Music Director Alan Gilbert will lead the New York Philharmonic in a celebration of the centennial of English composer, conductor, and pianist Benjamin Britten. The program will include Britten's Serenade for Tenor, Horn, and Strings, featuring tenor Paul Appleby and Philharmonic Principal Horn Philip Myers, and Britten's Spring Symphony, with soprano Kate Royal (in her Philharmonic debut), mezzo-soprano Sasha Cooke (Philharmonic subscription debut), tenor Paul Appleby, New York Choral Artists directed by Joseph Flummerfelt, and Brooklyn Youth Chorus directed by Dianne Berkun-Menaker. The concerts, which include a performance on the composer's 100th birthday, November 22, will take place Thursday, November 21, 2013, at 7:30 p.m.; Friday, November 22 at 8:00 p.m.; and Saturday, November 23 at 8:00 p.m.
George London News
The Dallas Opera has announced the opening production of their 2013-2014 “By Love Transformed” Season: Georges Bizet's colorful, sensual and passionate 19th century masterpiece, CARMEN, one of the most beloved and popular works in the entire opera canon.
Tenor Matthew Polenzani, who has been praised as "perhaps the finest tenor voice of his generation" (Boston Phoenix), and fast-rising young star soprano Corinne Winters will launch the 2013-14 season of events of The George London Foundation for Singers with a recital at The Morgan Library and Museum on Sunday, October 20, 2013, at 4:30 PM. The George London Foundation Recital Series presents pairs of outstanding opera singers, many of whom were winners of a George London prize early in their careers or are recent George London Award recipients. Mr. Polenzani is a 1998 George London Award winner, and Ms. Winters won a George London Award in 2012 (watch Corinne Winters's George London Award-winning performance of Meyerbeer's "Robert, toi que j'aime"here).
Hailing from Alaska, America's 'last frontier,' the thrilling mezzo-soprano Vivica Genaux continues to earn accolades from audiences and critics alike for her enthralling performances on the world's greatest stages, praise focusing on both the unique beauty of her voice and the astounding brilliance of her technique, which combine to create unforgettable portraits of some of the most engaging characters in opera. Consistently lauded as one of the pre-eminent interpreters of Baroque and bel canto music, she continues to explore new avenues in these repertories.
James Levine and The MET Orchestra return for their annual series at Carnegie Hall with three concerts this season in Stern Auditorium / Perelman Stage. The series launches onSunday, October 13 at 3:00 p.m. with mezzo-soprano Joyce DiDonato singing Rossini'sGiovanna d'Arco as well as arias from Mozart'sLa clemenza di Tito. Also on the program are Verdi's Overture to I vespri Siciliani, Beethoven's Symphony No. 7 in A Major, and Elliott Carter's Variations for Orchestra. This marks Maestro Levine's first performance at Carnegie Hall since his triumphant return to the podium on May 19.
New York City Opera is pleased to announce casting for numerous roles in its 2013-14 productions: Anna Nicole, a co-production with BAM that kicks off the 2013 Next Wave Festival, September 17 - 28 at the BAM Howard Gilman Opera House; Johann Christian Bach's Endimione, February 8 - 16, 2014 at El Museo del Barrio; Bluebeard's Castle, a co-production with St. Ann's Warehouse, February 28 - March 15, 2014; and The Marriage of Figaro, April 19 - April 26, 2014 at New York City Center. The Company will announce additional casting soon.
Three international opera stars and three stars on the rise are the six artists who headline the 2013-14 season of events of the George London Foundation for Singers, which has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada for more than four decades. Five of the artists are GeorgeLondon Award winners, and thus among the “scores of important singers [who] have been discovered by the [George London Foundation] competition over the years,” as Peter G. Davis wrote in The New York Times last year.
The Winspear Opera House at the AT&T Performing Arts Center was the scene of a celebration this evening as The Dallas Opera Guild presented a rich variety of homegrown talent competing for top prizes in the 25th Annual 'Dallas Opera Guild Vocal Competition,' an on-stage showcase for young opera singers with Texas connections.
Spring will bring a trio of striking productions to Houston Grand Opera, starting with the return-by-popular-demand of the world's first mariachi opera - Cruzar la Cara de la Luna ('To Cross the Face of the Moon'). Cruzar - an HGO commission that the company premiered to acclaim in 2010, with the Houston Chronicle calling it 'a multicultural winner' - will run today, March 22-24 at the Wortham Theater Center. Next up is HGO's new production of Wagner's Tristan und Isolde (April 18-May 5), conducted by the company's music and artistic director, Patrick Summers, and starring two of today's greatest Wagnerian singers: soprano Nina Stemme as Isolde and tenor Ben Heppner as Tristan, both in their company debuts.
The Dallas Opera is will present Giacomo Puccini's breathtakingly beautiful 20th century masterpiece, TURANDOT, this sad and powerful opera was Puccini final work. TURANDOT opens on Friday, April 5, 2013 (The Amy and Vernon Faulconer Performance) in theMargot and Bill Winspear Opera House at the AT&T Performing Arts Center in the Dallas Arts District, underwritten in part by TACA.
This April, the company dubbed "the People's Opera" will return to the venue known as "the People's Theater" for the first time since 1965, when New York City Opera returns to New York City Center, its original home. The residency includes new productions of Gioachino Rossini's Moses in Egypt, conducted by Jayce Ogren and directed by Michael Counts (April 14-20); and Jacques Offenbach's La Perichole, conducted by Emmanuel Plasson and directed by Christopher Alden (April 21-27).
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.
Over three days of preliminary auditions today, February 25 through the 27th, 2013, approximately 90 of the best young American and Canadian opera singers will compete to reach the final round of the 42nd annual George London Foundation Awards Competition.
New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Ades (b.1971) to a libretto by Philip Hensher (b. 1965).
Over three days of preliminary auditions on February 25-27, 2013, approximately 90 of the best young American and Canadian opera singers will compete to reach the final round of the 42nd annual George London Foundation Awards Competition.
New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Adès (b.1971) to a libretto by Philip Hensher (b. 1965).
Carrying on the Houston legacy of holiday seasons past, The Houston Symphony will perform Handel's Messiah tonight, December 21 and the 22nd and 23rd at Jones Hall.
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