Dorothy Tutin News

Theatre director Nancy Meckler’s book Notes from the Rehearsal Room is intended for anyone interested, professionally or as a theatregoer, in what is involved in turning words on a page into a theatrical event.

Paparazzi. Viral videos. A mystery woman. An encyclopedic knowledge of "The Gentleman's Sport." Ronnie Brixton, premiere BBC boxing commentator and son of the famed British boxing trainer "King George" Brixton rushes to get ahead of the burgeoning scandal with a special presentation for his fans. The story transcends boxing, working its way through relationships, the hazards of celebrity, father-son competition, and the slipperiness of gender. Nothing gets held back. Ronnie Brixton - The Best of British Boxing opens at The Space Las Vegas for May 2 a preview run ahead of a run at The Hollywood Fringe 2018 beginning June 2.

Frank Corrado has sported just about every hat available in the theatre world

I was looking forward to American Ballet Theater's triple bill on May 21 with anticipation, because I had seen one of the ballets, Frederick Ashton's A Month in the County, years ago, and always held it in warm esteem. I remembered how moved I was as the curtain fell on the dancer (was it Lynn Seymour?) portraying the heroine, Natalia Petrovna, alone on the stage with nothing but a loveless and frustrating future awaiting her.

This March at Jermyn Street Theatre, Christopher Timothy stars in the first major revival of Graham Greene's 1953 drama The Living Room for sixty years. This powerful and shocking story of sex, sin and guilt was Greene's first work for the stage and prompted the critic Kenneth Tynan to describe it as 'The best first play of its generation'. At the time it launched the career of a young Dorothy Tutin and enjoyed acclaimed runs in the West End and Broadway.

This March at Jermyn Street Theatre, Christopher Timothy stars in the first major revival of Graham Greene's 1953 drama The Living Room for sixty years. This powerful and shocking story of sex, sin and guilt was Greene's first work for the stage and prompted the critic Kenneth Tynan to describe it as 'The best first play of its generation'. At the time it launched the career of a young Dorothy Tutin and enjoyed acclaimed runs in the West End and Broadway.