Jamie Barton News

On Friday, December 14 at 7:00 p.m., the Carnegie Hall Notables-a membership and ticket program for music enthusiasts in their 20s and 30s-presents Jamie Barton in an exclusive concert in Zankel Hall for Notables members only. The concert features the award-winning mezzo-soprano alongside pianist Kathleen Kelly performing Lee Hoiby's Bon Appetit!-a 20-minute operatic scene for mezzo-soprano and piano based on an actual Julia Child cooking show-with additional selections to be announced from the stage.

Antonio Pappano's conducting of the work evoked gloom but didn't approach closely enough the more sinister subject of death.

Wolf Trap Foundation for the Performing Arts announced today that Kim Pensinger Witman, Vice President of Opera and Classical Programming, has announced her intention to retire in February 2019  after 22 years of leading Wolf Trap's nationally renowned opera and classical music programs. Witman will be succeeded in the role by Lee Anne Myslewski, who has served Wolf Trap since 2006 as Director, Artistic Administration.

Named for the groundbreaking African American contralto, the Marian Anderson Vocal Award recognizes a young American singer in opera, oratorio, or recital repertoire with outstanding promise for a significant career. Washington National Opera (WNO) named bass-baritone Ryan Speedo Green as the 2018 recipient earlier this year and is pleased to present him in concert today, October 4 at 7:30 p.m. in the Kennedy Center Terrace Theater. Tickets are $39.

Young opera singers from across the United States, Canada, Puerto Rico, and for the first time, Mexico, will compete for $15,000 cash prizes and the opportunity to launch major operatic careers, when the Metropolitan Opera National Council Auditions launches its 65th annual auditions program this fall. Over 1,000 singers between the ages of 20 and 30 will participate in the program, the longest-running singing competition in the country. Finalists will perform on the stage of the Met at the Grand Finals Concert on Sunday, March 31, 2019.

Named for the groundbreaking African American contralto, the Marian Anderson Vocal Award recognizes a young American singer in opera, oratorio, or recital repertoire with outstanding promise for a significant career. Washington National Opera (WNO) named bass-baritone Ryan Speedo Green as the 2018 recipient earlier this year and is pleased to present him in concert on Thursday, October 4 at 7:30 p.m. in the Kennedy Center Terrace Theater. Tickets are $39.

The Harris Theater for Music and Dance announces the return of Beyond the Aria for five performances in the 2018-19 season. Produced by the Harris Theater in association with Lyric Opera of Chicago, this unparalleled series brings opera luminaries to the Pritzker Pavilion stage in intimate, cabaret-style performances with repertoire hand-picked by the artists and spectacular evening views of Millennium Park.

"The mystery of love is greater than the mystery of death." So said Oscar Wilde's Salome, anticipating the theme running through all six of the works that make up The Atlanta Opera's 2018-19 season. The six are linked also by their novelty, for under the leadership of Carl W. Knobloch, Jr. General & Artistic Director Tomer Zvulun, Atlanta's new season consists entirely of stagings conceived over the past few years. Created in collaboration with leading opera companies from around the world, four are ambitious mainstage productions: the blockbuster musical West Side Story, 19th-century classics Eugene Onegin and La traviata, and the Southeast premiere of Dead Man Walking, a major 21st-century addition to the canon. Rounding out the season, Charlie Parker's Yardbird and Maria de Buenos Aires will be presented in the Discoveries series, which breaks down barriers between artists and their audience by providing authentic, intimate and immersive experiences in nontraditional spaces. The winner of a "Best of Atlanta" award from the Atlanta Journal-Constitution and an International Opera Award nomination, the series represents one of the many innovations behind the company's current wave of extraordinary creative and economic resurgence.

San Francisco Opera opened its 2018–19 Season with a weekend of celebratory events and performances beginning Friday, September 7 with two galas—Opera Ball 2018: ¡Viva La Noche! and the BRAVO! CLUB Opening Night Gala—and a performance of the famous operatic double bill of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo'sPagliacci (or CavPag). Opening weekend continued Saturday, September 8 with the highly-anticipated premiere of Gaetano Donizetti's bel canto drama Roberto Devereux and on Sunday, September 9, nearly 15,000 people flocked to Golden Gate Park for the annual San Francisco Chronicle Presents Opera in the Park concert on a beautiful, 71-degree day with blue skies.

San Francisco Opera opened its 2018-19 Season with a weekend of celebratory events and performances beginning Friday, September 7 with two galas-Opera Ball 2018: ¡Viva La Noche! and the BRAVO! CLUB Opening Night Gala-and a performance of the famous operatic double bill of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci (or Cav/Pag). Opening weekend continued Saturday, September 8 with the highly-anticipated premiere of Gaetano Donizetti's bel canto drama Roberto Devereux and on Sunday, September 9, nearly 15,000 people flocked to Golden Gate Park for the annual San Francisco Chronicle Presents Opera in the Park concert on a beautiful, 71-degree day with blue skies.

