Commonwealth Shakespeare Company (CSC) announces the second staged production of its 2017-18 Winter/Spring Season, Wendy Wasserstein's satire Old Money directed by Karen MacDonald at the Sorenson Center for the Arts, Babson College, 231 Forest Street in Wellesley, MA.
In this joyful romance of gender roles and expectations, Orlando the man wakes up, after a particularly wild night in 17th-century Constantinople, to find himself a woman! She abandons herself to three centuries of navigating love, desire, and the world from an entirely different perspective. Oft described as the most charming love letter in literature - written by Woolf to Vita Sackville-West - Sarah Ruhl brings the novel to life on stage in a grand, epic adventure that transcends time, place, and gender.
Bishop Edwards of Snowden International School at Copley took first place on Monday, January 29, 2018 with his performance as Troy from Fences at the Boston Regional Finals of the August Wilson Monologue Competition, held for the eighth year by the Education Department of the Huntington Theatre Company, the playwright's longtime artistic home. Beyonce Martinez of Margarita Muniz Academy was named first runner-up and portrayed Vera from Seven Guitars; Antoinette Webster (Tonya, King Hedley II) of Codman Academy Charter Public School was named second runner-up. The three will receive a total of $850 in prize money, and the top two winners will be awarded an all-expense-paid trip to New York City where they will perform their monologues at Broadway's August Wilson Theatre in the National Competition on May 7, 2018. Airfare, hotel accommodations, workshops, and tickets to attend a Broadway production will be provided in collaboration with Kenny Leon's True Colors Theatre Company and Jujamcyn Theatres. The national competition is free and open to the public.
Court Theatre, under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director, announces the extension of All My Sons by Arthur Miller, directed by Charles Newell and featuring Kate Collins, John Judd and Timothy Edward Kane. All My Sons now runs through February 18, 2018 at Court Theatre, 5535 S. Ellis Ave. Tickets to extension performances of All My Sons go on sale Friday, February 2, 2018 and available by calling the box office at (773) 753-4472 orwww.CourtTheatre.org.
In conjunction with its current production of Bad Dates, Huntington Theatre Company will host several special events and post-show conversations. Admission to onsite post-show events is free with a ticket to Bad Dates, available at www.huntingtontheatre.org/season/2017-2018/bad-dates/, by phone at 617 266 0800, or in person at the Huntington Avenue Theatre (264 Huntington Avenue) and Calderwood Pavilion at the BCA (527 Tremont Street) box offices. Tickets start at $25. Performances run from January 26 through February 25, 2018 at the Avenue of the Arts / Huntington Avenue Theatre.
With great excitement, Seattle Repertory Theatre presents its world premiere production of the new comedy, Ibsen in Chicago. The story from playwright David Grimm (Measure for Pleasure; The Miracle at Naples) follows a group of Scandinavian immigrants working to put on the world premiere of Ghosts, a new play by the revered and controversial Norwegian dramatist of the time, Henrik Ibsen. Ibsen in Chicago was commissioned and developed by Seattle Rep through the organization's 'The Other Season,' program, and will run February 2 - March 4, 2018 (opening night is Wednesday, February 7, 2018) in the Leo K. Theatre. Tickets are on sale now through the Seattle Rep Box Office at 206.443.2222 and online at seattlerep.org.
The Huntington Theatre Company presents the irresistible comedy, Bad Dates, featuring Haneefah Wood (Cassandra in Vanya and Sonia and Masha and Spike at the Huntington and Blanche in Fox TV's Grease Live! ), written by Theresa Rebeck (creator of NBC's Smash and the Elliot Norton and IRNE Award-winning play Mauritius, produced at the Huntington in 2006), and directed by Jessica Stone (director of Ripcord and Vanya and Sonia and Masha and Spike at the Huntington). Performances run from January 26 through February 25, 2018 at the Avenue of the Arts / Huntington Avenue Theatre.
The 102nd Season at Cleveland Play House (CPH) continues with The Invisible Hand by Pulitzer Prize-winning Author Ayad Akhtar. The Invisible Hand tells the story of American investment banker Nick Bright as he risks everything to return to his family. Held hostage in Pakistan by Islamic revolutionaries, his last chance for freedom depends on his ability to play the stock market to benefit his captors. This sharp geo-political thriller from Pulitzer Prize winner Ayad Akhtar takes us to the treacherous intersection of terrorism and capitalism, where greed and deceit prevail and no one escapes without blood on their hands. Directed by Pirronne Yousefzadeh, The Invisible Hand runs February 17th through March 11, 2018 in the Outcalt Theatre at Playhouse Square.
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces a free post-performance discussion moderated by Pulitzer Prize-winning theatre critic and Negroland: A Memoir author Margo Jefferson in connection with TFANA's world premiere production of Adrienne Kennedy's He Brought Her Heart Back in a Box. The talk, which begins at 8.30 PM is open to all and features director Charlotte Braithwaite and playwrights Lydia Diamond and Jackie Sibblies Drury, follows the January 20 performance of Kennedy's first new play in a decade, which begins at 7:30 that evening, at Polonsky Shakespeare Center (262 Ashland Place, Brooklyn, NY 11217). The discussion will also be streamed live on Theatre for a New Audience's Facebook page. He Brought Her Heart Back in a Box runs January 18-February 11. To reserve a seat to this panel, visit www.tfana.org/heartpanel.
