David Pountney News

This fall, Grammy and ECHO Klassik Award-winning conductor Fabio Luisi launches his second season as the new Principal Conductor of the Danish National Symphony Orchestra (DNSO), and his sixth as General Director of Zurich Opera, which was named Best Opera Company at the 2014 International Opera Awards.

Lawrence Edelson, Founder and Producing Artistic Director of American Lyric Theater (ALT), announced today that three composers, three librettists, and one dramaturg have been selected as Resident Artists to participate in the tenth anniversary season of the company's nationally acclaimed Composer Librettist Development Program (CLDP). The artists selected for this prestigious residency and training program are composers Shuying Li, Andy Tierstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.

Lawrence Edelson, Founder and Producing Artistic Director of American Lyric Theater (ALT), announced today that three composers, three librettists, and one dramaturg have been selected as Resident Artists to participate in the tenth anniversary season of the company's nationally acclaimed Composer Librettist Development Program (CLDP). The artists selected for this prestigious residency and training program are composers Shuying Li, Andy Tierstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.

Lawrence Edelson, Founder and Producing Artistic Director of American Lyric Theater (ALT), announced today that three composers, three librettists, and one dramaturg have been selected as Resident Artists to participate in the tenth anniversary season of the company's nationally acclaimed Composer Librettist Development Program (CLDP). The artists selected for this prestigious residency and training program are composers Shuying Li, Andy Tierstein, and Liliya Ugay; librettists Lorene Cary, Julian Crouch, and Lila Palmer; and dramaturg Antigoni Gaitana.

Opera Saratoga's Artistic and General Director Lawrence Edelson announced today complete casting for the three exciting new productions that will comprise the company's 2017 Summer Festival, which will build on the company's commitment to producing masterpieces from the operatic cannon, important American works, and works in which dance plays an integral role. In addition, a wide variety of free and ticketed concert events will be presented from May 28th through July 16th at venues throughout the region.

Opera Saratoga's Artistic and General Director Lawrence Edelson announced today complete casting for the three exciting new productions that will comprise the company's 2017 Summer Festival, which will build on the company's commitment to producing masterpieces from the operatic cannon, important American works, and works in which dance plays an integral role. In addition, a wide variety of free and ticketed concert events will be presented from May 28th through July 16th at venues throughout the region.

Ranking among today's leading conductors, Carlo Rizzi's vast repertoire ranges from the foundation works of the operatic and symphonic canon to rarities by Bellini, Cimarosa and Donizetti. He is in high demand as a guest artist at the world's most prestigious venues and festivals, not least for the insight and integrity of his musicianship and the visceral energy and psychological depths of his interpretations.

An elite group of nineteen of the most talented young opera singers in the country competed this weekend for prestige and prizes in the 29th Annual Dallas Opera Guild Vocal Competition.

In the third of Alan Gilbert's final four subscription weeks as New York Philharmonic Music Director, he will lead an enhanced concert production of Wagner's Das Rheingold. Soloists include bass-baritone Eric Owens as Wotan, mezzo-soprano Jamie Barton as Fricka (in her New York Philharmonic debut), baritone Christopher Purves as Alberich (debut), tenor Russell Thomas as Loge, mezzo-soprano Kelley O'Connor as Erda, bass Morris Robinson as Fasolt (debut), bass Stephen Milling as Fafner (debut), soprano Rachel Willis-Sorensen as Freia (debut), tenor Brian Jagde as Froh (debut), bass-baritone Christian Van Horn as Donner (debut), tenor Peter Bronder as Mime (debut), soprano Jennifer Zetlan as Woglinde, mezzo-soprano Jennifer Johnson Cano as Wellgunde, and mezzo-soprano Tamara Mumford as Flosshilde. The enhanced concert production will be directed by Louisa Muller with costume design - featuring character-based treatment of modern concert attire - by David C. Woolard. The performances will take place Thursday, June 1, 2017, at 7:30 p.m.; Saturday, June 3 at 8:00 p.m.; and Tuesday, June 6 at 7:30 p.m.

Music Director Alan Gilbert begins his final weeks by leading the New York Philharmonic in Schoenberg's A Survivor from Warsaw and Beethoven's Symphony No. 9. The program juxtaposes the tragedy and optimism of human experience through Schoenberg's depiction of the horror of the Holocaust and the message of hope, brotherhood, and joy in Beethoven's Ninth Symphony. Schoenberg's A Survivor from Warsaw will feature Gabriel Ebert as narrator (in his Philharmonic debut) and the men of the Westminster Symphonic Choir, directed by Joe Miller. Beethoven's Ninth Symphony will feature soprano Camilla Tilling, mezzo-soprano Daniela Mack (debut), tenor Joseph Kaiser (debut), bass-baritone Eric Owens, and the Westminster Symphonic Choir, directed by Joe Miller. The performances will take place Wednesday, May 3, 2017, at 7:30 p.m.; Thursday, May 4 at 7:30 p.m.; Friday, May 5 at 8:00 p.m.; Saturday, May 6 at 8:00 p.m.; and Tuesday, May 9 at 7:30 p.m. The program will be presented without intermission.

Dohnanyi shares details about his astonishing musical background and training, and his thoughts about Czech opera

Two classic Puccini operas and a hidden opera gem make up Welsh National Opera's Love's Poisoned Chalice season, taking audiences on a journey of love, passion, heartbreak and tragedy through some of opera's greatest tear jerking music.

 A season of superb music and spectacle is now on sale to Lyric subscribers - including three new mainstage opera productions, three new-to-Chicago opera productions, one new musical production, and one new-to-Chicago chamber opera production.

Composed when Shostakovich was just 21 years old, fresh from the conservatoire and still high on the success of his First Symphony, The Nose is a piece of musical rebellion - a fantasy of abrasive, rule-breaking joie de vivre whose absurd, anarchic rompings and musical shape-shiftings conceal a political switchblade under their brightly-coloured clothes. This is pantomime, certainly, but adult pantomime. Never before staged at the Royal Opera, the piece now makes a belated debut, and in the hands of Australian director Barrie Kosky it looks scarcely less radical now than it would have done back in 1928.

Richard Wagner's 'Ring' cycle is an intriguing opportunity to immerse oneself in an epic experience -- something akin to reading the 'Harry Potter' or 'Lord of the Rings' series, savoring each singular story, then eagerly anticipating the next installment.

To bring fresh new meaning to a play is a virtue, to do it to a musical score is sacrilege.  But why? Why shouldn't musicians be as creative as actors?  As part of PLAY, the 2016 Arts & Humanities Festival at King's College London, Helios Collective present a reimagined reading of Purcell's Dido & Aeneas as Dido & ….

Lyric Opera of Chicago launches its new season tonight with a new production of Wagner's Das Rheingold, the first opera of the epic four-part Ring cycle, conducted by Sir Andrew Davis and directed by David Pountney.

Celebrating its 60th Year, the grand passions and lush melodies of Pyotr I. Tchaikovsky's EUGENE ONEGIN open The Dallas Opera's exciting 2016-2017 Season. The Linda and Mitch Hart Season Opening Night Performance features an international all-star cast in this bittersweet story about love, pride and, ultimately, regrets.

Three productions inspired by William Shakespeare make up Welsh National Opera's Autumn season, which will comprise a British premiere and two new productions.  The season is part of the official Shakespeare 400 celebrations to commemorate the 400th anniversary of the great bard's death whilst continuing WNO Artistic Director David Pountney's creative approach to themed seasons.