Megan Hilty and Rachel York star in the Encores! production of Gentlemen Prefer Blondes, whick openedon May 9 at New York City Center. Gentlemen Prefer Blondes is directed by John Rando with music direction by Rob Berman and choreography by Randy Skinner and will play for seven performances, May 9 - 13, at New York City Center, 55th Street between 6th and 7th Avenues.
Megan Hilty and Rachel York star in the Encores! production of Gentlemen Prefer Blondes, opening tonight, May 9 at New York City Center. Gentlemen Prefer Blondes is directed by John Rando with music direction by Rob Berman and choreography by Randy Skinner and will play for seven performances, May 9 - 13, at New York City Center, 55th Street between 6th and 7th Avenues.
BroadwayWord brings you a first look at the production below!
The Encores! production of Gentlemen Prefer Blondes opens May 9 at New York City Center and we've got a first look at video highlights from the production!
The Encores! production of Gentlemen Prefer Blondes, opens tonight, May 9 at New York City Center. BroadwayWorld's Richard Ridge visited the press rehearsal, where he chatted with stars Megan Hilty and Rachel York, director John Rando and more of the cast. View footage from the rehearsal and learn about how the actors and creative team became part of the Encores! production, their favorite numbers and more in the video below!
The Encores! production of Gentlemen Prefer Blondes, opening May 9 at New York City Center, just held its press rehearsal, where BroadwayWorld's Richard Ridge chatted with stars Megan Hilty and Rachel York, director John Rando and more of the cast. View footage from the rehearsal and learn about how the actors and creative team became part of the Encores! production, their favorite numbers and more in the video below!
The Encores! production of Gentlemen Prefer Blondes, opening May 9 at New York City Center, stars Megan Hilty as Lorelei Lee, the diamond-loving blonde made famous by Carol Channing (Broadway) and Marilyn Monroe (film). Rachel York stars as Dorothy Shaw, Lorelei's brunette best friend. Gentlemen Prefer Blondes will be directed by John Rando with music direction by Rob Berman and choreography by Randy Skinner and will play for seven performances, May 9 - 13, at New York City Center, 55th Street between 6th and 7th Avenues.
Rachel York will join Megan Hilty in the Encores! production of Gentlemen Prefer Blondes, opening May 9 at New York City Center. York will play the brunette, Dorothy Shaw, best friend of Lorelei, the diamond-loving blonde played by Hilty. Gentlemen Prefer Blondes will be directed by John Rando with music direction by Rob Berman and choreography by Randy Skinner and will play for seven performances, May 9 - 13, at New York City Center, 55th Street between 6th and 7th Avenues.
Roundabout Theatre Company in association with Damian Arnold, has announced casting for the Broadway premiere of Marc Camoletti's classic farce Don't Dress For Dinner, starring Ben Daniels as "Robert," Melora Hardin as "Jacqueline," Adam James as "Bernard" and Jennifer Tilly as "Suzanne" with Spencer Kayden as "Suzette." Don't Dress For Dinner is adapted by Robin Hawdon and directed by John Tillinger.
Shakespeare's okay, Stoppard provides a fine mental workout and Ayckbourn is always good for a serious laugh, but the British playwright who never fails to delight me is the witty and wonderful Noel Coward.
Roundabout Theatre Company (Todd Haimes, Artistic Director), in association with Damian Arnold, is pleased to announce the Broadway premiere of Marc Camoletti's classic farce Don't Dress For Dinner, adapted by Robin Hawdon, directed by John Tillinger. The cast will be announced soon.
Don't Dress For Dinner will begin previews on March 30 and open officially on April 26, 2012 at the American Airlines Theatre on Broadway (227 West 42nd Street). This will be a limited engagement through June 17, 2012.
Last night, October 27, CHINGLISH opened at the Longacre Theatre, making its Broadway premiere following its world premiere production at Goodman Theatre in Chicago this summer. The show began performances on October 11. BroadwayWorld was on hand for the celebratory opening and brings you photo coverage below!
Coming home isn't always easy, especially when you're diving back into the dysfunctional arms of your crazy family and mismatched friends. Chris Gethard, Horatio Sanz and Chris Parnell star in COMEDY CENTRAL's 'Big Lake,' a new half-hour, multi-camera family sitcom about a big city banker (Gethard) who loses his job and moves home to his parents' couch in Big Lake, PA. Produced by Gary Sanchez Productions ('The Other Guys,' 'Talladega Nights,' 'Anchorman') and distributed by Debmar-Mercury, 'Big Lake' premieres on Tuesday, August 17 at 10:00 p.m. with two back-to-back episodes.
Coming home isn't always easy, especially when you're diving back into the dysfunctional arms of your crazy family and mismatched friends. Chris Gethard, Horatio Sanz and Chris Parnell star in COMEDY CENTRAL's 'Big Lake,' a new half-hour, multi-camera family sitcom about a big city banker (Gethard) who loses his job and moves home to his parents' couch in Big Lake, PA. Produced by Gary Sanchez Productions ('The Other Guys,' 'Talladega Nights,' 'Anchorman') and distributed by Debmar-Mercury, 'Big Lake' premieres on Tuesday, August 17 at 10:00 p.m. with two back-to-back episodes.
One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.