Lyric Opera of Kansas City Artistic Director Ward Holmquist today announced a change in two conductors for two productions of the 2013-14 season. The September 21-29 production of Bellini's The Capulets and the Montagues will now be conducted by Lyric Opera of Kansas City Artistic Director Ward Holmquist. Maestro Leonardo Vordoni will make his company debut leading a production in the 2014-15 season to be announced at a later date. The November 9-17 production of Mozart's The Magic Flute will now be conducted by Gary Thor Wedow. Ward Holmquist had been scheduled to conduct that production.
New York City Opera is pleased to announce casting for numerous roles in its 2013-14 productions: Anna Nicole, a co-production with BAM that kicks off the 2013 Next Wave Festival, September 17 - 28 at the BAM Howard Gilman Opera House; Johann Christian Bach's Endimione, February 8 - 16, 2014 at El Museo del Barrio; Bluebeard's Castle, a co-production with St. Ann's Warehouse, February 28 - March 15, 2014; and The Marriage of Figaro, April 19 - April 26, 2014 at New York City Center. The Company will announce additional casting soon.
Seattle Opera's 2012/13 season concludes in May with a double bill of compelling twentieth-century operas, both new to the company: La Voix Humaine, by Francis Poulenc, and Giacomo Puccini's Suor Angelica. Both these one-act operas follow fascinating women who must grapple with despair as they meet their fate; but the two works, like the composers who created them, are extremely different. In Poulenc's sensual monodrama, a woman stumbles through a minefield of emotions as she attempts to stay connected to her ex-lover over the telephone. Puccini's mystical tragedy tells the story of a young nun who learns of the death of the son she was forced to abandon. She kills herself yet miraculously passes into a state of grace. Performances begin tonight, May 4 and run through May 18.
Seattle Opera's 2012/13 season concludes in May with a double bill of compelling twentieth-century operas, both new to the company: La Voix Humaine, by Francis Poulenc, and Giacomo Puccini's Suor Angelica. Both these one-act operas follow fascinating women who must grapple with despair as they meet their fate; but the two works, like the composers who created them, are extremely different. In Poulenc's sensual monodrama, a woman stumbles through a minefield of emotions as she attempts to stay connected to her ex-lover over the telephone. Puccini's mystical tragedy tells the story of a young nun who learns of the death of the son she was forced to abandon. She kills herself yet miraculously passes into a state of grace. Performances begin on May 4 and run through May 18.
Wolf Trap Opera Company, one of America's top residency programs for emerging opera professionals, announces its 2013 summer season and the line-up of Filene Young Artists and Studio Artists. The diverse roster includes 36 up-and-coming singers selected in a comprehensive nationwide audition tour. The season will feature three new productions, including Verdi's masterpiece La traviata (July 19). The Company, joined by the National Symphony Orchestra, will celebrate the composer's bicentennial birthday with a new production featuring a video projection-based scenic design created specifically for the Filene Center, Wolf Trap's outdoor amphitheater. This is the first Wolf Trap Opera Company produced La traviata at the Filene Center since 1977 and was made possible in part through generous philanthropic support from Wolf Trap Foundation Board member Dan D'Aniello and his wife, Gayle, as well as through the generosity of other loyal Wolf Trap Opera Company supporters. The Company will also present original productions of Rossini's The Journey to Reims (June 21, 23, 29) and Verdi's Falstaff (August 9, 11, 14, 17) at its summer home, The Barns at Wolf Trap.
Seattle Opera presents the ultimate story of love lost and regained this February with Gluck's Orphee et Eurydice, which runs for six performances from February 25 through March 10, 2012.
Seattle Opera presents the ultimate story of love lost and regained this February with Gluck's Orphee et Eurydice, which runs for six performances from February 25 through March 10, 2012.
Seattle Opera presents the ultimate story of love lost and regained this February with Gluck's Orphee et Eurydice, which runs for six performances from February 25 through March 10, 2012.
New York City Opera General Manager and Artistic Director George Steel announced today that the company will make New York City its stage for the 2011/12 season. With an imaginative and accessible season that encompasses productions ranging from the Baroque to Classical to Romantic and Contemporary, City Opera will create a living presence in neighborhoods across New York, including Brooklyn, the Upper West Side,Harlem and Central Park. The company will present a season of classics, undiscovered and new works that explore a repertory ranging nearly 300 years.
Seattle Opera closes its 2010/11 season with The Magic Flute. Mozart's beloved fairy-tale celebrates the power of music, as a prince, a princess, and a bird-catcher try to find their own way in a world torn apart by the feud between a manipulative queen and a powerful priest.
Seattle Opera closes its 2010/11 season with The Magic Flute. Mozart's beloved fairy-tale celebrates the power of music, as a prince, a princess, and a bird-catcher try to find their own way in a world torn apart by the feud between a manipulative queen and a powerful priest.
Seattle Opera closes its 2010/11 season with The Magic Flute. Mozart's beloved fairy-tale celebrates the power of music, as a prince, a princess, and a bird-catcher try to find their own way in a world torn apart by the feud between a manipulative queen and a powerful priest.
Seattle Opera today announced its captivating 2011/12 season, featuring an American treasure, the greatest French opera, the company premiere of a work by Verdi, one of opera's fundamental love stories, and a beloved Puccini tragedy. The season opens with Porgy and Bess in July, followed by Carmen in the fall and Attila, Orphée et Eurydice, and Madama Butterfly in 2012.
Tenor Paul Appleby is joined by pianist Brian Zeger for a solo recital as the winner of Juilliard's 14th annual Alice Tully Vocal Arts Recital Award on November 30 at 8 PM in Alice Tully Hall (Broadway at 65th Street). The program features Schubert's song cycle, 'Die schöne Müllerin', on poems by Wilhelm Müller.
Tenor Paul Appleby is joined by pianist Brian Zeger for a solo recital as the winner of Juilliard's 14th annual Alice Tully Vocal Arts Recital Award on November 30 at 8 PM in Alice Tully Hall (Broadway at 65th Street). The program features Schubert's song cycle, 'Die schöne Müllerin', on poems by Wilhelm Müller.
Seattle Opera today announced its compelling 2010/11 season. The line-up features a Wagnerian masterpiece, a dark tragedy, a hilarious romp, a poignant retelling, and a magical fantasy, all wrapped into one thrilling season.
New York City Opera today released full casting details for the 2009-2010 season, its first under the new leadership of General Manager and Artistic Director George Steel. The company will present five operas in 2009-2010, in fall and spring seasons, in the newly renovated David H. Koch Theater (formerly the New York State Theater).
New York City Opera today released full casting details for the 2009-2010 season, its first under the new leadership of General Manager and Artistic Director George Steel. The company will present five operas in 2009-2010, in fall and spring seasons, in the newly renovated David H. Koch Theater (formerly the New York State Theater).
