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American Lyric Theater to Introduce THE NEW CREW with Special Salon

American Lyric Theater presents The New Crew, a salon including performances by and discussions with American Lyric Theater's newest Resident Artists in the Composer Librettist Development Program: composers Shuying Li, Andy Teirstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.

Welsh National Opera Comes to The Bristol Hippodrome

This autumn, Welsh National Opera return to Bristol Hippodrome with two Russian-themed operas which mark the centenary of the Russian Revolution.  Performing from 15 - 18 November, the Company will bring its productions of Tchaikovsky's Eugene Onegin and Jana?ek's From the House of the Dead, based on the book by Dostoevsky to the city.

Fabio Luisi Conducts Mahler 8, Nielsen and Schmidt with Danish National Symphony

This fall, Grammy and ECHO Klassik Award-winning conductor Fabio Luisi launches his second season as the new Principal Conductor of the Danish National Symphony Orchestra (DNSO), and his sixth as General Director of Zurich Opera, which was named Best Opera Company at the 2014 International Opera Awards.

Seven Artists Selected for the 10th Anniversary of American Lyric Theater's Composer Librettist Development Program

Lawrence Edelson, Founder and Producing Artistic Director of American Lyric Theater (ALT), announced today that three composers, three librettists, and one dramaturg have been selected as Resident Artists to participate in the tenth anniversary season of the company's nationally acclaimed Composer Librettist Development Program (CLDP). The artists selected for this prestigious residency and training program are composers Shuying Li, Andy Tierstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.

American Lyric Theater Announces 10th Anniversary CLDP Resident Artists

Lawrence Edelson, Founder and Producing Artistic Director of American Lyric Theater (ALT), announced today that three composers, three librettists, and one dramaturg have been selected as Resident Artists to participate in the tenth anniversary season of the company's nationally acclaimed Composer Librettist Development Program (CLDP). The artists selected for this prestigious residency and training program are composers Shuying Li, Andy Tierstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.

Seven Artists Selected for 10th Anniversary of American Lyric Theater's Composer Librettist Development Program

Lawrence Edelson, Founder and Producing Artistic Director of American Lyric Theater (ALT), announced today that three composers, three librettists, and one dramaturg have been selected as Resident Artists to participate in the tenth anniversary season of the company's nationally acclaimed Composer Librettist Development Program (CLDP). The artists selected for this prestigious residency and training program are composers Shuying Li, Andy Tierstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.

Opera Saratoga 2017 Summer Festival presents THE CRADLE WILL ROCK

Opera Saratoga's Artistic and General Director Lawrence Edelson announced today complete casting for the three exciting new productions that will comprise the company's 2017 Summer Festival, which will build on the company's commitment to producing masterpieces from the operatic cannon, important American works, and works in which dance plays an integral role. In addition, a wide variety of free and ticketed concert events will be presented from May 28th through July 16th at venues throughout the region.

Casting Announced for Opera Saratoga's 2017 Summer Festival Season, Featuring BEAUTY AND THE BEAST and More

Opera Saratoga's Artistic and General Director Lawrence Edelson announced today complete casting for the three exciting new productions that will comprise the company's 2017 Summer Festival, which will build on the company's commitment to producing masterpieces from the operatic cannon, important American works, and works in which dance plays an integral role. In addition, a wide variety of free and ticketed concert events will be presented from May 28th through July 16th at venues throughout the region.

Italian Opera, Bel Canto and Future of Conducting in Safe Hands with Carlo Rizzi

Ranking among today's leading conductors, Carlo Rizzi's vast repertoire ranges from the foundation works of the operatic and symphonic canon to rarities by Bellini, Cimarosa and Donizetti. He is in high demand as a guest artist at the world's most prestigious venues and festivals, not least for the insight and integrity of his musicianship and the visceral energy and psychological depths of his interpretations.

