The Theatre School at DePaul University's Showcase Series of Contemporary Plays and Classics presents MAYDAY MAYDAY TUESDAY, by Carlos Murillo, and directed by Dexter Bullard. This play premieres on Friday, May 13, and runs through Sunday, May 22, 2011, at DePaul's historic Merle Reskin Theatre. Performances are Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM. Previews are on May 12 and 13 at 7:30 PM.
New York City's Ground UP Productions and The Summit Playhouse of Summit, NJ announce a thrilling, first-time-ever endeavor this Spring in The Garden State! After much planning, Summit Playhouse is graciously welcoming Ground UP and will host Ground UP's production of The Importance of Being Earnest, from May 20 to June 5, 2011.(Opening night: Saturday, May 21 at 8pm)
New York City's Ground UP Productions and The Summit Playhouse of Summit, NJ announce a thrilling, first-time-ever endeavor this Spring in The Garden State! After much planning, Summit Playhouse is graciously welcoming Ground UP and will host Ground UP's production of The Importance of Being Earnest, from May 20 to June 5, 2011.(Opening night: Saturday, May 21 at 8pm)
The Theatre School at DePaul University's Showcase Series of Contemporary Plays and Classics presents MAYDAY MAYDAY TUESDAY, by Carlos Murillo, and directed by Dexter Bullard. This play premieres on Friday, May 13, and runs through Sunday, May 22, 2011, at DePaul's historic Merle Reskin Theatre. Performances are Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM. Previews are on May 12 and 13 at 7:30 PM.
Rex Reed in 'The New York Observer' states KT Sullivan is in 'a league of her own,' and Stephen Holden in 'The New York Times' claims that watching her is 'a thrill ride.'
Despite the challenges of a continuously struggling economy and a sparse downtown population, Sea Tea Improv has had no trouble knocking nineteen monthly shows out of the park. On Sunday, April 3rd, Sea Tea will celebrate the twenty consecutive monthly shows that launched them into the Hartford Arts scene
Asolo Repertory Theatre today announced its selections and details for the 2011 Unplugged festival of new plays. Playwrights include Jeff Baron, one of the world's most-produced playwrights in the past decade; Jamie Pachino, winner of this year's Francesca Primus Prize from the American Theatre Critics Association; Bill Rosenfeld, who was nominated for 30 Grammy Awards and won 4 times; and Mat Smart, winner of two Jerome Fellowships and the San Diego Playbill Award for Best New Play.
Despite the challenges of a continuously struggling economy and a sparse downtown population, Sea Tea Improv has had no trouble knocking nineteen monthly shows out of the park. On Sunday, April 3rd, Sea Tea will celebrate the twenty consecutive monthly shows that launched them into the Hartford Arts scene
Asolo Repertory Theatre today announced its selections and details for the 2011 Unplugged festival of new plays. Playwrights include Jeff Baron, one of the world's most-produced playwrights in the past decade; Jamie Pachino, winner of this year's Francesca Primus Prize from the American Theatre Critics Association; Bill Rosenfeld, who was nominated for 30 Grammy Awards and won 4 times; and Mat Smart, winner of two Jerome Fellowships and the San Diego Playbill Award for Best New Play.
American Theater Company (ATC) continues its 26th season with the World Premiere of The Big Meal, written by New York Times 2010 Outstanding Playwright Award-winner Dan LeFranc and directed by Dexter Bullard.
American Theater Company (ATC) continues its 26th season with the World Premiere of The Big Meal, written by New York Times 2010 Outstanding Playwright Award-winner Dan LeFranc and directed by Dexter Bullard.
Michael Donald Edwards, Asolo Repertory Theatre's producing artistic director, announced today his selections for the 2010-2011 season. A major highlight of Asolo Rep's 52nd season is the pre-Broadway try-out production of Bonnie & Clyde opening on November 19, 2010.
American Theater Company (ATC) continues its 26th season with the World Premiere of The Big Meal, written by New York Times 2010 Outstanding Playwright Award-winner Dan LeFranc and directed by Dexter Bullard.
The House Theatre of Chicago continues its season with ODRADEK, a world-premiere production written by Brett Neveu, directed by Dexter Bullard, with music by Josh Schmidt.
The House Theatre of Chicago continues its season with ODRADEK, a world-premiere production written by Brett Neveu, directed by Dexter Bullard, with music by Josh Schmidt.
American Theater Company (ATC) continues its 26th season with the World Premiere of The Big Meal, written by New York Times 2010 Outstanding Playwright Award-winner Dan LeFranc and directed by Dexter Bullard.
The House Theatre of Chicago continues its season with ODRADEK, a world-premiere production written by Brett Neveu, directed by Dexter Bullard, with music by Josh Schmidt.
The House Theatre of Chicago continues its season with ODRADEK, a world-premiere production written by Brett Neveu, directed by Dexter Bullard, with music by Josh Schmidt.
Tennessee Williams is one of the best-known American playwrights of the 20th Century, and in this centennial year of his birth, it seems fitting to bring you one of his most complex pieces of work. Over the years on Roundabout's stages, you have seen everything from Williams' early classics like A Streetcar Named Desire and The Glass Menagerie to the less-frequently-staged Suddenly Last Summer and The Night of the Iguana. Through these productions, you've had an opportunity to truly get to know this complicated playwright, which I think makes you the ideal audience for Milk Train, a thorny, rarely-produced Williams gem. Michael Wilson, this production's director, spent ten years bringing the plays of Williams to his audience at Hartford Stage Company, knowing that Williams is a playwright to be savored, one who evolved a great deal throughout his career. Although he would continue to tackle certain themes and characters, much changed in Williams' life, and in the world, between his first success with The Glass Menagerie in 1945 and the first production of Milk Train eighteen years later. Knowing his work so well now, I think you are ready to embrace a play from that later, more multifaceted period.
The House Theatre of Chicago continues its season with ODRADEK, a world-premiere production written by Brett Neveu, directed by Dexter Bullard, with music by Josh Schmidt.
Videos
.jpg?format=auto&width=365)
