In Spring 2019, the internationally renowned, Boston-based, early music champion, the Handel and Haydn Society, returns to New York City for two stunning concerts. These performances, housed in two of New York City's most unique and celebrated concert venues, reflect the Handel and Haydn Society's impeccable consideration for historically-informed concert traditions, immaculate expression of the Renaissance and Baroque philosophies, and characteristic taste and precision of artistry. Under its esteemed artistic director of a decade, Harry Christophers, the 204-year-old ensemble brings the fiercely emotive early opera Dido and Aeneas by Henry Purcell to the spectacular Temple of Dendur setting in the Metropolitan Museum of Art's Sackler Wing, as well as an all-Vivaldi recital including works for soprano, violin, and viola d'amore at the Morgan Library.
The Handel and Haydn Society continues its 2017-18 Season with two performances of the Bach Mass in B Minor on Friday, March 23, 2018 at 7:30 p.m. and Sunday, March 25, 2018 at 3:00 p.m. at Boston Symphony Hall. Widely considered one of the greatest musical compositions in musical history, the Handel and Haydn performance is destined to be an inspiring emotional and spiritual experience.
With 16 Handel and Haydn Society premieres, the first performance of Schubert's Symphony No. 9 by H+H since 1865, and a host of notable guest performers, the Handel and Haydn Society announces its 2018-19 season, the 204th season in its history.
Chorus pro Musica, directed by Jamie Kirsch, will present a semi-staged concert version of George and Ira Gershwin's Pulitzer Prize-winning musical "Of Thee I Sing" on May 13 at 8 p.m. at Robbins Memorial Town Hall Auditorium in Arlington, Massachusetts.
Boston Lyric Opera's Stanford Calderwood General & Artistic Director Esther Nelson announced today an eclectic 2017/18 Season designed to please die-hard opera fans as well as newcomers to the art form. Each of the Company's productions will be presented on a different area stage, starting October 13-22, 2017 with a new production of Giacomo Puccini's Tosca featuring the American debut of award-winning rising global star Elena Stikhina in the title role. The World Premiere of The Nefarious, Immoral but Highly Profitable Enterprise of Mr. Burke & Mr. Hare (a.k.a. Burke & Hare) by composer Julian Grant and librettist Mark Campbell follows November 8-12, 2017. From March 16-25, 2018, BLO presents Kurt Weill and Bertolt Brecht's pivotal early-20th century work The Threepenny Opera. BLO closes its Season in May with Leonard Bernstein's Trouble in Tahiti, paired with his Arias and Barcarolles, to mark the Lawrence, Mass.-born composer's centennial.
The Polish countertenor Jakub Jozef Orli?ski is the First Place winner of the Oratorio Society of New York (OSNY)'s 2016 Lyndon Woodside Oratorio-Solo Competition. The award was presented following a performance by eight finalists in Weill Recital Hall in Carnegie Hall on Saturday, April 9. Mr. Orlinski is the first countertenor to win the Oratorio-Solo Competition, the only competition to focus exclusively on oratorio singing and now in its 39th year. The full list of finalists and prizes is:
Boston, MA – February 16, 2016 – Boston Lyric Opera (BLO) unleashes Jules Massenet's melodic, romantic French opera Werther from its late 18th Century German source material, bringing it to an early-20th-Century arrondissement outside Paris as part of BLO's French-inspired season. This new production of Werther opens March 11 for a five-performance run at Citi Performing Arts CenterSM Shubert Theatre in Boston.
Boston Lyric Opera (BLO) premieres its Opera Annex production of Philip Glass'sdark, thought-provoking In the Penal Colony at the Cyclorama at Boston Center for the Arts, directed by BLO Emerging Artist alumnus R. B. Schlather and running tonight, November 11-15, 2015.
Boston, MA — October 15, 2015 – Boston Lyric Opera (BLO) premieres its Opera Annex production of Philip Glass'sdark, thought-provoking In the Penal Colony at the Cyclorama at Boston Center for the Arts, directed by BLO Emerging Artist alumnus R. B. Schlather and running November 11-15, 2015. The one-act, three-character chamber opera (which Glass dubbed a “pocket opera” for its small cast and musical ensemble, and its 90-minute running time), is based on the 1914 Franz Kafka short story: a pitch-black fable about crime and a very unusual punishment.
Boston, MA — October 15, 2015 – Boston Lyric Opera (BLO) premieres its Opera Annex production of Philip Glass's dark, thought-provoking In the Penal Colony at the Cyclorama at Boston Center for the Arts, directed by BLO Emerging Artist alumnus R. B. Schlather and running November 11-15, 2015. The one-act, three-character chamber opera (which Glass dubbed a “pocket opera” for its small cast and musical ensemble, and its 90-minute running time), is based on the 1914 Franz Kafka short story: a pitch-black fable about crime and a very unusual punishment.
Boston Lyric Opera today announced the location for its Opera Annex production of Philip Glass' In The Penal Colony. The one-act, two-character chamber opera based on a 1914 Franz Kafka short story will be staged in The Cyclorama at the Boston Center for the Arts from November 11-15, 2015. Tickets for In the Penal Colony and all of BLO's 2015/16 Season shows go on sale to the public Friday, July 31.
Youth is the underlying theme of the Handel and Haydn Society's next series of concerts as it presents the early compositions of two giants of the Classical era, Mozart and Beethoven. In addition, the program will feature the young singers of H+H's Collaborative Youth Concert (CYC) initiative.
Youth is the underlying theme of the Handel and Haydn Society's next series of concerts as it presents the early compositions of two giants of the Classical era, Mozart and Beethoven. In addition, the program will feature the young singers of H+H's Collaborative Youth Concert (CYC) initiative.
Broadway stars Kelli O'Hara and Jason Danieley are the featured performers, along with Vocal Fellows of The Tanglewood Music Center and dancers from The Boston Conservatory, in a Cole Porter tribute.
Boston area audiences will experience a timeless Mozart masterpiece when Boston Midsummer Opera (BMO) presents their summer 2009 production, Cosi Fan Tutte. Playing at the Tsai Performance Center at Boston University for three performances only, August 5, 7 and 9, this modern adaptation of Mozart's popular opera about contradictions of the heart features today's rising stars.
Boston area audiences will experience a timeless Mozart masterpiece when Boston Midsummer Opera (BMO) presents their summer 2009 production, Cosi Fan Tutte. Playing at the Tsai Performance Center at Boston University for three performances only, August 5, 7 and 9, this modern adaptation of Mozart's popular opera about contradictions of the heart features today's rising stars.
Boston area audiences will experience a timeless Mozart masterpiece when Boston Midsummer Opera (BMO) presents their summer 2009 production, Cosi Fan Tutte. Playing at the Tsai Performance Center at Boston University for three performances only, August 5, 7 and 9, this modern adaptation of Mozart's popular opera about contradictions of the heart features today's rising stars.
Boston area audiences will experience a timeless Mozart masterpiece when Boston Midsummer Opera (BMO) presents their summer 2009 production, Cosi Fan Tutte. Playing at the Tsai Performance Center at Boston University for three performances only, August 5, 7 and 9, this modern adaptation of Mozart's popular opera about contradictions of the heart features today's rising stars.
Boston area audiences will experience a timeless Mozart masterpiece when Boston Midsummer Opera (BMO) presents their summer 2009 production, Cosi Fan Tutte. Playing at the Tsai Performance Center at Boston University for three performances only, August 5, 7 and 9, this modern adaptation of Mozart's popular opera about contradictions of the heart features today's rising stars.
