Ed Gall News

Raffe has photographed Circus Flora for more than a decade and this body of work is unified by theme and sensitivity, revealing the photographer's passion and intense interest in the circus, matched only by his mastery of the craft. Raffe's intent was to 'document the circus as an important part of our shared cultural heritage and to capture and preserve the humanity and the artistry of these extraordinary people through portraits and images of the 'decisive moment' during performances.'

Since 1999, Jay Wolke has been photographing in the south of Italy . During these visits, Wolke has captured the complexity of a landscape called the Mezzogiorno. What he found in this storied landscape is an elaborate set of physical, social and political structures, manifesting in an extraordinary folding together of visual information. On one level, the images he has created are referential and documentary-but on another level, they are about what cannot be explicitly seen, what is hidden and implied. Wolke's color photographs convey purposeful neutrality; constructions of selected non-fictions resonating between historical and contemporary meaning. The larger narratives of the marks made, marks abandoned, and marks erased, represent numerous conquerors and occupiers, from the Greeks to the Spanish to the Camorra.

Since 2007, many of Erik Spehn's paintings have involved applying strips of masking tape to the surface of his canvases; then painting over them, peeling them off, and taping and repainting again and again. Over time, Spehn recognized that the discarded tape might offer a new avenue of formal investigation, so he began to make works on paper by applying the used tape to matboard. Each piece echoed the specific paintings on which he was working, but visually these 'drawings' became a distinct and separate body of work.

The exhibition features paintings by St. Louis artist Wallace Herndon Smith. Born in St. Louis in 1901, Wallace Smith was a traditional painter who absorbed the visual language of artists like Pierre Bonnard, Henri Matisse, and Edward Hopper. Smith was fluent in many subjects including still-lifes, landscapes, interiors, and portraits. The artist's strength was in capturing psychological nuances, and the exhibit has been selected to illuminate this area of his work.

With Henry Clay Frick's death in 1919, his will was made public and the destiny of his collection and mansion as a museum was formalized, but not yet set into motion. After the death of his wife, Adelaide, in 1931, the Board of Trustees established by Mr. Frick's will became engaged in discussions about how to create a museum from this legacy.

Organized as a companion to the Legends of St. Louis Blues Music exhibit in the History of Jazz Gallery, this exhibit celebrates the rich legacy of blues music through vibrant works of art in many mediums by area students. Participating schools and art groups include Ames Visual and Performing Arts Elementary School; Cathedral Basilica; Central Visual and Performing Arts High School; the Freedom School; Gateway Middle School; Jefferson; Lee Hamilton Elementary School; Metro High School; Oak Hill Elementary School; Peabody; Rebecca Boone Elementary School; Studio W; Soldan International Studies High School; and Vashon High School.

Organized by the Sheldon Art Galleries, the exhibition Legends of St. Louis Blues Music tells the story of the rich history of blues music in St. Louis through biographies on key musicians, illustrations by Kevin Belford, photographs by Jennifer Silverberg, Charley Taylor, Bob Shelli and Photo Joe, ephemera, recordings and memorabilia such as Johnnie Johnson's electric piano, among other rarities. Building on its key role in ragtime music, St. Louis was a gathering place for early blues musicians like Roosevelt Sykes, Peetie Wheatstraw, Henry Townsend, and Victoria Spivey, among other luminaries. This exhibition uncovers important St. Louis musicians, songs and blues music styles that have influenced our musical heritage, including jazz, rhythm and blues, soul, rock and roll, and a continually evolving blues tradition.

Raffe has photographed Circus Flora for more than a decade and this body of work is unified by theme and sensitivity, revealing the photographer's passion and intense interest in the circus, matched only by his mastery of the craft. Raffe's intent was to 'document the circus as an important part of our shared cultural heritage and to capture and preserve the humanity and the artistry of these extraordinary people through portraits and images of the 'decisive moment' during performances.'

During May and June the Brooklyn Museum will present a variety of public programs for adults including a panel discussion about pioneering female classical musicians, a fashion showcase featuring Brooklyn designers, a performance by the Brooklyn Philharmonic, and a symposium about the historic collaboration that has resulted in the Brooklyn Museum Costume Collection at The Metropolitan Museum of Art.

The exhibition features paintings by St. Louis artist Wallace Herndon Smith. Born in St. Louis in 1901, Wallace Smith was a traditional painter who absorbed the visual language of artists like Pierre Bonnard, Henri Matisse, and Edward Hopper. Smith was fluent in many subjects including still-lifes, landscapes, interiors, and portraits. The artist's strength was in capturing psychological nuances, and the exhibit has been selected to illuminate this area of his work.

New York Gallery Week, a new initiative organized collectively by 50 Manhattan-based contemporary art galleries and 7 notfor-profits - spanning Chelsea, SoHo, the Lower East Side/Bowery, the Upper East Side, and 57th Street - will launch its pilot program in May 2010.

New York Gallery Week, a new initiative organized collectively by 50 Manhattan-based contemporary art galleries and 7 notfor-profits - spanning Chelsea, SoHo, the Lower East Side/Bowery, the Upper East Side, and 57th Street - will launch its pilot program in May 2010.

New York Gallery Week, a new initiative organized collectively by 50 Manhattan-based contemporary art galleries and 7 not- for-profits - spanning Chelsea, SoHo, the Lower East Side/Bowery, the Upper East Side, and 57th Street - will launch its pilot program in May 2010. New York Gallery Week (NYGW) will be an annual event, concentrating on programmatic and artistic rigor, with a mission that aims to ignite the New York art scene and direct focus back to artists and galleries.

New York Gallery Week, a new initiative organized collectively by 50 Manhattan-based contemporary art galleries and 7 notfor-profits - spanning Chelsea, SoHo, the Lower East Side/Bowery, the Upper East Side, and 57th Street - will launch its pilot program in May 2010.

New York Gallery Week, a new initiative organized collectively by 50 Manhattan-based contemporary art galleries and 7 not- for-profits - spanning Chelsea, SoHo, the Lower East Side/Bowery, the Upper East Side, and 57th Street - will launch its pilot program in May 2010. 

Internationally acclaimed Galleon Theatre Company presents a joyous seasonal celebration of Oscar Wilde's devastatingly funny and enduring play The Importance of Being Earnest. Wilde's hilarious comedy of two men whose lives deliciously unravel when they fall in love with two witty women with a partiality for the name 'Ernest', is set in the early 1930's, at Christmas and to the exciting sounds, fashions and dances of the period.

Internationally acclaimed Galleon Theatre Company presents a joyous seasonal celebration of Oscar Wilde's devastatingly funny and enduring play The Importance of Being Earnest. Wilde's hilarious comedy of two men whose lives deliciously unravel when they fall in love with two witty women with a partiality for the name 'Ernest', is set in the early 1930's, at Christmas and to the exciting sounds, fashions and dances of the period.