San Francisco Opera today announced a cast change for Gaetano Donizetti's Roberto Devereux, opening September 8 and running for six performances through September 27. Romanian-American baritone Andrew G. Manea will perform the role of the Duke of Nottingham, replacing Artur Rucinski who has withdrawn due to lung injuries sustained in a serious bicycling accident involving a car in his native Poland. He is expected to make a full recovery. Rucinski deeply regrets having to withdraw but looks forward to returning to San Francisco Opera in the future.

Seattle Opera announced today that General Director Aidan Lang will leave the company to become General Director of Welsh National Opera. The third General Director of Seattle Opera, Lang departs at the close of the 2018/19 season following a five-year tenure. Under Lang's leadership, Seattle Opera has: increased its audiences, particularly, young people, created a new civic home for opera at Seattle Center, introduced new chamber opera productions in locations around the city, and made organizational strides toward racial equity.

The John F. Kennedy Center for the Performing Arts and Artistic Advisor at Large Renee Fleming have added singer/composer Theo Bleckmann as part of the 2018-2019 Renee Fleming VOICES series. Presented in conjunction with the Direct Current festival, this concert takes place Thursday, April 4, 2019, at 9 p.m. in the KC Jazz Club, located in the Terrace Gallery.

San Francisco Opera today announced a cast change for Gaetano Donizetti's Roberto Devereux, opening September 8 and running for six performances through September 27. Romanian-American baritone Andrew G. Manea will perform the role of the Duke of Nottingham, replacing Artur Rucinski who has withdrawn due to lung injuries sustained in a serious bicycling accident involving a car in his native Poland. He is expected to make a full recovery. Rucinski deeply regrets having to withdraw but looks forward to returning to San Francisco Opera in the future.

Today, twenty-one arts leaders and activists announce the launch of Turn The Spotlight, a foundation created to pair top-tier mentors with exceptional women, people of color, and other equity-seeking groups in the arts. Beth Stewart, a New York City-based arts entrepreneur and classical music publicist, will lead the foundation, which is supported by an Advisory Board of arts world luminaries, including soprano Julia Bullock, journalists Anne Midgette and Celeste Headlee, conductors Lidiya Yankovskaya and Nicole Paiement, stage director Francesca Zambello, classical music publicist Mary Lou Falcone, arts advocates Monica Yunus and Camille Zamora, and women's rights advocate Amanda Mejia.

San Francisco Opera announces updated casting for its 96th Season, which opens Friday, September 7, with the double bill of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci, and two galas, Opera Ball 2018: ¡Viva La Noche! and the BRAVO! CLUB Opening Night Gala. The 2018-19 Season features eight productions that are new to the War Memorial Opera House stage, including a new staging of Giacomo Puccini's Tosca and the West Coast premiere of Jake Heggie's It's a Wonderful Life. Highlights also include Placido Domingo in Concert on October 21 and a roster of returning artists, debuting soloists and conductors.

Two-time Emmy Award winning composer, lyricist, conductor, pianist, and producer Glen Roven, has passed away at the age of 60.

The Metropolitan Opera's annual Summer HD Festival, which presents free outdoor screenings of operas on Lincoln Center Plaza, will return for the tenth time this summer, with one screening each night from Saturday, August 25, to Monday September 3, 2018 (Labor Day). The series will present ten recent performances from the company's acclaimed Live in HD series of movie theater transmissions. As a prelude to the festival, the Marx Brothers' classic film, A Night at the Opera, will be presented on the plaza on Friday, August 24, in association with the Film Society of Lincoln Center.

In an onstage presentation following the July 1 performance of Richard Wagner's Gotterdammerung, San Francisco Opera General Director Matthew Shilvock presented former general director David Gockley with the San Francisco Opera Medal, the Company's highest honor. An industry pioneer who helped shape the operatic repertory and build new audiences for the artform, Gockley served ten years at the helm of San Francisco Opera and is currently the Company's General Director Emeritus.

San Francisco Opera's presentation of Richard Wagner's Der Ring des Nibelungen (The Ring of the Nibelung) opens tonight with the first of three complete cycles, each presented over the course of one week as the composer originally intended, from June 12 through July 1 at the War Memorial Opera House. Encompassing four operas-Das Rheingold, Die Walkure, Siegfried and Gotterdammerung-and more than 17 hours, Wagner's Ring is one of the most ambitious works of music, theater and stagecraft ever created.