The word Artist is never more accurately applied to an entertainer then when it is used to describe Clint Holmes. Clint starts with a familiar song title on a blank music page, and then goes on to create something you never thought that tune could become. His vocal, jazz, acting ability, combined with his creativity cross every music red, blue, black and white music line you ever laid down. Most of the audience at Jim Caruso's Broadway at Birdland Series were already 'educated consumers' at his performance celebrating the CD Release of 'Rendezvous' last night. However, for all, it was a reminder of what a truly great performer can brilliantly accomplish with the same 12 notes and combination of beats that all vocalists have at their disposal.
The anticipation for surprises to come is at an all-time high as the brand new trailer for season four of STAR WARS REBELS debuted this weekend at Star Wars Celebration Orlando! Check it out below
Ghostland Observatory's entire approach to music - sonically, aesthetically, conceptually - is essentially a melding of the two distinctly different personalities of its two members, Thomas Ross Turner and Aaron Behrens. Whereas Turner, the producer/drummer/keyboardist of the duo, finds solace in the minimal, bleak cable-patch squawks of Karlheinz Stockhausen and the analog-disco-thump of Giorgio Moroder, Behrens' interests lie more along the lines of psychedelia, rock and various country and blues artists.
The world's premiere Queen tribute show, Queen: It's A Kinda Magic, will complete a 16-stop national tour from May - taking fans back to the glory days of Freddie Mercury and his iconic band Queen.
The company of Cagney, the hit musical about Hollywood's tough guy in tap shoes, celebrated one year of performances at The Westside Theatre with a champagne toast onstage, last night, April 4. Scroll down for photos from the festivities!
Today's subject George Caldwell is currently living his theatre life as one of the composers and the onstage pianist for the creative dance troupe Urban Bush Women. The company performs Walking with'Trane this Friday and Saturday in the Eisenhower Theater at Kennedy Center.
Sierra Repertory Theatre opens its first Fallon House show of the year with Noises Off, praised as the "funniest comedy ever written" by the New York Post and often acclaimed as the comedy by which all other comedies are compared. The play opens April 14 in Columbia State Historic Park with a month-long run.
The Royal Conservatoire of Scotland's latest ambitious venture is a visually stunning production of Benny Andersson, Bjorn Ulvaeus and Tim Rice's hit 1980s pop musical.
Students in Valencia College's House Band will pay tribute to rock legends, including Prince, Chuck Berry, Freddie Mercury and David Bowie, at an April 13 concert on Valencia's East Campus.<
ABC has pulled its new time travel drama TIME AFTER TIME from its schedule, effectively cancelling the series. The show becomes the second scripted, freshman series to be pulled from the air this season.
April offers an eclectic lineup at Blue Note Hawaii, the state's premier venue for the world's most celebrated artists, continuing the series with Blood Sweat & Tears, followed up by local favorite Jake Shimabukuro, the Devon Allman Band, and Roseanne Barr ushering in the new Blue Note Comedy Series April 8th and 9th.
Chestnut's idea to connect between Elvis and Jazz is based on the Blues, Country and Gospel influences that are evident in Elvis's music. Presley's greatest hits receive exceptional interpretations by Chestnut who is known by his Jazz, Gospel and Bop styled improvisation skills – ones which he acquired throughout the years in which he played in church as a child. He believes that Jazz is a religious musical genre.
As patrons enter the Mitzi Newhouse for Sarah Ruhl's newest clever and quirky comedy, HOW TO TRANSCEND A HAPPY MARRIAGE, they're greeted by set designer David Zinn's rendering of a smart and simply furnished living room, above which hangs the carcass of a slaughtered and skinned goat.
Evan Placey's CONSENSUAL asks the audience to ponder questions plaguing students and educators around the world in a world where teachers are forced to distance themselves from their students for fear of being misconstrued.
