Profiles Theatre announces an extension for its hit production of JERUSALEM by Jez Butterworth, directed by Artistic Director Joe Jahraus. The critically-acclaimed Midwest premiere opened at Profiles on March 10, 2016 and will extend for an additional four weeks through May 22, 2016.
Celebration Theatre at the Lex in association with Nicholas Caprio, Michael C. Kricfalusi, Todd Milliner and Jack Morrissey presents, under the artistic direction of Michael Matthews & Michael A. Shepperd, the West Coast premiere of THE BOY FROM OZ, music and lyrics by Peter Allen, book by Martin Sherman, original book by Nick Enright, choreography by Janet Roston, musical direction by Bryan Blaskie, produced by Andrew Carlberg and directed by Celebration Theatre co-artistic director Michael A. Shepperd. THE BOY FROM OZ will begin previews on Friday, April 22 at 8pm; will open on Friday, April 29 at 8pm and perform through Sunday, June 19 at the Celebration Theatre's new home, Celebration at the Lex Theatre, 6760 Lexington Ave. in Los Angeles.
Internationally renowned tenor Alok Kumar will take the stage as a solo concert artist with a program including songs by Liszt, Brahms, and Rachmaninoff on Sunday, November 8, 2015 at 2 p.m. at the Ware Center. Kumar's performance will be uniquely influenced by Romani music and culture. The Ware Center is located at 42 N. Prince Street, Lancaster.
Celebrating its 6th year bringing live theatre to cinema audiences around the world, NATIONAL THEATRE LIVE is pleased to announce an international broadcast of Academy Award nominee Chiwetel Ejiofor (12 Years a Slave) in the title role of Everyman, adapted by Carol Ann Duffy and directed by Rufus Norris, live from The National Theatre of Great Britain's Olivier Theatre tonight, July 16, 2015.
Celebrating its 6th year bringing live theatre to cinema audiences around the world, NATIONAL THEATRE LIVE is pleased to announce an international broadcast of Academy Award nominee Chiwetel Ejiofor (12 Years a Slave) in the title role of Everyman, adapted by Carol Ann Duffy and directed by Rufus Norris, live from The National Theatre of Great Britain's Olivier Theatre on Thursday, July 16, 2015. Dates will vary at venues internationally and encore screenings will follow.
Opera San José continues its 31st season with the WORLD PREMIERE of Where Angels Fear to Tread by American composer Mark Lanz Weiser, libretto by Roger Brunyate. This bold new opera, based on the novel by E. M. Forster, unveils a collision of cultures that leads to a misunderstanding of horrific consequences, set in motion when a rich English widow marries a middle-class but handsome young Italian against the wishes of her family. Where Angels Fear to Tread will be sung in English with English supertitles. Six performances are scheduled February 7 through 22 at the California Theatre, 345 South First Street in downtown San José. Tickets are on sale at the Opera San José Box Office, online at operasj.org or by phone at (408) 437-4450. Performances are supported, in part, by a grant from the San José Office of Cultural Affairs.
Theatre Communications Group (TCG) has announced the publication of Jez Butterworth's The River, which officially opens on Broadway this November starring Hugh Jackman. The play originally premiered at the Royal Court Theatre in London, October 2012.
The Pittsburgh premiere of Marina Carr's Woman and Scarecrow is even more noteworthy since the acclaimed playwright is coming to Pittsburgh for the production. Artistic and Executive Director Alan Stanford extended an invitation to Marina to participate in the final week of rehearsal and the show's opening.
Marina Carr's play Woman and Scarecrow is a perfect embodiment of the bittersweet humor and comical tragedy that pervades the plays of the Irish, much like PICT's production Waiting for Godot that closed June 21. Alan Stanford will direct this third play in PICT's season, which he selected "because of its delicate investigation of the one event in our lives that we all share. The leaving of it."
The next First Today at The Ware Center features three art shows, music by an up-and-coming trio, orchestra music featuring a Van Cliburn Winner and a multi-media presentation launching a local author's debut novel. Learn more below!
The next First Friday at The Ware Center features three art shows, music by an up-and-coming trio, orchestra music featuring a Van Cliburn Winner and a multi-media presentation launching a local author's debut novel. Learn more below!
Marc Acito's new play with music or monological, HOW I PAID FOR COLLEGE will premiere at THE HUB THEATRE this Friday, December 7, 2012. The production features Alex Brightman in a one man tour-de-force, and is directed by The Hub's Artistic Director, HELEN PAFUMI. Inspired by his own misspent youth, Acito describes the story as 'just true enough to be embarrassing to my family.' Published in 2004, Acito's novel How I Paid for College won the Ken Kesey Award for Fiction and was hailed as a New York Times 'Editors' Choice.' Get a first look at Brightman onstage in the photos below!
How I Paid For College, based on Marc Acito's award-winning novel, will be presented as a world premiere tour-de-force monologue with songs, or a 'monologsical,' by Broadway actor Alex Brightman (Wicked, Glory Days). Directed by Helen Pafumi, the play tells the hilarious yet heartwarming tale of a talented but irresponsible teen actor who schemes to steal his tuition money when his wealthy father refuses to pay for acting school.
MARC ACITO's new play with music or monological, HOW I PAID FOR COLLEGE is set to premiere at THE HUB THEATRE on December 7, 2012. The production features ALEX BRIGHTMAN in a one man tour-de-force, and is directed by The Hub's Artistic Director, HELEN PAFUMI. Inspired by his own misspent youth, Acito describes the story as 'just true enough to be embarrassing to my family.' Published in 2004, Acito's novel How I Paid for College won the Ken Kesey Award for Fiction and was hailed as a New York Times 'Editors' Choice.'
How I Paid For College, based on Marc Acito's award-winning novel, will be presented as a world premiere tour-de-force monologue with songs, or a 'monologsical,' by Broadway actor Alex Brightman (Wicked, Glory Days). Directed by Helen Pafumi, the play tells the hilarious yet heartwarming tale of a talented but irresponsible teen actor who schemes to steal his tuition money when his wealthy father refuses to pay for acting school.
'People who smile at nothing are capable of anything', claims rigidly proper Charlotte Bartlett (Karen Ziemba), cousin and ward/chaperone to Lucy Honeychurch (Ephie Aardema) in the world premiere musical whose book is taken from the novel by E. M. Forster and the 1985 Merchant/Ivory film A Room with a View. In 1908, Brits followed propriety to the letter; rules and regulations governed very closely the way they spoke and acted. So, when they traveled to Florence, Italy or anywhere outside of Britania, for that matter, as is the case in Act I, they carry their Baedeker or guide book and refer to it, as a religious fanatic would a bible. Now onstage at the Old Globe, San Diego, A Room with a View is a beautifully written and executed musical by Marc Acito and Jeffrey Stock with impeccably detailed staging by Scott Schwartz. It also boasts a phenomenal cast and magnificent art direction, with exquisite sets by Hedi Ettinger and period perfect costumes by Judith Dolan.