals in just two weeks.
An inspiring new autobiographical musical about a composer determined to keep making music even as he is going deaf, will debut this fall when JAY ALAN ZIMMERMAN'S INCREDIBLY DEAF MUSICAL is presented by The New York Musical Theatre Festival and Geoffrey Cohen, with performances set for September 30 through October 10 at The Duke on 42nd (229 W. 42 St.) in Manhattan.
An inspiring new autobiographical musical about a composer determined to keep making music even as he is going deaf, will debut this fall when JAY ALAN ZIMMERMAN'S INCREDIBLY DEAF MUSICAL is presented by The New York Musical Theatre Festival and Geoffrey Cohen, with performances set for September 30 through October 10 at The Duke on 42nd (229 W. 42 St.) in Manhattan.
The New York Musical Theatre Festival (NYMF) has announced casting for the 2010 festival. Some of Broadway's and Off-Broadway's favorites are participating in the three week festival including Adinah Alexander (The Wedding Singer), Farah Alvin (Nine)
An inspiring new autobiographical musical about a composer determined to keep making music even as he is going deaf, will debut this fall when JAY ALAN ZIMMERMAN'S INCREDIBLY DEAF MUSICAL is presented by The New York Musical Theatre Festival and Geoffrey Cohen, with performances set for September 30 through October 10 at The Duke on 42nd (229 W. 42 St.) in Manhattan.
An inspiring new autobiographical musical about a composer determined to keep making music even as he is going deaf, will debut this fall when JAY ALAN ZIMMERMAN'S INCREDIBLY DEAF MUSICAL is presented by The New York Musical Theatre Festival and Geoffrey Cohen, with performances set for September 30 through October 10 at The Duke on 42nd (229 W. 42 St.) in Manhattan.
Singer and actor Jason Reiff (www.JasonReiff.com) returns to The Duplex Theater (61 Christopher Street) in All I Can See. Jason performs for two performances only: November 24th and November 29th at 7pm.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Singer and actor Jason Reiff (www.JasonReiff.com) returns to The Duplex Theater (61 Christopher Street) in All I Can See. Jason performs for two performances only: November 24th and November 29th at 7pm.
Singer and actor Jason Reiff (www.JasonReiff.com) returns to The Duplex Theater (61 Christopher Street) in All I Can See. Jason performs for two performances only: November 24th and November 29th at 7pm.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment). This has prompted Alexander Harrington, a director known for his mastery of oratorical theater, to attempt something radical: approximating Aeschylus' actual, original poetic meters in a new translation. This intrepid idea has resulted in a script of surprisingly clear stage speech and unusual poetic quality. It will debut November 12 to 29, 2009 in La MaMa's large Annex Theater, performed by The Eleventh Hour Theatre Company.
Historically, English adaptations of Aeschylus' 'Agamemnon' have rendered its ancient Greek poetry into proven English poetic forms. The results have been often good and occasionally brilliant. Yet the original Greek meters provide clues as to how a section of a play was performed (sung, spoken or spoken to musical accompaniment).