Continuing its 2013-14 season, American Conservatory Theater (A.C.T.) travels to 1940s Italy with A.C.T. favorite Marco Barricelli (former Artistic Director of Shakespeare Santa Cruz; Vigil at A.C.T.) and Canada's Stratford Festival star Seana McKenna (Phedre at A.C.T.), who return to lead the cast of Napoli!, Beatrice Basso and Linda Alper's vivid new translation of Eduardo De Filippo's poignant Italian comedy. During the chaotic days of World War II in Naples, an enterprising woman sets up a small-time black market business in the middle of her home to keep her family afloat. She prospers, but maybe a bit too much-compelling her husband to ask hard questions about morality, civility, and the state of their society. In a war-torn culture in which coffee is like liquid gold, De Filippo's masterful blend of humor and pathos tells the story of an unforgettable and wildly entertaining family determined to make a living even if it means profiteering. Directed by A.C.T. Associate Artistic Director Mark Rucker, this production culminates the Year of Italian Culture in the United States. Napoli! runs February 12-March 9, 2014 at A.C.T.'s Geary Theater (415 Geary Street, San Francisco). Press night is Wednesday, February 19, 2014. Tickets ($20 -$120) are on sale now and may be purchased online at act-sf.org or by calling 415.749.2228.
San Jose Rep Theatre presents a World Premiere, Musical adaptation of THE SNOW QUEEN, Hans Christian Andersen's fantastical coming-of-age adventure. As you follow Gerda's journey through an unimaginably dangerous and whimsical world with singing flowers, a chattering crow and a talking river to save her friend, Kai, you'll realize this isn't your average bedtime story. An original pop rock score that propels a legend suffused with urban steam punk flair and the enigmatic Snow Queen, turn this traditional fairy tale into an epic quest. Check out a first look at the production below!
San Jose Rep Theatre presents a World Premiere, Musical adaptation of THE SNOW QUEEN, Hans Christian Andersen's fantastical coming-of-age adventure. As you follow Gerda's journey through an unimaginably dangerous and whimsical world with singing flowers, a chattering crow and a talking river to save her friend, Kai, you'll realize this isn't your average bedtime story. An original pop rock score that propels a legend suffused with urban steam punk flair and the enigmatic Snow Queen, turn this traditional fairy tale into an epic quest.
Magic Theatre will welcome back playwright Julie Marie Myatt and director Jonathan Moscone for the Bay Area premiere of The Happy Ones running tonight, March 27 - April 21.
Magic Theatre will welcome back playwright Julie Marie Myatt and director Jonathan Moscone for the Bay Area premiere of The Happy Ones running March 27 - April 21.
California Shakespeare Theater today announced the cast of its season-opening production, American Night: The Ballad of Juan Jose, by Richard Montoya and developed by Culture Clash and Jo Bonney. Helmed by Cal Shakes Artistic Director Jonathan Moscone, the production will run at the Bruns Amphitheater from May 29 through June 23. The 2010 world premiere of American Night: The Ballad of Juan Jose at Oregon Shakespeare Festival was the first show in the company's history to be extended due to popular demand; the New York Times deemed the play (In its recent Yale Rep production), "a lovable hodgepodge of references, historical and pop-cultural, with a deadly serious message at its heart."
American Conservatory Theater (A.C.T.), in partnership with the San Francisco Bicycle Coalition (SFBC), is providing a greener alternative to theater transportation. For two performances of the West Coast premiere of 4000 Miles-Thursday, January 17, and Thursday, January 24-A.C.T. will host Bike to the Theater Night, during which the SFBC will offer free valet bike parking for all patrons who cycle to the theater. Patrons who bike to the theater will receive a special discount on tickets that evening ($35 Orchestra, $25 Mezzanine, or $10 Balcony using code BIKE10 (online or by phone). Valet bike parking is available one hour prior to showtime. Bicycles will be attended throughout the evening. Patrons are asked to bring their own locks. For information about the SFBC, visit www.sfbike.org. To purchase tickets, visit www.act-sf.org or call 415.749.2228.
American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced today the casting for the West Coast premiere of Amy Herzog's acclaimed comic drama 4000 Miles. Directed by A.C.T. Associate Director Mark Rucker, 4000 Miles tells the story of 21-year-old Leo, who unexpectedly arrives on the doorstep of his feisty 91-year-old grandmother Vera's New York apartment, dazed after a cross-country bike trip.
TheatreWorks, the nationally acclaimed theatre of Silicon Valley, presents the regional premiere of the recent Broadway hit TIME STANDS STILL by Pulitzer Prize-winner Donald Margulies (Dinner with Friends, Brooklyn Boy). The play will be helmed by Leslie Martinson and stars Rebecca Dines and Mark Anderson Phillips in the pivotal roles of the photojournalist and war correspondent, with Rolf Saxon and Sarah Moser completing the cast. TIME STANDS STILL runs August 22 - September 16, 2012 (press opening August 25) at TheatreWorks at the Mountain View Center for the Performing Arts. Get a first look at the production in the photos below!
Opera San Jose continues its 28th season with the romantic tragedy La traviata. An unequivocal masterpiece based on the short life of the most famous of all Parisian courtesans, this is Verdi's most popular opera.
Opera San Jose continues its 28th season with the romantic tragedy La traviata. An unequivocal masterpiece based on the short life of the most famous of all Parisian courtesans, this is Verdi's most popular opera.
American Conservatory Theater (A.C.T.) is proud to present the world premiere of Higher, written by A.C.T. Artistic Director Carey Perloff and directed by A.C.T. Associate Artistic Director Mark Rucker.
American Conservatory Theater (A.C.T.) is proud to present the world premiere of Higher, written by A.C.T. Artistic Director Carey Perloff and directed by A.C.T. Associate Artistic Director Mark Rucker.
Opera San Jose continues its 28th season with the romantic tragedy La traviata. An unequivocal masterpiece based on the short life of the most famous of all Parisian courtesans, this is Verdi's most popular opera.
Uranium Madhouse is ready to irradiate the Southern California theater scene. Theater director and acting teacher Andrew Utter announces the formation of his new Los Angeles theater company, Uranium Madhouse, inviting discerning theatergoers to "come in and melt down." Utter will act as Artistic Director and set designer Erik Flatmo has been named Resident Designer.
Asolo Repertory Theatre (Asolo Rep) proudly introduces the artists of its 2010-2011 repertory season; including participation from guest artists, Asolo Rep Associate Artists and the graduating class of the Florida State University/Asolo Conservatory for Actor Training. Rehearsals are underway for La Bête, Twelve Angry Men, and Boeing Boeing, which open on January 7, 14, and 21, respectively.
Asolo Repertory Theatre (Asolo Rep) proudly introduces the artists of its 2010-2011 repertory season; including participation from guest artists, Asolo Rep Associate Artists and the graduating class of the Florida State University/Asolo Conservatory for Actor Training. Rehearsals are underway for La Bête, Twelve Angry Men, and Boeing Boeing, which open on January 7, 14, and 21, respectively.
Opera San José continues its 27th Season with Giacomo Puccini's powerfully dramatic opera, Tosca. The story of a popular opera diva brought down by the chief of Rome's secret police, Tosca always leaves its audiences startled and breathless by the searing beauty of Puccini's melodies. Eight performances are scheduled from November 13 through 28 at the California Theatre, 345 South First Street in downtown San José. Tickets are on sale at the Opera San José Box Office, by phone at (408) 437-4450 or online at www.operasj.org. Tosca is made possible, in part, by a Cultural Affairs Grant from the City of San José.
