Holly Gibbs News

The Pumpkin Theatre is making magic with its charming production of Rapunzel. Its colorful sets, elaborate costumes and lively performances pull the audience into a fantasy land of vengeful witches, damsels in distress and princes on heroic quests.

Pumpkin Theatre continues its 44th Season "What's in a Name?" with the musical Rapunzel! Trapped in a tower by her witch mother, Rapunzel and her best friend - her hair - dreams of visiting the land below her window.

Pumpkin Theatre continues its 44th Season 'What's in a Name?' with the musical Rapunzel! Trapped in a tower by her witch mother, Rapunzel and her best friend - her hair - dreams of visiting the land below her window.

Pumpkin Theatre continues its 44th Season "What's in a Name?" with the musical Rapunzel! Trapped in a tower by her witch mother, Rapunzel and her best friend - her hair - dreams of visiting the land below her window.

Pumpkin Theatre continues its 44th Season 'What's in a Name?' with the musical Rapunzel! Trapped in a tower by her witch mother, Rapunzel and her best friend - her hair - dreams of visiting the land below her window.

Pumpkin Theatre continues its 44th Season 'What's in a Name?' with the musical Rapunzel! Trapped in a tower by her witch mother, Rapunzel and her best friend - her hair - dreams of visiting the land below her window.

Spotlighters Theatre presents A Little Night Music - opening June 24th, at 8pm

A Little Night Music with music and lyrics by Stephen Sondheim sits among the pantheon of sophisticated Broadway classics. Based on the Ingmar Bergman film Smiles of a Summer Night, it captures the passions and pathos of a group of couples who waltz their way in and out of relationships in turn-of-the-century Sweden.

Spotlighters Theatre presents A Little Night Music - opening June 24th, at 8pm

Dundalk Community Theatre concludes its 2010/11 season with the final performance of Rodgers & Hammerstein's musical version of CINDERELLA on May 22.

Dundalk Community Theatre concludes its 2010/11 season with Rodgers & Hammerstein's musical version of CINDERELLA from May 13 - 22. There will be a Special Saturday Matinee, May 21, with tickets Two for $25, starting at 2pm. The Matinee will have a special Princess Boutique and Prince Knighting event starting at 12:30pm for children, with the characters from the show. Individual tickets are $22 for adults, $19 for senior adults and $14 for students/DCT Actors/Children 12 and under, for all other performance.

Dundalk Community Theatre concludes its 2010/11 season with Rodgers & Hammerstein's musical version of CINDERELLA from May 13 - 22. There will be a Special Saturday Matinee, May 21, with tickets Two for $25, starting at 2pm. The Matinee will have a special Princess Boutique and Prince Knighting event starting at 12:30pm for children, with the characters from the show. Individual tickets are $22 for adults, $19 for senior adults and $14 for students/DCT Actors/Children 12 and under, for all other performance.

Dundalk Community Theatre concludes its 2010/11 season with Rodgers & Hammerstein's musical version of CINDERELLA from May 13 - 22. There will be a Special Saturday Matinee, May 21, with tickets Two for $25, starting at 2pm.

reasons to be pretty begins with what is probably the most intense, expletive-driven, flesh-searing argument in the fiery LaBute canon, delivered by a very, very angry young woman to her soon-to-be ex-boyfriend. But after this first burst of shouting, Mr. LaBute lowers the volume and asks us to listen carefully to the way people speak in the early 21st century and to acknowledge the reflexive,culturally conditioned cruelty in much of what we say.

reasons to be pretty begins with what is probably the most intense, expletive-driven, flesh-searing argument in the fiery LaBute canon, delivered by a very, very angry young woman to her soon-to-be ex-boyfriend.

reasons to be pretty begins with what is probably the most intense, expletive-driven, flesh-searing argument in the fiery LaBute canon, delivered by a very, very angry young woman to her soon-to-be ex-boyfriend. But after this first burst of shouting, Mr. LaBute lowers the volume and asks us to listen carefully to the way people speak in the early 21st century and to acknowledge the reflexive,culturally conditioned cruelty in much of what we say.

reasons to be pretty begins with what is probably the most intense, expletive-driven, flesh-searing argument in the fiery LaBute canon, delivered by a very, very angry young woman to her soon-to-be ex-boyfriend. But after this first burst of shouting, Mr. LaBute lowers the volume and asks us to listen carefully to the way people speak in the early 21st century and to acknowledge the reflexive, culturally conditioned cruelty in much of what we say. Greg, the play's hero and the recipient of the initial verbal attack, begins listening with a new set of ears, not only to what everyone else says, but also to what he says. A man who always brings a book with him to work by Poe, Hawthorn or Washington Irving, Greg applies a close reader's interest to the less fluent speech of his friends and begins to realize just how fraught everyday communication is.

reasons to be pretty begins with what is probably the most intense, expletive-driven, flesh-searing argument in the fiery LaBute canon, delivered by a very, very angry young woman to her soon-to-be ex-boyfriend. But after this first burst of shouting, Mr. LaBute lowers the volume and asks us to listen carefully to the way people speak in the early 21st century and to acknowledge the reflexive,culturally conditioned cruelty in much of what we say.

Mystery, mirth and mayhem abound for the second half of Cockpit in Court Summer Theatre's 38th season featuring 'Curtains, the Musical Mystery Whodunit' and 'Angel Street' (Gaslight).