Casting is complete and rehearsals have begun for The Blank Theatre Company's final production of its 20th anniversary season, the West Coast premiere of The Temperamentals. Directed by Michael Matthews, The Temperamentals will begin preview performances on Saturday, April 9, 2011 and is set to open on Saturday, April 16 at 8pm. The engagement will run through Sunday, May 22.
Today, we are featuring an exclusive conversation with one of the most accomplished and respected stage and television actors of his generation, showing solid proof that a child actor can go on to have a wildly successful career as an adult onstage and onscreen if he has the talent to go with it - the star of the Public Theater's new production of William Shakespeare's TIMON OF ATHENS, Richard Thomas. From the seventies TV smash THE WALTONS to Stephen King's IT and NIGHTMARES & DREAMSCAPES in the 90s and 00s, to Edward Albee's TINY ALICE and David Mamet‘s RACE onstage, we touch upon many of the memorable roles that have made Richard Thomas a household name over the course of his forty years in show business and what the work of William Shakespeare means not only to him and those involved with this avant garde production of the problematic play, but also the pertinent message the show carries with it in these tumultuous times we live in today and what we can learn from it.
The Blank Theatre Company's second production of its 19th season, Why Torture Is Wrong, and the People Who Love Them by Christopher Durang opened on February 6, 2010. Directed by The Blank's Artistic Director Daniel Henning, the engagement will run through Sunday, March 14.
I believe it was Chekhov who said that if a hammer appears on stage in the first act, somebody better use it to build a shelf in the second act. Well, Adam Rapp's Kindness contains no carpentry but there is quite a bit of suspense involving the appearance of a hammer. And while the play, directed by the author, is a bit of a cruise to nowhere, it's still an interesting excursion with an odd mixture of tragic realism and broad comedy (at one point someone actually walks into a wall as a gag) gamely played by an engaging cast.
She writes the lyrics, he writes the music. A clever songwriting duo's promising relationship is blown to bits when they must collaborate with the sex-god singer-composer of a cutting-edge rock band.
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