After a hit three-year run at the Up-Comedy Theatre in Chicago, #DateMe: An OkCupid Experiment will move to New York City, beginning performances at the Westside Theatre on June 20, 2019.
Trump in Space, winner of the 2017 Hollywood Fringe Festival Encore! Producer's Award, has announced the extension of its run into 2019 on Friday nights at The Second City Hollywood Studio Theatre. The engagement will now continue through April 26. The book and lyrics are by Gillian Bellinger and Landon Kirksey with music by Tony Gonzalez and Sam Johnides. Frank Caeti is the director.
Trump in Space, winner of the 2017 Hollywood Fringe Festival Encore! Producer's Award, has announced the third extension of its run on Friday nights at The Second City Hollywood Studio Theatre. The engagement will now continue through December 14. The book and lyrics are by Gillian Bellinger and Landon Kirksey with music by Tony Gonzalez and Sam Johnides. Frank Caeti is the director.
Trump in Space, winner of the 2017 Hollywood Fringe Festival Encore! Producer's Award, has announced the second extension of its run of Friday nights at The Second City Hollywood Studio Theatre. The engagement will now run through August 17. The book and lyrics are by Gillian Bellinger and Landon Kirksey with music by Tony Gonzalez and Sam Johnides. Frank Caeti is the director.
TRUMP IN SPACE is a combination of Star Trek and Avenue Q meeting Trump, a musical battle of good vs. bad and ideals vs. opportunism, with tons of sex and profanity thrown in for fun. This original musical is an epic space adventure filled with all the sci-fi tropes we love and all the politics we love to hate. Taking place four hundred years in the future when the fallout of the Trump administration has left humans stranded without a planet, Captain Natasha Trump (Gillian Bellinger, writer of the script and lyrics), a direct descendant of President Donald J. Trump, races to find humanity a new planet called Polaris 4 to call home.
Trump in Space, winner of the 2017 Hollywood Fringe Festival Encore! Producer's Award, is set to return for a run of Friday nights from January 12 through April 27, 2018 at The Second City Hollywood Studio Theatre. The book and lyrics are by Gillian Bellinger and Landon Kirksey with music by Tony Gonzalez and Sam Johnides. Frank Caeti is the director.
Riddled with anachronisms and enough irreverent potshots to keep your naughty inner child sated through the New Year, The Second City's Twist Your Dickens is just the ticket for a crowd of world-weary Washingtonians.
Dickensian purists and rabid followers, be warned in advance: this is not your typical 'A Christmas Carol'. There are skateboarding ghosts, celebrity origin stories, murderous plots and even rewrites of classic TV specials. But don't worry, your concerns will come from the audience. It's all part of the messy fun that is The Second City's TWIST YOUR DICKENS, currently playing at The Kennedy Center Theatre Lab.
Due to popular demand, The Kennedy Center has announced the addition of four extra performances to the Kennedy Center's debut run of The Second City's irreverent and interactive seasonal satire, Twist Your Dickens. Tickets are now on sale for newly added 3p.m. matinees on December 21, 22, 28, and 29. Twist Your Dickens performances take place in the Theater Lab from December 9-31, 2016.
Slate and The Second City are pleased to announce casting for 'Unelectable You,' a new live political comedy show launching at UP Comedy Club in Chicago on July 28 before heading out on a national tour this election season. The 'Unelectable You' tour cast will feature The Second City alums Carisa Barreca and Frank Caeti, Cleveland alum Cody Dove, Alan Linic, Ian Owens and Tien Tran.
UP Comedy Club (230 W North Ave, 3rd Floor of Piper's Alley) announces the return of #DateMe: An OkCupid Experiment, created by Robyn Lynne Norris and written by Robyn Lynne Norris, Bob Ladewig and Frank Caeti. Previews begin tonight, February 4, through Sunday, February 21 with performances running through Sunday, May 29.
UP Comedy Club (230 W North Ave, 3rd Floor of Piper's Alley) announces the return of #DateMe: An OkCupid Experiment, created by Robyn Lynne Norris and written by Robyn Lynne Norris, Bob Ladewig and Frank Caeti. Previews begin Thursday, February 4 through Sunday, February 21 with performances running through Sunday, May 29.
Silicon Valley's monthly public PowerPoint throwdown, SPEECHLESS, will return to the San Francisco Improv Festival 7:00pm, tonight, September 18th. Sketch comic Frank Caeti (MADtv, Second City) will participate, along with a lineup of to-be-announced surprise guests. (Past shows have included participants with a wide range of backgrounds, from comedian Guy Branum to Google senior software engineer Chet Haase). For tickets and more information, the public may visit www.speechlesslive.com and www.facebook.com/speechlesssf.
Silicon Valley's monthly public PowerPoint throwdown, SPEECHLESS, will return to the San Francisco Improv Festival 7:00pm, Friday, September 18th. Sketch comic Frank Caeti (MADtv, Second City) will participate, along with a lineup of to-be-announced surprise guests. (Past shows have included participants with a wide range of backgrounds, from comedian Guy Branum to Google senior software engineer Chet Haase). For tickets and more information, the public may visit www.speechlesslive.com and www.facebook.com/speechlesssf.
The San Francisco Improv Festival presents its 11th season of off-the-cuff comedy from top improv and sketch comedians. The San Francisco Improv Festival runs today, September 10, through September 19, 2015 at The Eureka Theatre, 215 Jackson Street, San Francisco.
While 'Ithamar Has Nothing to Say' is a silent solo sketch show - and the only show of this kind I have seen - I nevertheless must use the written word to describe the happenings therein. Directed by Frank Caeti, Mainstage alum Ithamar Enriquez takes the stage in a one-man show that harkens back to the silent film comedies of the 1930s made famous by such noted film artists as Buster Keaton, and, of course, Charlie Chaplin. Like the latter filmmaker, Enriquez exudes charm and slyness in this 50-minute solo piece. And like Keaton, he relies on sight gags and heavily physical bits to tell the story of each of his sketches. Most of these succeed; the occasional sketch feels like a misstep.