The Utah Symphony today announced the lineup for the 2018 summer community concert series in Salt Lake City and surrounding areas, several of which feature outdoor venues. The schedule includes Gina Bachauer Piano Competition Finals on June 22 and 23 at 7 PM at Abravanel Hall, Gallivan Center on Monday June 25, Disney in Concert: "Pirates of the Caribbean: The Curse of the Black Pearl" on June 27 and 28 at Abravanel Hall, the Utah Symphony at Snowbasin Resort on June 29 and August 7, the Utah Symphony at Thanksgiving Point on July 2, the Utah Symphony at the Utah Cultural Celebration Center on July 3, and Jenny Oaks Baker with the Utah Symphony on August 1 at Red Butte Garden Amphitheatre. Ticketing information is posted with each concert. No tickets are required for the Gallivan Center and Utah Cultural Celebration Center performances, which are free to the public. Tickets for the other performances are on sale now with ticketing information available at www.utahsymphony.org.
Just one month after Discovery, Inc. (Nasdaq: DISCA, DISCB, DISCK) completed its acquisition of Scripps Networks Interactive, President and CEO David Zaslav and other company executives will provide a first look at the new global leader in real life entertainment to investors, advertisers, buyers, analysts and other partners today at 4 p.m. ET at Lincoln Center's Alice Tully Hall in New York.
TWISTED BROADWAY is coming back to Melbourne bigger, better and more twisted than ever at the spectacular Regent Theatre on Monday 2nd October. Due to huge demand, final tickets have just been released.
You asked for it Melbourne, and we heard you! TWISTED BROADWAY is coming back in 2017 bigger, better and more twisted than ever at the spectacular Regent Theatre on Monday 2nd October. Tickets are on sale now from Ticketmaster.
First Run Features announces the Los Angeles premiere of The Pulitzer at 100 on August 11, 2017 at Laemmle Music Hall, following the New York opening at the Lincoln Plaza Cinema.
The Pulitzer at 100 celebrates the centenary of this revered and seminal national award for literary excellence in journalism and the arts. The totality of the Pulitzers has had an immeasurable impact on the American sensibility and beyond over the past 100 years. The riveting tales of the winning artists give an insider's view of how these pinnacles of achievement are selected in the twenty-one categories and how the award has the power to change lives and communities. The diverse stories explored in the film relate to immigration, race, gender, and above all freedom of speech - all issues that are ever more relevant in America today.
Sydney audiences have only three weeks left to see the award-winning hit musical THE BODYGUARD. The Sydney season ends on 2 July before heading to Brisbane's Lyric Theatre and then Melbourne's Regent Theatre. With people on their feet dancing at the end of every performance and four and five star reviews online, audiences are loving the iconic story and their favourite hits like I'm Every Woman, I Wanna Dance With Somebody, How Will I Know and I Will Always Love You.
The Sydney season of the award-winning hit musical THE BODYGUARD has been extended by popular demand to 2 July and final seats will go on sale on Monday 15 May.
In May 2017, Utah Opera will present Mozart's “Don Giovanni,” a tale of love, seduction, and murder as seen through the stylized lens of a 1950s “film noir” cinematic approach. This production will be performed five times at the Janet Quinney Lawson Capitol Theatre on May 13, 15, 17, 19 at 7:30 PM and May 21 at 2 PM. Tickets, priced from $21-$92, are available for purchase through www.utahopera.org or by calling (801) 533-6683.
The international award-winning hit musical THE BODYGUARD begins its Australian tour tomorrow night with the first preview at the Sydney Lyric Theatre. Producers Michael Harrison, David Ian and John Frost are thrilled Australian audiences will finally experience this exciting show, with its iconic story and soaring ballads.
The hit web series JESS ARCHER VERSUS in which teen girl detective Jess Archer (Emily Williams) solves mysteries in high school, has made its television debut on Amazon Prime.
MLE Production is presenting Too Sketchy for TV, October 14th and 15th on the Evergreen Theater stage. This comedy variety show includes comedy sketches, commercials, improvisation games, audience participation and comedians! Saturday night's show includes a performance by NBC's Last Comic Standing, Ambrose Jones.
THIRTEEN's American Masters series teams up with Emmy- and Peabody Award-winning filmmaker Ric Burns to co-produce a new documentary about American Ballet Theatre (ABT) in honor of its 75th anniversary.
THIRTEEN's American Masters series teams up with Emmy- and Peabody Award-winning filmmaker Ric Burns to co-produce a new documentary about American Ballet Theatre (ABT) in honor of its 75th anniversary.
THIRTEEN's American Masters series teams up with Emmy- and Peabody Award-winning filmmaker Ric Burns to co-produce a new documentary about American Ballet Theatre (ABT) in honor of its 75th anniversary.
Ric Burns' new documentary American Masters -- American Ballet Theatre: A History premieres nationwide Friday, May 15, 9-10:30 p.m. on PBS (check local listings) in honor of the ballet company's 75th anniversary. The film features American Ballet Theatre Soloist Misty Copeland, who has been named by TIME Magazine to the 2015 TIME 100 -- its annual list of the 100 most influential people in the world -- and is featured on the cover.
THIRTEEN's American Masters series teams up with Emmy- and Peabody Award-winning filmmaker Ric Burns to co-produce a new documentary about American Ballet Theatre (ABT) in honor of its 75th anniversary.
THIRTEEN's American Masters series teams up with Emmy- and Peabody Award-winning filmmaker Ric Burns to co-produce a new documentary about American Ballet Theatre (ABT) in honor of its 75th anniversary.
The Kennedy Center Millennium Stage hosts the World Premiere screening of American Masters: American Ballet Theatre on Monday, March 23 at 6:00 P.M. in the Terrace Theater at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
In Shakespeare's day, actors performed for boistrous crowds that ate, drank, cheered heroes, booed the villains and shouted occasional quips at the stage; poetic soliloquies moved the dramas forward. To my astonishment and delight, I found a modern day urban equivalent in Guilt Lies & Lust 2.
