A revival of Circle Players' 2008 production, which was staged at the company's then-home at the Z. Alexander Looby Theatre, this 'new and improved' mounting (a collaboration between Circle and SCA) is astounding in its sheer chutzpah. Who'd have ever thought a community theatre could take on such a daunting task and be so imminently successful in doing so? Frankly, it boggles the mind.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Sydney Theatre Company and Allens Arthur Robinson present Honour by Joanna Murray-Smith. The production, playing Sydney Opera House's Drama Theatre, has just announced that it will extend its run through 29 May. Previews begin 17 April, and the show will open Thursday 22 April at 8pm.
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Noosa's playground for the rich and retired becomes a comic battleground in David Williamson's Let the Sunshine. With a cast that includes Paul Ashcroft, Robert Coleby, Rachel Gordon, Andrea Moor, Jacki Weaver and Gold Logie-winner John Wood, Let the Sunshine is Williamson's latest romantic satire that reflects on issues facing a modern Romeo and Juliet.
The University of Adelaide Theatre Guild presents David Williamson's INFLUENCE. The production is directed by Brant Eustice, and designed by Alia Guidace.
Little Britain Star Matt Lucas whose partner Kevin McGee committed suicide five months ago, has spoken out for the first time about the tragedy. McGee and Lucas had been together for six years, but things began to fall apart shortly after their marriage in 2006. The pair divorced 10 months ago. In a story in the News of The World, Lucas says, 'I've had three f****** terrible years in my personal life.'
The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.
Noosa's playground for the rich and retired becomes a comic battleground in David Williamson's Let the Sunshine. With a cast that includes Paul Ashcroft, Robert Coleby, Rachel Gordon, Andrea Moor, Jacki Weaver and Gold Logie-winner John Wood, Let the Sunshine is Williamson's latest romantic satire that reflects on issues facing a modern Romeo and Juliet.
Locally acclaimed director Doug Lloyd made his mark at the Dayton Playhouse last year with his sold-out production of Hair.
Locally acclaimed director Doug Lloyd made his mark at the Dayton Playhouse last year with his sold-out production of Hair.
On January 17, Birdland will host Stage and screen star Caroline O'Connor in concert, The Girl From Oz: An Evening With Caroline O'Connor, at 6pm.
While the women in Nashville theatre might garner more critical attention, showier roles and sparklier costumes, the men, clearly, are no slouches themselves. Capable and committed, the men who assay roles on Nashville stages are a pretty impressive collection of actors who can take on the most traditional of roles one week, while tackling parts that require them to be more experimental and brave the next. In 2009, Nashville's best actors showed their range while strutting themselves in some of the best productions we've seen in years.
On January 17, Birdland will host Stage and screen star Caroline O'Connor in concert, The Girl From Oz: An Evening With Caroline O'Connor, at 6pm.
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcomings. Williams and Eberwine are sublimely off-kilter as the oddest of couples in the Alan Menken-Howard Ashman musical, with an onstage chemistry that makes them completely believable and altogether lovable in their cartoonish roles.
David Williams and Cat Eberwine give such winning performances as Seymour and Audrey in the Senior Center for the Arts' production of Little Shop of Horrors, now onstage at Nashville Dinner Theatre through November 15, that it's easy to overlook some of the production's other, more obvious, shortcomings. Williams and Eberwine are sublimely off-kilter as the oddest of couples in the Alan Menken-Howard Ashman musical, with an onstage chemistry that makes them completely believable and altogether lovable in their cartoonish roles.
Gale Edwards returns to Sydney Theatre Company to direct a stellar cast in the comedy of bad manners, God of Carnage, by Yasmina Reza. The brutally funny satire from the author of Art and Life x 3 is at the Drama Theatre, Sydney Opera House, from October 3 to November 21. This closing date marks an extension of the show, due to demand.
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