Deborah Voigt News

On the morning of May 11, 2009, 50 years after that momentous occasion, Lincoln Center will begin a year-long celebration of its 50th anniversary with a special ceremony in the newly-transformed Alice Tully Hall. New York Philharmonic Music Director Alan Gilbert, acclaimed violinist Itzhak Perlman with alumni from The Perlman Music Program, Tony Award-winning opera star Paulo Szot, jazz icon Wynton Marsalis with members of the Jazz at Lincoln Center Orchestra, and The Juilliard Orchestra are among those scheduled to perform in a program that celebrates the past 50 years and looks to the next generation of Lincoln Center's artists and audiences. In the audience of this private event will be elected officials, performing artists, civic and community representatives, and leaders from all 12 Lincoln Center resident organizations.

The Metropolitan Opera celebrates its 125th anniversary year with a unique gala performance on March 15, 2009 at 6:00 p.m., featuring Met stars in recreations of historic classic productions and high points in the company's past. Music Director James Levine conducts the evening of 26 staged scenes that, with the use of projections, and scenic and costume recreations, will evoke the Met's illustrious history.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.

Lincoln Center's acclaimed series American Songbook ends its 11th season with a special concert by Stew and Heidi Rodewald in the newly revitalized Alice Tully Hall on March 6th at 8:00pm.

The Metropolitan Opera today announced the winners of the 2009 National Council Auditions. They are: Paul Appleby of South Bend, Indiana; Anthony Roth Costanzo of Durham, North Carolina; Sung Eun Lee of Seoul, South Korea; and Nadine Sierra of Fort Lauderdale, Florida. Selected from eight finalists who performed arias with the Met Orchestra, conducted by Patrick Summers, at the Grand Finals Concert on February 22, each winner takes away a cash prize of $15,000.

This spring, the Metropolitan Opera will present The Audition, a documentary film about the intense challenges and pressures young opera singers face as they try to become opera stars. Directed by award-winning filmmaker Susan Froemke, The Audition will be shown on 400 screens across the country on April 19 at 3pm EST (and in Canada on June 6 at 1pm EST) as part of the Metropolitan Opera's series of high definition presentations in movie theaters and performing arts centers. The Audition is a suspenseful competition narrative that provides a revealing behind-the-scenes look at what it takes to make it as an opera star. The feature-length film documents the 2007 Metropolitan Opera National Council Auditions, where each year thousands of hopefuls compete for a cash prize, the chance to sing on the storied Met stage-and the opportunity to launch a major operatic career. The film focuses on the final week of the competition, as judges narrow the field down from 22 semi-finalists to11 finalists while the stakes get higher and the pressure grows more intense. The documentary crew was given unprecedented access to the singers, judges, and events backstage at the Met.

Lincoln Center's acclaimed series American Songbook ends its 11th season with a special concert by Stew and Heidi Rodewald in the newly revitalized Alice Tully Hall on March 6th at 8:00pm.

The Metropolitan Opera today announced the names of eight finalists who will sing in the 2009 National Council Auditions Grand Finals Concert on February 22 at 3:00 p.m., with the Met Orchestra conducted by Patrick Summers.

Eight new productions, four of which are company premieres, will highlight the Metropolitan Opera's 2009-10 season. General Manager Peter Gelb and Music Director James Levine jointly announced plans that include: the Met premieres of Rossini's Armida, Verdi's Attila, Jan?ček's From the House of the Dead, and Shostakovich's The Nose; new productions of Bizet's Carmen, Offenbach's Les Contes d'Hoffmann, Thomas's Hamlet, and Puccini's Tosca; and 18 revivals from the company's repertory. The season is the first to be entirely planned under Gelb's leadership, in collaboration with Levine (the past three seasons were planned before Gelb became General Manager in 2006-07 but included some productions, repertoire, and casting changes made by Gelb).

Week three of Lincoln Center's acclaimed series American Songbook brings to The Allen Room a soulful tribute to black music, a bluegrass legend, a genre-busting singer and the concert debut of a gifted actor, all celebrating the diversity of American popular song. On February 4th Soul Deep, an ensemble of some of the top black singers from Broadway and beyond will perform music - black music - that is the basis for most of the popular music heard today. The next night, bluegrass reigns with The Del McCoury Band (top right), who started out in the 1960s and remain so on top of their game that their latest CD is nominated for a 2009 Grammy. A new voice on the scene, and one that is electrifying all within range, is Lizz Wright (bottom left), who performs two shows on February 6th. She will perform songs from The Orchard, her third CD, as well as other pieces that shine with her expressive treatment. Next up on February 7th is the concert debut of the always surprising actor Alan Cumming (bottom right). Equally at ease in film and on the stage, this classically-trained star has never sung a concert before, and he has selected Dolly Parton and Cindi Lauper tunes, among others, to celebrate this new dimension in his career. American Songbook is presented in the spectacular Allen Room of Frederick P. Rose Hall. The Allen Room possesses one of New York's greatest settings - a stunning vista of Central Park and the Manhattan skyline provides an evocative backdrop for the performers.

