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BWW Review: DON GIOVANNI at Virginia Opera

Mozart's Don Giovanni is a must in every opera goer's repertoire. If you are looking for a first encounter with the Don, you could be in no more responsible hands than the Virginia Opera. The material and musical mastery are deliciously indulgent in equal measure. Director Lillian Groag's rendition is a vibrant and youthful take on the infamous playboy invigorated by lively performances. The work may be named for the relentless philanderer, but the ensemble offers a rich bounty of characters.

Violinist Philippe Quint Returns To Pacific Symphony With Tchaikovsky's Delightful Violin Concerto

Two spectacular guest artists from seaons past return to Pacific Symphony: Rune Bergmann, the acclaimed Norwegian conductor, joined the Symphony last October with Rachmaninoff's formidable Symphony No. 2; and Philippe Quint, the Russian violinist described by BBC Music Magazine as "truly phenomenal." Quint joins Pacific Symphony under Bergmann's baton to perform Tchaikovsky's Violin Concerto, in a program bookended by the Overture to Mozart's "Don Giovanni," and Nielson's Symphony No. 4, "The Inextinguishable," a piece composed against the backdrop of the first World War.

La Compañía Nacional De Ópera Estrena Las Bodas De Fígaro, Conclusión De La Trilogía Mozart-Da Ponte

”Las bodas de Fígaro es una comedia muy seria que toca temas de gran actualidad y que desea resaltar dos líneas: el conflicto social y el genérico. Es una obra de enredos, muy complicada y deliciosa, donde hay un enorme énfasis en el trabajo con los actores, sin los cuales sería una ópera que no podría contarse; por eso tenemos un elenco especular de gente no solamente inteligente, sino altamente propositiva”.  

Ensemble Ricercare Antico With Tenor Riccardo Pisani Performs Caccini Program In The 1607 Library Of The House Of The Redeemer

From Palazzo Bardi, where the Florentine Camerata met and conjured the new form of opera, where this program was previously presented on the Salon/Sanctuary Florence series, a commemoration of the 400th anniversary of Giulio Caccini, founding member of the Camerata and one of the first composers of opera, comes to New York, performed by a Roman and Florentine ensemble.

San Francisco Opera Center Announces 2019 Adler Fellows

San Francisco Opera Center Director Sheri Greenawald today announced the 12 recipients of the 2019 Adler Fellowship. Selected from participants of the Merola Opera Program, the ten singers and two pianist/apprentice coaches begin their fellowships in January 2019. The multi-year performance-oriented residency offers advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Since its inception in 1977, the prestigious fellowship has nurtured the development of more than 180 young artists, introducing many budding stars to the international opera stage and launching active careers throughout the world as performers, production artists, arts professionals and educators.

La MaMa Extends FOOD FOR THE GODS Through November 18th

FOOD FOR THE GODS, written and directed by Nehprii Amenii, will perform two additional shows as part of La MaMa's celebrated Puppet Festival, November 15 - 18, at The Downtairs (66 E. 4 St.), in the East Village. Originally scheduled to perform Thursday, Nov. 15 at 8:30 p.m.; Friday, Nov. 16 at 7 p.m.; Saturday, Nov. 17 at 8:30 p.m. and Sunday, Nov. 18 at 5 p.m.; FOOD FOR THE GODS will play additional shows Saturday, Nov. 17 at 5:30 p.m. and Sunday, Nov. 18 at 2 p.m.

Golijov's Haunting Song Cycle AYRE Receives Powerful New Interpretation By Soprano Miriam Khalil

Against The Grain Theatre, Toronto's visionary chamber opera company, is known for electric performances that act as 'a bracing wake-up call to the spirit' (The Globe and Mail). That daring candor is now being channeled via its new in-house recording label, which launches with a live recording ofOsvaldo Golijov's 'ecstatically beautiful...radical and disorienting' song cycle Ayre this December (The New Yorker).

Pretty Yende, Javier Camarena, And Mariusz Kwiecien Star In Bizet's LES PECHEURS DE PERLES

Les Pêcheurs de Perles (The Pearl Fishers) returns to the Metropolitan Opera for seven performances November 14–December 8, 2018. Bizet's opera tells the story of a beautiful Hindu temple priestess pursued by rival pearl divers competing for her love. The cast is led by soprano Pretty Yende as Leïla, tenor Javier Camarena as Nadir, and baritone Mariusz Kwiecien as Zurga, led by conductor Emmanuel Villaume.

MEFISTOFELE Returns To The Met November 8

A deal with the devil is struck with powerful results in the Metropolitan Opera's production of Arrigo Boito's Mefistofele, with performances November 8 to December 1, 2018. Starring in the diabolical title role is 2018 Richard Tucker Award winner Christian Van Horn, who joins recent Tucker Award winners Angela Meade as the love interest Margherita and Michael Fabiano as the bargain-making Faust. Rounding out the cast is Jennifer Check as Helen of Troy. Not seen on the Met stage in nearly 20 years, Robert Carsen's production is conducted by Carlo Rizzi and Joseph Colaneri.

BWW Review: AMADEUS LIVE, Royal Albert Hall

If there was ever a film to screen with a live orchestra and choir, it would be Peter Shaffer's multi-award-winning Amadeus. London's Royal Albert Hall continues its successful series of blockbusting films broadcast on an enormous high definition screen, this time accompanied by the Philharmonia Chorus and the Academy of St Martin in the Field.

World Premiere Of CLINT BLACK'S LOOKING FOR CHRISTMAS Extended By Popular Demand

The Old Globe will expand San Diego's celebration of the holidays with a world premiere American musical about family, faith, and the magic of Christmas. Clint Black's Looking for Christmas, inspired by the country music legend's 1995 chart-topping holiday album, features music and lyrics by Clint Black, book by James D. Sasser with Black, and music supervision and music direction by Matt Hinkley, and is directed by Kent Nicholson. Clint Black's Looking for Christmas begins performances on November 11 and has just been extended by popular demand through the holidays, running until Monday, December 31 in the Sheryl and Harvey White Theatre, part of the Conrad Prebys Theatre Center. Tickets start at $39.00 and are on sale to the general public now. Previews run November 11-19. Opening night is Tuesday, November 20 at 8:00 p.m.

CARMEN Returns To The Metropolitan Opera, Today

The Metropolitan Opera presents one of the most beloved operas in the repertory, Georges Bizet's Carmen, with performances October 30 to November 15 and again from January 9 to February 8. Starring in all performances in the title role is Clémentine Margaine, who made her celebrated Met debut in this role in 2017.  Yonghoon Lee and Roberto Alagna share the role of Carmen's lover, Don José. Guanqun Yu, Aleksandra Kurzak, and Susanna Phillips sing the role of Micaëla, and Kyle Ketelsen, Alexander Vinogradov, and Michael Todd Simpson portray the toreador Escamillo. Conductor Omer Meir Wellber makes his Met debut leading the Metropolitan Opera Orchestra in interpreting Bizet's famous score; winter performances are conducted by Louis Langrée.

Theater Resources Unlimited To Establish Scholarship Fund At The 2018 TRU Love Benefit

Theater Resources Unlimited will establish a new TRU scholarship fund at its annual TRU Love Benefit this November 4th at Caroline's on Broadway. Honorees at the benefit this year will be Baayork Lee and the National Asian Artists Project (NAAP) receiving the TRU Spirit of Theater Award, and John Chatterton and the Midtown International Theatre Festival (MITF) receiving the TRU Entrepreneur Award. The scholarship fund will be open to any candidates demonstrating financial need, and will include annual worthy candidates submitted by both NAAP and MITF.

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