Today, April 18th, TDF will host a special reception and performance of The Heidi Chronicles to celebrate the show's Tony and Pulitzer Prize-winning playwright Wendy Wasserstein, and to raise funds for the arts education program she co-founded, TDF's Open Doors. Open Doors, now in its 17th year, is the first arts education program to be awarded a special Tony Honor for 'Excellence in the Theatre.'
Are there secrets that should always be kept? In this smart, sharply funny, and sensitive contemporary play, playwright Jon Robin Baitz folds art, politics, and family secrets into a tumultuous drama that pits a liberal middle-aged writer against her conservative parents. Who owns a family's history? There are no easy answers in Other Desert Cities, a 2012 Pulitzer Prize-nominated play, where certainty shifts like sand dunes in the wind.
Are there secrets that should always be kept? In this smart, sharply funny, and sensitive contemporary play, playwright Jon Robin Baitz folds art, politics, and family secrets into a tumultuous drama that pits a liberal middle-aged writer against her conservative parents. Who owns a family's history? There are no easy answers in Other Desert Cities, a 2012 Pulitzer Prize-nominated play, where certainty shifts like sand dunes in the wind.
On Saturday, April 18th, TDF will host a special reception and performance of The Heidi Chronicles to celebrate the show's Tony and Pulitzer Prize-winning playwright Wendy Wasserstein, and to raise funds for the arts education program she co-founded, TDF's Open Doors. Open Doors, now in its 17th year, is the first arts education program to be awarded a special Tony Honor for 'Excellence in the Theatre.'
The throw-everything-against-the-wall-and-pray-for-laughs approach to low comedy is a staple of live theater, and certainly, of William Shakespeare's plays. None play would seem to invite a shtick-fest - beg for one even - than the hugely ridiculous THE COMEDY OF ERRORS. At the Oregon Shakespeare Festival, alas, Kent Gash's free-for-all staging of Errors exposes the play's lameness rather than celebrates its lunacy. For ninety non-breezy minutes, every actor on that stage is mugging (or frugging) his or her collective buns off. Some of the players are quite deft and, indeed, the production has its share of laughs. Too often, though, the jokes don't land, the pace slows and the endeavor is dead in the water.
The Glass Menagerie performs now through April 27 in the Archbold Theatre at the Syracuse Stage/Drama Complex. BroadwayWorld has a first look at the cast in action below!
The Glass Menagerie is the play that launched Pulitzer Prize-winning playwright Tennessee Williams' career and is among the masterworks of the American stage. Drawn from Williams' life, this moving play explores the illusory nature of dreams and the fragility of hope. Abandoned by the father of her children, Amanda is obsessed with finding a suitor for her shy and vulnerable daughter, Laura. Tom, the restless and sensitive son who narrates the story, eases his frustrations with nighttime escapes 'to the movies.' At Amanda's urgings, Tom asks a co-worker to dinner. Can this 'gentleman caller' offer any light to these bruised souls clinging to the tattered edges of lost dreams and faded hopes?
The Glass Menagerie is the play that launched Pulitzer Prize-winning playwright Tennessee Williams' career and is among the masterworks of the American stage. Drawn from Williams' life, this moving play explores the illusory nature of dreams and the fragility of hope. Abandoned by the father of her children, Amanda is obsessed with finding a suitor for her shy and vulnerable daughter, Laura. Tom, the restless and sensitive son who narrates the story, eases his frustrations with nighttime escapes 'to the movies.' At Amanda's urgings, Tom asks a co-worker to dinner. Can this 'gentleman caller' offer any light to these bruised souls clinging to the tattered edges of lost dreams and faded hopes?
The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin tonight, February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.
The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.
American Ballet Theatre's 2013 Spring Season at the Metropolitan Opera House previously announced the cast of THE SLEEPING BEAUTY.
On Monday, May 13 Theatre Communications Group (TCG), the national organization for Theatre honored Ruth and Stephen Hendel and Ming Cho Lee at their Gala Evening. The evening was held at the Angel Orensanz Foundation (172 Norfolk Street) in New York City, cocktails started at 6pm and dinner started at 7pm. Jessica Hecht was the emcee of the evening; the Gala co-chairs were playwright Lydia R. Diamond and interior designer Jasmine M. Keller. The Gala honorary chairs were Anne Kaufman, Obie award-winning director; Nelle Nugent, Broadway producer; Judith O. Rubin, chairman of the board of Playwrights Horizons; and Liz Smith, gossip columnist. The event hosted 200 guests and surpassed its financial goal. Scroll down for photos from the gala!
American Ballet Theatre's 2013 season at the Metropolitan Opera House, May 13-July 6 will be highlighted by the World Premiere of a three-part work set to music by Dmitri Shostakovich and choreographed by Alexei Ratmansky, the Company Premiere of Sir Frederick Ashton's A Month in the Country and a new production of Le Corsaire. Tickets for ABT's Spring Season at the Metropolitan Opera House are on sale now at the box office
This is a Music Man not to be missed. It's filled with great music, superb acting, lovely voices, and superb dancing.
Crafty con-man Harold Hill brings mischief and the magic of music to Arena Stage at the Mead Center for American Theater this spring in Meredith Willson's The Music Man. This five-time Tony Award-winning musical is directed by Artistic Director Molly Smith, whose cultural dynamism made Oklahoma! a record-breaking audience favorite last season. With choreography by Parker Esse and music direction by Lawrence Goldberg, The Music Man runs May 11-July 22, 2012 in the Fichandler Stage, with all performances in May already sold out.
Casting is announced for Arena Stage at the Mead Center for American Theater's production of Meredith Willson's THE MUSIC MAN. Artistic Director Molly Smith helms this classic family musical, which stars the previously announced Kate Baldwin (Tony Award nominee for Broadway's Finian's Rainbow) as Marian the librarian, who will be joined by Burke Moses (original Gaston in Broadway's Beauty and the Beast) as Harold Hill. The Music Man runs May 11-July 22, 2012 in the Fichandler Stage.
We all know the story, but San Jose Rep's original adaptation of Dickens' novel brings a level of authenticity, history, and even economic relevance to this well known tale of greed and redemption.
We all know the story, but San Jose Rep's original adaptation of Dickens' novel brings a level of authenticity, history, and even economic relevance to this well known tale of greed and redemption.
We all know the story, but San Jose Rep's original adaptation of Dickens' novel brings a level of authenticity, history, and even economic relevance to this well known tale of greed and redemption.
Theatre Communications Group (TCG), the national organization for theatre, announces new leadership of its board of directors and seven new members. Philip Himberg, producing artistic director of the Sundance Institute Theatre Program, will assume the position of board president. He succeeds Martha Lavey, artistic director of Steppenwolf, who concluded a two year term in June. He will be joined by returning vice president, James Bundy, artistic director, Yale Repertory Theatre and newly appointed vice president Rachel Kraft, executive director, Lookingglass Theatre Company. Roche Schulfer, executive director, Goodman Theatre will serve as treasurer and Olga Sanchez, artistic director, Miracle Theatre Group, will serve again as secretary. Lavey will remain on the board as immediate past President.
Videos