Week four of Lincoln Center's acclaimed series American Songbook brings to The Allen Room a hot new composer, Broadway's most popular ing?nue, a Disney film and Broadway composer in a rare concert appearance, and a celebration of the music of Richard Rodgers by an acclaimed guitarist/vocalist. On February 18th, young composer Nico Muhly, who wrote the haunting score to the Oscar-nominated film 'The Reader', will collaborate with Thomas Bartlett, alternative folk/country artist Sam Amidon, and designer/illustrator Maira Kalman.

This spring, the Metropolitan Opera will present The Audition, a documentary film about the intense challenges and pressures young opera singers face as they try to become opera stars. Directed by award-winning filmmaker Susan Froemke, The Audition will be shown on 400 screens across the country on April 19 at 3pm EST (and in Canada on June 6 at 1pm EST) as part of the Metropolitan Opera's series of high definition presentations in movie theaters and performing arts centers. The Audition is a suspenseful competition narrative that provides a revealing behind-the-scenes look at what it takes to make it as an opera star. The feature-length film documents the 2007 Metropolitan Opera National Council Auditions, where each year thousands of hopefuls compete for a cash prize, the chance to sing on the storied Met stage-and the opportunity to launch a major operatic career. The film focuses on the final week of the competition, as judges narrow the field down from 22 semi-finalists to11 finalists while the stakes get higher and the pressure grows more intense. The documentary crew was given unprecedented access to the singers, judges, and events backstage at the Met.

On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees. Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.' Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.

Week three of Lincoln Center's acclaimed series American Songbook brings to The Allen Room a soulful tribute to black music, a bluegrass legend, a genre-busting singer and the concert debut of a gifted actor, all celebrating the diversity of American popular song. On February 4th Soul Deep, an ensemble of some of the top black singers from Broadway and beyond will perform music - black music - that is the basis for most of the popular music heard today. The next night, bluegrass reigns with The Del McCoury Band (top right), who started out in the 1960s and remain so on top of their game that their latest CD is nominated for a 2009 Grammy. A new voice on the scene, and one that is electrifying all within range, is Lizz Wright (bottom left), who performs two shows on February 6th. She will perform songs from The Orchard, her third CD, as well as other pieces that shine with her expressive treatment. Next up on February 7th is the concert debut of the always surprising actor Alan Cumming (bottom right). Equally at ease in film and on the stage, this classically-trained star has never sung a concert before, and he has selected Dolly Parton and Cindi Lauper tunes, among others, to celebrate this new dimension in his career. American Songbook is presented in the spectacular Allen Room of Frederick P. Rose Hall. The Allen Room possesses one of New York's greatest settings - a stunning vista of Central Park and the Manhattan skyline provides an evocative backdrop for the performers.

Lincoln Center's acclaimed series American Songbook returns in January for its eleventh season celebrating the diversity of American popular song. For 17 nights of pop, folk, cabaret, R&B, country, rock, show tunes, bluegrass and multimedia, the series will explore the best of the golden age of musical standards through to today's most dynamic contemporary songwriting. The 2009 season - January 14 through March 6 - will bring to the stage some of today's most gifted interpreters of song, including top vocalist Kurt Elling and country's winning Patty Loveless. It will feature the rare opportunity to hear Paulo Szot, star of Broadway's South Pacific, and film and stage star Alan Cumming, in intimate concert settings.

The second week of Lincoln Center's acclaimed series American Songbook brings to the Allen Room stage a jazz great, a new singer/songwriter, a country music classic and Broadway's newest heartthrob, all celebrating the diversity of American popular song. Singer Kurt Elling will re-create the standout recording that singer Johnny Hartman made in 1963 of the music of John Coltrane. Saxophonist Ernie Watts, The Laurence Hobgood Trio and the string quartet ETHEL will join Elling for this show, entitled Dedicated to You.

Producer Howard Panter for Ambassador Theatre Group and co-producers Tulchin/Bartner/Jenkins, Bill Kenwright, Northwater Entertainment, Darren Bagert, and Tom Gregory announced the complete cast and design team for the new Broadway production of the greatest musical comedy GUYS AND DOLLS. The first joint Broadway project by two-time Tony Award winning director Des McAnuff and choreographer Sergio Trujillo since their collaboration on the Tony Award winning musical Jersey Boys, GUYS AND DOLLS will begin previews on February 3, 2009 at Broadway's newly refurbished Nederlander Theatre (208 West 41st Street). Opening Night is March 1, 2009.

Camp Broadway, the award-winning theater arts education and audience development company and American icon, Kermit the Frog, will lead 300 performance-loving kids, ages 10-17, in an original Closing number 'I Believe in Santa Claus,' live in the 82nd Annual Macy's Thanksgiving Day Parade, which will be televised on NBC-TV on November 27, 2008 beginning at 9am.

The Metropolitan Opera celebrates its 125th anniversary year with a unique gala performance on March 15, 2009 at 6:00 p.m., featuring Met stars in recreations of historic classic productions and high points in the company's past. Music Director James Levine conducts the evening of 26 staged scenes that, with the use of projections, and scenic and costume recreations, will evoke the Met's illustrious history.

Camp Broadway, the award-winning theater arts education and audience development company and American icon, Kermit the Frog, will lead 300 performance-loving kids, ages 10-17, in an original Closing number 'I Believe in Santa Claus,' live in the 82nd Annual Macy's Thanksgiving Day Parade, which will be televised on NBC-TV on November 27, 2008 beginning at 9am.