The little OPERA theatre of ny(LOTNY), in collaboration with New York based period ensemble New Vintage Baroque,presents the New York City Premiere of Piramo e Tisbe at Baruch Performing Arts Center, 55 Lexington Avenue, NYC, from March 22-25, 2018, with performances on Thursday through Saturday at 7:30pm and Sunday at 3pm. Tickets are $35 and are available at https://web.ovationtix.com/trs/cal/35006.
The Huntington Theatre Company presents the powerful drama Skeleton Crew, by Dominique Morriseau (Detroit '67 and Paradise Blue) and directed by Megan Sandberg-Zakian (Nat Turner in Jerusalem at New York Theatre Workshop and The Convert at Underground Railway Theater). Skeleton Crew runs from March 2 through March 31, 2018 at the South End / Calderwood Pavilion at the BCA.
Victory Gardens Theater continues its 43rd season with BREACH: a manifesto on race in america through the eyes of a black girl recovering from self-hate, written by Antoinette Nwandu and directed by Lisa Portes. BREACH runs February 9 March 11, 2018, with the press performance on Friday, February 16, 2018 at 7:30pm at Victory Gardens Theater, 2433 N. Lincoln Avenue.
Huntington Theatre Company's Department of Education presents the 8th annual Boston regional finals of the August Wilson Monologue Competition, celebrating the writing of the Pulitzer Prize and Tony Award-winning playwright. Kenny Leon's True Colors Theatre Company (Atlanta, GA) inaugurated the competition in 2009, and this year marks the 8th year that the Huntington's education department has hosted the competition in Boston.
The Huntington Theatre Company's 2018 Breaking Ground festival of new plays will be held February 9 11, 2018 at the Huntington's home for new work, the Calderwood Pavilion at the BCA. The festival is a vital part of the Huntington's new play development efforts and highlights the work of locally-based Huntington Playwriting Fellows and national writers in partnership with the Huntington. Over the last decade, Breaking Ground plays have gone on to appear at the Huntington as well as theatres in Boston, across the country, and internationally.
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces a free post-performance discussion moderated by Pulitzer Prize-winning theatre critic and Negroland: A Memoir author Margo Jefferson in connection with TFANA's world premiere production of Adrienne Kennedy's He Brought Her Heart Back in a Box. The talk, which begins at 8.30 PM is open to all and features director Charlotte Braithwaite and playwrights Lydia Diamond and Jackie Sibblies Drury, follows the January 20 performance of Kennedy's first new play in a decade, which begins at 7:30 that evening, at Polonsky Shakespeare Center (262 Ashland Place, Brooklyn, NY 11217). The discussion will also be streamed live on Theatre for a New Audience's Facebook page. He Brought Her Heart Back in a Box runs January 18-February 11. To reserve a seat to this panel, visit www.tfana.org/heartpanel.
Seattle Repertory Theatre today announced the full ensemble cast of its world premiere production of playwright David Grimm's clever comedy, Ibsen in Chicago. Under the direction of Artistic Director Braden Abraham, Ibsen In Chicago follows an unlikely ensemble of Scandinavian immigrants as they work to rehearse a controversial new play written by their fellow countryman Henrik Ibsen.
The Shakespeare Theatre Company (STC) announces the cast and creative team for Hamlet, directed by STC Artistic Director Michael Kahn and featuring acclaimed actor Michael Urie as the tortured Danish prince. Shakespeare's most celebrated tragedy will run January 16-February 25, 2018 at Sidney Harman Hall.
Maria Aitken will direct the Globe's handsome production of this timeless world classic-an unmissable opportunity to see what the London Telegraph calls 'the most perfect comedy in the English language.' The Importance of Being Earnest will run January 27 - March 4, 2018 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center. Tickets start at $30.00 and are on sale now to the general public. Previews run January 27-31. Opening night is Thursday, February 1 at 8:00 p.m.
Due to popular demand, the Huntington Theatre Company has extended the run of the ArtsEmerson production of Mala. This powerful personal drama is written and performed by Huntington Playwright-In-Residence Melinda Lopez (Sonia Flew, Becoming Cuba) and directed by David Dower (Mala and Mr. Joy, Breath & Imagination at ArtsEmerson).
The Huntington Theatre Company is pleased to present the ArtsEmerson production of Mala. This moving drama is written and performed by Huntington Playwright-in-Residence Melinda Lopez (Sonia Flew, Becoming Cuba) and directed by David Dower (Mala and Mr. Joy, Breath & Imagination at ArtsEmerson). Performances run from January 6 through January 28, 2018 at the South End / Calderwood Pavilion.
