Manhattan Theatre Club's world premiere of THE COMMONS OF PENSACOLA by Amanda Peet, directed by MTC's award-winning artistic director Lynne Meadow is currently in previews at MTC at New York City Center - Stage I (131 West 55th Street). The limited engagement, which opens Thursday, November 21, has already been extended due to overwhelming demand and must close on Sunday, January 26. Below, check out a first look at the all-star cast on stage!
As a relative newbie to Austin, I have not seen The Dead President's Club until recently, but it's well known that Austin Playhouse's revivals of it are more frequent than political sex scandals. But while the later may induce eye-rolling and head-scratching, The Dead President's Club is met with uproarious laughter. Yes, the show gets revived frequently, but with popularity numbers that would greatly overpower any political candidate, it's easy to see why.
Though art about art has been all over Austin as of late, there's always room for one more production provided it's as good as this. Museum is a bold, laugh-out-loud farce that lovingly mocks the pretentiousness often found in both modern art and those who claim to love and understand it.
In this comic gem by the famed Texas playwright best known for The Night Hank Williams Died and The Best Little Whorehouse in Texas, four former presidents - Richard M. Nixon, Lyndon B. Johnson, Calvin Coolidge and Harry S. Truman- find themselves in an exclusive holding pen outside heaven awaiting the decision of an admissions committee. 'Just who is on that committee?' asks the recently arrived Nixon. 'That's the problem: a buncha narrow-minded damned saints!' Johnson replies. As the sanctified weigh the leaders' good deeds against their sins of omission and commission, 'Landslide Lyndon' and 'Tricky Dick' plot to get around the bureaucracy and go straight to the Boss.
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University professional theatre training program, kicks off its 41st anniversary season in fine comedic style with Museum, by Tina Howe, running September 26 - October 6, 2013.
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University theatre training program, announces its 2013-2014 season, featuring four (4) outstanding plays ranging from classic to contemporary. Join us for our 41st anniversary season and share in the fun and excitement at the theatre on the hill!
Enjoyed by millions of people worldwide since it premiered in 1982 and hailed as one of the greatest comedies ever written, Noises Off, this award-winning backstage farce serves up a riotous double bill - a play within a play. Hurtling along at breakneck speed it follows the backstage antics of a touring theatre company as they stumble their way through troubled rehearsals, a dreadful first night, and a disastrous final performance.
There is an old adage in the theater: "Dying is easy. Comedy is hard." Comedy is certainly harder when the material is Noises Off, the ridiculously funny farce by Michael Frayn which was named "One of the Funniest comedies ever written" by the New York Post. Still, if the cast and crew at the Austin Playhouse had any difficulty with the neo-classic comedy, it certainly doesn't show. Their polished production is uproariously funny with each moment better than the last.
Enjoyed by millions of people worldwide since it premiered in 1982 and hailed as one of the greatest comedies ever written, Noises Off, this award-winning backstage farce serves up a riotous double bill - a play within a play. Hurtling along at breakneck speed it follows the backstage antics of a touring theatre company as they stumble their way through troubled rehearsals, a dreadful first night, and a disastrous final performance.
Enjoyed by millions of people worldwide since it premiered in 1982 and hailed as one of the greatest comedies ever written, this award-winning backstage farce serves up a riotous double bill - a play within a play. Hurtling along at breakneck speed it follows the backstage antics of a touring theatre company as they stumble their way through troubled rehearsals, a dreadful first night, and a disastrous final performance.
Enjoyed by millions of people worldwide since it premiered in 1982 and hailed as one of the greatest comedies ever written, Noises Off, this award-winning backstage farce serves up a riotous double bill - a play within a play. Hurtling along at breakneck speed it follows the backstage antics of a touring theatre company as they stumble their way through troubled rehearsals, a dreadful first night, and a disastrous final performance.
Early in Measure for Measure, the wise lord Escalus says, "Some rise by sin, and some by virtue fall," a miscarriage of justice that is at the forefront of Shakespeare's infrequently produced comedy. While some of Shakespeare's characters here are sinful while others virtuous and even more are somewhere in between, St. Edward's University current production of Measure for Measure has virtues by the score, and thankfully those virtues make the play rise rather than fall.
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University professional theatre training program, continues its 40th anniversary season with Measure For Measure by William Shakespeare, directed by Michelle Polgar, running tonight, February 14-24, 2013.
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University professional theatre training program, continues its 40th anniversary season with Measure For Measure by William Shakespeare, directed by Michelle Polgar, running February 14-24, 2013.
The 1950s is considered by many to be the pinnacle of American Theater. It was the decade that saw Arthur Miller's THE CRUCIBLE, Tennessee Williams's CAT ON A HOT TIN ROOF, and Eugene O'Neill's LONG DAY'S JOURNEY INTO NIGHT. But while Miller, Williams, and O'Neill set the theater world ablaze with highly dramatic pieces featuring unforgettable characters, playwright William Inge took a completely different approach by writing BUS STOP, a simplistic slice-of-life drama about an assembly of strangers and the secrets each of them wish to hide. While it may not be as well-known or as important as the aforementioned pieces by his colleagues, Inge's little play, currently presented at St. Edward's University's Mary Moody Northern Theatre, is at times just as moving.
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University professional theatre training program, continues its 40th anniversary season with Bus Stop by William Inge, directed by Christina J. Moore, running tonight, November 8 - 18, 2012.
Mary Moody Northen Theatre, the award-winning producing arm of the St. Edward's University professional theatre training program, continues its 40th anniversary season with Bus Stop by William Inge, directed by Christina J. Moore, running November 8 - 18, 2012.
