This season marks the silver anniversary of Deborah Voigt's Metropolitan Opera debut, a milestone the Metropolitan Opera Guild looks forward to honoring at its annual luncheon this winter. Over the course of her long and distinguished career, however, the soprano has yet to help create a new opera. That changes this fall, when she stars in the Albany Symphony's orchestral premiere of Roscoe: An American Grand Opera by Evan Mack, who composed it expressly for her voice.
Rubicon Theatre Company has announced the complete cast of RETURN TO THE FORBIDDEN PLANET, a fabulously campy send up of 'Forbidden Planet' and other sci-fi film and TV shows of the 1950s which melds plot elements from The Tempest with language from multiple plays by Shakespeare.
Following her summer role debut in Santa Fe as Clairon in Richard Strauss's Capriccio, Grammy Award-winning mezzo-soprano Susan Graham - hailed by Gramophone as 'America's favorite mezzo' - launched the 2016-17 season with Renée Fleming and Michael Tilson Thomas performing Rossini songs in the San Francisco Symphony's opening night gala.
The 2015-16 Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company concludes with a concert presentation of Stephen Sondheim and George Furth's MERRILY WE ROLL ALONG.
The American Symphony Orchestra, conducted by music director Leon Botstein, will open its 55th season at Carnegie Hall on Wednesday, October 19, 2016. The four-concert Vanguard series begins with a program titled Troubled Days of Peacein which Botstein will lead the Orchestra and the Bard Festival Chorale in concert versions of two one-act operas that examine the turbulent period between the First and Second World Wars: Ernst Krenek's Der Diktator ('The Dictator') and Richard Strauss' Friedenstag ('Days of Peace').
Following her summer role debut in Santa Fe as Clairon in Richard Strauss's Capriccio, Grammy Award-winning mezzo-soprano Susan Graham - hailed by Gramophone as 'America's favorite mezzo' - launched the 2016-17 season with Renée Fleming and Michael Tilson Thomas performing Rossini songs in the San Francisco Symphony's opening night gala.
The 2015-16 Janet and Mark L. Goldenson Broadway Musical Concert Series at Rubicon Theatre Company concludes with a concert presentation of Stephen Sondheim and George Furth's MERRILY WE ROLL ALONG.
MasterVoices (formerly The Collegiate Chorale) will celebrate its 75th anniversary during the 2016-2017 season, beginning with the New York premiere of Ricky Ian Gordon and Royce Vavrek's 27, specially adapted for MasterVoices, on October 20 and 21, 2016 at 8pm at New York City Center, 131 W. 55th Street, New York City.
American Lyric Theater (ALT) - founded by Lawrence Edelson in 2005 to build a new body of operatic repertoire by nurturing composers and librettists and providing an incubator for their collaborations - announces its 2016-2017 Season. The season begins with the InsightALT series, providing an insider's look at how new operas are made, featuring concert readings of operas in development at ALT, including The Halloween Tree, The Life and Death(s) of Alan Turing, and Sherlock Holmes and the Case of the Fallen Giant. The season concludes with the return of the critically acclaimed ALT Alumni: Composers & Librettists in Concert, celebrating the success of prominent alumni of American Lyric Theater's innovative Composer Librettist Development Program. Tickets are available at www.altnyc.org.
The San Francisco Conservatory of Music (SFCM) today announces the appointment of oboist Eugene Izotov to its faculty. Currently principal oboe at the San Francisco Symphony, Izotov has garnered critical acclaim for his interpretations of symphonic and solo repertoire. His appointment comes amid several recent additions to SFCM's faculty, including vocalists Deborah Voigt and Susanne Mentzer, as well as conductor Eric Dudley.
The Royal Conservatory of Music has announced its November 2016 concerts, including: TD Jazz: The Art of the Trio continues with Stefano Bollani Trio & Roberto Occhipinti Trio; Quiet Please, There's a Lady on Stage features Noa and Aviva Chernick; Chucho Valdes and Joe Lovano return to Koerner Hall; Generation Next introduces the rising stars of tomorrow; and debuts by Deborah Voigt and Viktoria Mullova with Accademia Bizantina. Scroll down for details!
New York City's famed MasterVoices (formerly The Collegiate Chorale) - founded in 1941 by legendary conductor Robert Shaw - will celebrate its 75th anniversary during the 2016-2017 season.
The Metropolitan Opera will open its 132nd season, the 50th anniversary of its iconic Lincoln Center home, on Monday, September 26 with a new production of Wagner's epic tragedy Tristan und Isolde.
The Merola Opera Program and the San Francisco Public Library Main Branch present a free screening of Mozart's opera The Marriage of Figaro (Le nozze di Figaro) at the next Merola Goes to the Movies, on Sunday, September 11th, 1:00 pm, in the Koret Auditorium of the San Francisco Public Library Main Branch (100 Larkin Street). Admission is free.
Roberto Devereux comes to THIRTEEN'S Great Performances at the Met Sunday, August 28 at 12 p.m. on PBS (check local listings). (In New York, THIRTEEN will air the opera on Sunday, September 4 at 12:30 p.m.)
The GRAMMY Award-winning Brooklyn Youth Chorus has announced that Silent Voices, a multimedia, multi-composer stage work conceived, co-commissioned, produced and performed by the Chorus, will be the centerpiece of the Chorus' 25th anniversary season.
2016-17 Programming Expands the Chorus' Pioneering Role as a Powerful Lead Performer, a Bold Commissioner of New Music and a Producer of Innovative Stage Works.
One of the most highly anticipated events of the opera season, the Richard Tucker Music Foundation's annual gala returns home to New York's Carnegie Hall for the first time in more than a quarter of a century on Sunday, October 30.
The San Francisco Conservatory of Music (SFCM) today announces the details of its 2016-17 season. Continuing the trend set in recent years by SFCM's intrepid approach to programming and curricular focus, this season offers events devoted to interlinking themes that stretch from academics to performance. The fall semester covers music, politics, and social justice, investigating aspects of social and political change in musical commentary from Beethoven's political influences to nineteenth-century French opera to the activism of Lou Harrison. The spring semester concentrates on folk elements and regional traditions in music and literature throughout the repertoire. These domains are explored in the contexts of history, theory, the humanities, and performance.
