Full casting has been announced for Out of Order, the Olivier Award-winning comedy returning to the stage in 2017 a gleeful new production directed by playwright Ray Cooney, ('THE MASTER OF FARCE' - The Telegraph), who is celebrating seventy years in the industry. The production will arrive at Theatre Royal in Glasgow on Monday 17 April until Saturday 22 April 2017.
Full casting has been announced for Out of Order, the Olivier Award-winning comedy returning to the stage in 2017 a gleeful new production directed by playwright Ray Cooney, ('THE MASTER OF FARCE' - The Telegraph), who is celebrating seventy years in the industry.
Producers Tom O'Connell and James Seabright are thrilled to announce a West End transfer for their sell-out production of Mart Crowley's ground-breaking play, THE BOYS IN THE BAND, opening at the Vaudeville Theatre on 7 February 2017, playing for a limited two week season until 18 February.
Out of Order, the Olivier Award-winning comedy returns to the stage with a performance at Theatre Royal, Glasgow this April in a gleeful new production directed by playwright Ray Cooney, who is celebrating 70 years in the industry.
Out of Order, the Olivier Award-winning comedy returns to the stage in a gleeful new production directed by playwright Ray Cooney, ('THE MASTER OF FARCE' - The Telegraph), who is celebrating seventy years in the industry.
When Mart Crowley's The Boys in the Band premiered Off Broadway in 1968, a year before the Stonewall Riots, it was groundbreaking in its depiction of a community of gay men. The work - later adapted into a film - has since fallen in and out of favour, its frank emphasis on self-loathing and catty, camp one-liners at odds with some positive image-focussed equal rights campaigners.
London is never short of theatre temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Amadeus and a starry Stoppard revival to exciting new musicals, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews…
The first class revival of Mart Crowley's ground-breaking play, THE BOYS IN THE BAND, opens at Park Theatre in London this autumn, then tours to The Lowry, Theatre Royal Brighton and West Yorkshire Playhouse. BroadwayWorld has a first look at the cast in action below!
Producers Tom O'Connell and James Seabright present the first class revival of Mart Crowley's ground-breaking play, THE BOYS IN THE BAND, opening at Park Theatre in London this autumn, then touring to The Lowry, Theatre Royal Brighton and West Yorkshire Playhouse.
Actor Ian Hallard has done a range of work, from musicals and Shakespeare to phone-hacking play Great Britain at the National Theatre and TV staples like Doctor Who and Poirot. He also co-wrote a Poirot episode with his husband Mark Gatiss, and the pair are now starring together in a revival of Matt Crowley's seminal play The Boys in the Band, which changed the landscape of gay theatre on its Off Broadway premiere in 1968. It begins previews tomorrow at Park Theatre, where it plays until 30 October, and will then tour to Manchester, Brighton and Leeds
Three productions inspired by William Shakespeare make up Welsh National Opera's Autumn season, which will comprise a British premiere and two new productions. The season is part of the official Shakespeare 400 celebrations to commemorate the 400th anniversary of the great bard's death whilst continuing WNO Artistic Director David Pountney's creative approach to themed seasons.
Producers Tom O'Connell and James Seabright are pleased to announce further casting for the first class revival of Mart Crowley's ground-breaking play, THE BOYS IN THE BAND, opening at Park Theatre in London this autumn, then touring to The Lowry, Theatre Royal Brighton and West Yorkshire Playhouse.
Producers Tom O'Connell and James Seabright are pleased to announce further casting for the first class revival of Mart Crowley's ground-breaking play, THE BOYS IN THE BAND, opening at Park Theatre in London this autumn, then touring to The Lowry, Theatre Royal Brighton and West Yorkshire Playhouse.
Commissioned by the Finborough Theatre, Horniman's Choice brings together four plays by the leading figures of the 'Manchester School' of playwrights - Harold Brighouse, Stanley Houghton and Allan Monkhouse, all originally championed by Annie Horniman, owner of Gaiety Theatre, Manchester, the first regional repertory theatre in Britain. Horniman's Choice runs at the Finborough Theatre, playing Sunday and Monday evenings and Tuesday matinees from Sunday, 27 September 2015 (Press Night: Monday, 28 September 2015 at 7.30pm).
In a record-breaking year for the number of prizes and total cash awarded, Lauren Michelle, of Los Angeles, won the $15,000 First Prize in the finals of the 2015 Lotte Lenya Competition, sponsored by the Kurt Weill Foundation for Music and held on April 18, 2015, in Kilbourn Hall of the Eastman School of Music in Rochester, N.Y. Robin Bailey, of London, U.K., and Jordan Davidson, of Philadelphia, N.Y., both won Second Prizes of $10,000, and two Third Prizes of $7,500 each were awarded to Adam Fieldson, of Lincoln, Neb., and Michael Maliakel, of New York.
Aria Entertainment's Katy Lipson is taking over the Old Red Lion this May to present a revival of the renowned Portia Coughlan; a ferocious, haunting and beautiful Irish tale by Marina Carr, writer of By The Bog of Cats, The Mai and Ullaloo.
Fourteen exceptionally talented singer-actors from the United States, United Kingdom, and Germany have been selected as finalists in the 2015 Lotte Lenya Competition, held annually by the Kurt Weill Foundation for Music. They will compete for top prizes of $15,000, $10,000 and $7,500 on Saturday, April 18, 2015, in Rochester, New York.
Jay Records, with the support of The Kurt Weill Foundation, digitally released the first complete recording of composer Kurt Weill and lyricist Ogden Nash's score to the 1943 musical ONE TOUCH OF VENUS on October 7, 2013, and the sterling recording had its physical CD release on May 13, 2014. Originally announced over ten years ago, fans eagerly anticipated the album for years. Luckily for us listeners, the recording was well worth the wait.