Alan Gilbert Winds Down His Final Weeks With the NY Phil in Wagner's DAS RHEINGOLD Concert, 6/1

In the third of Alan Gilbert's final four subscription weeks as New York Philharmonic Music Director, he will lead an enhanced concert production of Wagner's Das Rheingold. Soloists include bass-baritone Eric Owens as Wotan, mezzo-soprano Jamie Barton as Fricka (in her New York Philharmonic debut), baritone Christopher Purves as Alberich (debut), tenor Russell Thomas as Loge, mezzo-soprano Kelley O'Connor as Erda, bass Morris Robinson as Fasolt (debut), bass Stephen Milling as Fafner (debut), soprano Rachel Willis-Sorensen as Freia (debut), tenor Brian Jagde as Froh (debut), bass-baritone Christian Van Horn as Donner (debut), tenor Peter Bronder as Mime (debut), soprano Jennifer Zetlan as Woglinde, mezzo-soprano Jennifer Johnson Cano as Wellgunde, and mezzo-soprano Tamara Mumford as Flosshilde. The enhanced concert production will be directed by Louisa Muller with costume design - featuring character-based treatment of modern concert attire - by David C. Woolard. The performances will take place Thursday, June 1, 2017, at 7:30 p.m.; Saturday, June 3 at 8:00 p.m.; and Tuesday, June 6 at 7:30 p.m.

Alan Gilbert Conducts Final Weeks with the NY Philharmonic

Music Director Alan Gilbert begins his final weeks by leading the New York Philharmonic in Schoenberg's A Survivor from Warsaw and Beethoven's Symphony No. 9. The program juxtaposes the tragedy and optimism of human experience through Schoenberg's depiction of the horror of the Holocaust and the message of hope, brotherhood, and joy in Beethoven's Ninth Symphony. Schoenberg's A Survivor from Warsaw will feature Gabriel Ebert as narrator (in his Philharmonic debut) and the men of the Westminster Symphonic Choir, directed by Joe Miller. Beethoven's Ninth Symphony will feature soprano Camilla Tilling, mezzo-soprano Daniela Mack (debut), tenor Joseph Kaiser (debut), bass-baritone Eric Owens, and the Westminster Symphonic Choir, directed by Joe Miller. The performances will take place Wednesday, May 3, 2017, at 7:30 p.m.; Thursday, May 4 at 7:30 p.m.; Friday, May 5 at 8:00 p.m.; Saturday, May 6 at 8:00 p.m.; and Tuesday, May 9 at 7:30 p.m. The program will be presented without intermission.

BWW Review: THE NOSE, Royal Opera House, 20 October 2016

Composed when Shostakovich was just 21 years old, fresh from the conservatoire and still high on the success of his First Symphony, The Nose is a piece of musical rebellion - a fantasy of abrasive, rule-breaking joie de vivre whose absurd, anarchic rompings and musical shape-shiftings conceal a political switchblade under their brightly-coloured clothes. This is pantomime, certainly, but adult pantomime. Never before staged at the Royal Opera, the piece now makes a belated debut, and in the hands of Australian director Barrie Kosky it looks scarcely less radical now than it would have done back in 1928.

BWW Review: Wagner's Music Shines in DAS RHEINGOLD

Richard Wagner's 'Ring' cycle is an intriguing opportunity to immerse oneself in an epic experience -- something akin to reading the 'Harry Potter' or 'Lord of the Rings' series, savoring each singular story, then eagerly anticipating the next installment.

Helios Collective Presents DIDO AND...at King's College London

To bring fresh new meaning to a play is a virtue, to do it to a musical score is sacrilege.  But why? Why shouldn't musicians be as creative as actors?  As part of PLAY, the 2016 Arts & Humanities Festival at King's College London, Helios Collective present a reimagined reading of Purcell's Dido & Aeneas as Dido & ….

Photo Flash: A New Ring Begins with the Lyric's DAS RHEINGOLD

Lyric Opera of Chicago launches its new season tonight with a new production of Wagner's Das Rheingold, the first opera of the epic four-part Ring cycle, conducted by Sir Andrew Davis and directed by David Pountney.

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