Theater at Monmouth kicks off Season 44 tonight, July 4 at 7:30 p.m. with Francis Beaumont's The Knight of the Burning Pestle. Monty Python meets Don Quixote in this hilarious comedy by one of Shakespeare's most popular contemporary playwrights.Imagine Homer and Marge Simpson attending a play only to climb on stage to redirect the show with Bart as the star, and you have some idea of the fun unleashed in Pestle. Loaded with laughter and song, this play is a celebration of the way Elizabethan audiences expected to be part of the action-with superlatively silly results!
Theater at Monmouth kicks off Season 44 on Thursday, July 4 at 7:30 p.m. with Francis Beaumont's The Knight of the Burning Pestle. Monty Python meets Don Quixote in this hilarious comedy by one of Shakespeare's most popular contemporary playwrights.Imagine Homer and Marge Simpson attending a play only to climb on stage to redirect the show with Bart as the star, and you have some idea of the fun unleashed in Pestle. Loaded with laughter and song, this play is a celebration of the way Elizabethan audiences expected to be part of the action-with superlatively silly results!
Capital Stage continues its 2012-13 'Season of Power Plays' with the an original adaptation of Henrik Ibsen's enigmatic play, HEDDA GABLER. Ibsen, the father of modern drama, created one of the most confounding and complex characters when he first penned HEDDA GABLER in 1891. Since then, Hedda has become one of the most talked about fictional women in all of drama. HEDDA GABLER runs from May 15 through June 16, with a just-added matinee on Saturday, June 15 at 2pm.
Capital Stage previously announced a change to its 2011-12 schedule. How I Learned to Drive, originally scheduled for a July/August run, opens at the midtown theatre tonight, May 19. The Sacramento premiere of Christopher Shinn's Dying City will move to the summer production dates, July 18 - August 12, 2012. 'We're changing the performance schedule of the these two productions to accommodate a scheduling conflict with one of our key artists,' explains Producing Director, JoNathan Williams.
Capital Stage announces a change to its 2011-12 schedule. How I Learned to Drive, originally scheduled for a July/August run will open at the midtown theatre on May 19. The Sacramento premiere of Christopher Shinn's Dying City will move to the summer production dates, July 18 - August 12, 2012. 'We're changing the performance schedule of the these two productions to accommodate a scheduling conflict with one of our key artists,' explains Producing Director, Jonathan Williams.
Capital Stage continues its successful first season in midtown with a Sam Shepard revival. True West will mark the second Shepard play the company has presented following a 2009 staging of Fool For Love. Performances for True West will run March 21 - April 22, 2012 and will feature company co-founder Jonathan Rhys Williams (Or, Hunter Gatherers, Fool For Love) and actor Cole Alexander Smith (reasons to be pretty, First Person Shooter) as battling brothers Lee and Austin.
Capital Stage continues its successful first season in midtown with a Sam Shepard revival. True West will mark the second Shepard play the company has presented following a 2009 staging of Fool For Love. Performances for True West will run March 21 - April 22, 2012 and will feature company co-founder Jonathan Rhys Williams (Or, Hunter Gatherers, Fool For Love) and actor Cole Alexander Smith (reasons to be pretty, First Person Shooter) as battling brothers Lee and Austin.
Capital Stage shakes up the holiday scene in midtown Sacramento by bringing the enormously popular, hilarious and irreverent Every Christmas Story Ever Told (and then some!) by Michael Carleton, James Fitzgerald and John K. Alvarez to its new home at 2215 J Street.
Capital Stage shakes up the holiday scene in midtown Sacramento by bringing the enormously popular, hilarious and irreverent Every Christmas Story Ever Told (and then some!) by Michael Carleton, James Fitzgerald and John K. Alvarez to its new home at 2215 J Street.
Capital Stage's critically-acclaimed production of Terrance McNally's Master Class is enjoying sold-out performances and will extend one week, closing on April 17. Tony winner for Best Play, Master Class takes place in a voice master class taught by opera diva Maria Callas, who is both dismayed and impressed with her students. While sharing her career, Callas retreats into the past glories and heartbreaks of her life.
Capital Stage's critically-acclaimed production of Terrance McNally's Master Class is enjoying sold-out performances and will extend one week, closing on April 17. Tony winner for Best Play, Master Class takes place in a voice master class taught by opera diva Maria Callas, who is both dismayed and impressed with her students. While sharing her career, Callas retreats into the past glories and heartbreaks of her life.
Capital Stage begins the New Year with the Sacramento premiere of Neil LaBute's reasons to be pretty. Following LaBute's The Shape of Things and Fat Pig, reasons to be pretty is the final installment of a trilogy that focuses on modern day obsession with physical appearance.
Capital Stage begins the New Year with the Sacramento premiere of Neil LaBute's reasons to be pretty. Following LaBute's The Shape of Things and Fat Pig, reasons to be pretty is the final installment of a trilogy that focuses on modern day obsession with physical appearance.
Capital Stage begins the New Year with the Sacramento premiere of Neil LaBute's reasons to be pretty. Following LaBute's The Shape of Things and Fat Pig, reasons to be pretty is the final installment of a trilogy that focuses on modern day obsession with physical appearance.
