The Ensemble for the Romantic Century recently announced additional cast members for its upcoming Anna Akhmatova: The Heart Is Not Made of Stone run at Brooklyn Academy of Music (BAM).
At the Florence Gould Hall, just a two avenues away from The Plaza, my April 17, 2016 morning began. Parents, family, friends, and above all, children were ready to see New York Theatre Ballet's (NYTB) version of Cinderella at 11 AM. Many little girls were dressed to impress as the fairy tale character, while the boys were looking good in their Sunday best. For them, this would be animation come to life.
New York City Ballet will open its 2016-17 Season at Lincoln Center on Tuesday, September 20, and will continue for 21-weeks of performances, through Sunday, May 28, and feature a total of 77 ballets created by 24 different choreographers.
Celebrating its 15th season, the Ensemble for the Romantic Century (ERC) returns to BAM Fisher for six performances of Anna Akhmatova: The Heart is Not Made of Stone.
Music Director Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS) today announce their 2016-17 season.
A classic Mabou Mines feat is to take a theatrical classic, reimagine it from top to bottom, then turn it inside out; the result is a production so spanking new that the original gleams with fresh and unexpected relevance. The tradition continues in a collaboration with Trick Saddle and the 45-year old company. The two companies combine forces in the world premiere of 'Imagining the Imaginary Invalid,' inspired by 'The Imaginary Invalid,' Moliere's piercing satiric take on the pretension, gullibility and vulnerability of we poor mortals. Presented by La MaMa, a production of Mabou Mines and Trick Saddle, the play runs January 21-February 7 at La MaMa's Ellen Stewart Theatre.
Beth Morrison Projects (BMP) and HERE present the fourth annual PROTOTYPE: Opera/Theatre/Now festival, running today, January 6, through January 17, 2016, in New York City.
The Cultural Services of the French Embassy and the French Institute Alliance Francaise (FIAF) today announced programming for the inaugural Tilt Kids Festival. The new cultural festival for families will feature multidisciplinary international work paired with commissions from New York artists, including five premieres. Tilt Kids Festival runs from March 4 through April 3. Tickets will go on sale December 23 at www.tiltkidsfestival.org.
New York Theatre Ballet (NYTB) will perform Donald Mahler's Cinderella on April 17, 2016 at Florence Gould Hall, 55 East 59th Street, NYC (between Park and Madison Avenues).
A classic Mabou Mines feat is to take a theatrical classic, reimagine it from top to bottom, then turn it inside out; the result is a production so spanking new that the original gleams with fresh and unexpected relevance. The tradition continues in a collaboration with Trick Saddle and the 45-year old company. The two companies combine forces in the world premiere of 'Imagining the Imaginary Invalid,' inspired by 'The Imaginary Invalid,' Moliere's piercing satiric take on the pretension, gullibility and vulnerability of we poor mortals. Presented by La MaMa, a production of Mabou Mines and Trick Saddle, the play runs January 21-February 7 at La MaMa's Ellen Stewart Theatre.
New York Theatre Ballet will perform Keith Michael's The Nutcracker from December 11-13, 2015 at Florence Gould Hall, 55 East 59th Street, NYC (between Park and Madison Avenues)
New York Theatre Ballet will perform Keith Michael's The Nutcracker from December 11-13, 2015 at Florence Gould Hall, 55 East 59th Street, NYC (between Park and Madison Avenues). Performances are Friday at 12pm; Saturday at 11am, 1pm, and 3:30pm; and Sunday at 11am, 1pm, and 3:30pm.
New York Theatre Ballet will perform Keith Michael's The Nutcracker from December 11-13, 2015 at Florence Gould Hall, 55 East 59th Street, NYC (between Park and Madison Avenues)
Beth Morrison Projects (BMP) and HERE are pleased to announce full casting for the fourth annual PROTOTYPE: Opera/Theatre/Now festival, running January 6-17, 2016, in New York City. Deemed "suddenly indispensable" (New Yorker), this 'bracingly innovative' Festival, founded, directed, and curated by Kristin Marting (of HERE), Beth Morrison (of BMP), and Kim Whitener (of HERE), has quickly become 'a point of reference" in the field (The New York Times) over three astoundingly successful seasons.
The French Institute Alliance Francaise (FIAF) and the Hermes Foundation's New Settings program are thrilled to launch FIAF's 2015 Crossing the Line festival with the U.S. premiere of Suite n°2 from French director Joris Lacoste. In Suite n°2, an uproarious and poignant performance emerges from the simplest of sources-the spoken word.
BroadwayWorld has confirmed additional casting for the Broadway adaptation of Therese Raquin starring Academy and Golden Globe nominee Keira Knightley (Therese) making her Broadway debut alongside Tony award winner Gabriel Ebert (Camille), Matt Ryan (Laurent) and two-time Tony award winner Judith Light (Madame Raquin). This adaptation of Therese Raquin is written by Helen Edmundson, based upon the novel by Emile Zola, directed by Evan Cabnet.
New York Theatre Ballet announces the 2015-16 season, which will include repertory performances at Schimmel Center at Pace University (September 19-20, 2015), Danspace Project (October 1-3, 2015), and New York Live Arts (February 24-27, 2016).
New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
The French Institute Alliance Francaise (FIAF) and the Hermes Foundation's New Settings program are thrilled to launch FIAF's 2015 Crossing the Line festival with the U.S. premiere of Suite n°2 from French director Joris Lacoste. In Suite n°2, an uproarious and poignant performance emerges from the simplest of sources-the spoken word.
Hailed recently by The New York Times as "ingenious," New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.
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