David Daniels News

World renowned tenor Ben Heppner - described by the Telegraph (UK) as 'the world's dramatic tenor of choice, distinguished not only by his stamina and power but also his clarion beauty of tone' - headlines a special free community conversation open to the general public and presented by Los Angeles Children's Chorus in conjunction with its new Young Men's Ensemble (YME) on Friday, December 10, at 7:30 P.M., at Buckley School in Sherman Oaks. Young Men's Ensemble Director Dr. Steven Kronauer moderates the conversation, during which Heppner, currently featured in the title role of LA Opera's production of Lohengrin, will discuss his career in general, as well as his singing techniques, his voice change during adolescence, and how he trained during that period of his life. He will also answer questions from the audience.

World renowned tenor Ben Heppner - described by the Telegraph (UK) as 'the world's dramatic tenor of choice, distinguished not only by his stamina and power but also his clarion beauty of tone' - headlines a special free community conversation open to the general public and presented by Los Angeles Children's Chorus in conjunction with its new Young Men's Ensemble (YME) on Friday, December 10, at 7:30 P.M., at Buckley School in Sherman Oaks. Young Men's Ensemble Director Dr. Steven Kronauer moderates the conversation, during which Heppner, currently featured in the title role of LA Opera's production of Lohengrin, will discuss his career in general, as well as his singing techniques, his voice change during adolescence, and how he trained during that period of his life. He will also answer questions from the audience.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

Following the success of last season's collaboration, New York City Opera and the Schomburg Center for Research in Black Culture present two new programs celebrating the African-American experience in great operatic repertoire and distinguished African-American artists who have enriched the opera world.

Today New York City Opera released full casting, creative team, and production details for the company's 2010-2011 season.

Today New York City Opera released full casting, creative team, and production details for the company's 2010-2011 season. The season spotlights American composers and 20th-century works, world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season also will feature the launch of a new concert series showcasing the non-operatic works of several of the composers whose operas will be presented on the mainstage.

Internationally renowned countertenor David Daniels will sing a concert to benefit Glimmerglass Opera on July 30 at 3:30 p.m. in the company's Alice Busch Opera Theater.

New York City Opera's VOX Contemporary American Opera Lab, a free annual festival that showcases new American opera, will be featured this Sunday, July 25 at 2pm in an exclusive webcast on Cued Up on Q2 on Classical 105.9 WQXR's twenty four-hour contemporary classical music stream, Q2.

New York City Opera's VOX Contemporary American Opera Lab, a free annual festival that showcases new American opera, will be featured this Sunday, July 25 at 2pm in an exclusive webcast on Cued Up on Q2 on Classical 105.9 WQXR's twenty four-hour contemporary classical music stream, Q2.

If there were an International Idol ... The José Iturbi International Music Competition would be it. José Iturbi was recognized as the world's greatest classical pianist during the 1930's - 1970's. He appeared in several Hollywood films of the 1940s, notably playing himself in the 1943 musical, Thousands Cheer and in the 1945 film, Anchors Aweigh. He worked with legendary talents including Frank Sinatra, Judy Garland, Gene Kelly, Cornel Wilde, and many more. Today, the name José Iturbi has a legacy that still lives through The José Iturbi International Music Competition. It is appropriate that one of the most sought after awards by those who have devoted their lives to music, be dedicated to this remarkable man.

Internationally renowned countertenor David Daniels will sing a concert to benefit Glimmerglass Opera on July 30 at 3:30 p.m. in the company's Alice Busch Opera Theater.

The José Iturbi International Music Competition awards over $100,000 in cash prizes includes two first place prizes of $10,000 in each category (one for a pianist and one for a singer). In addition to the traditional prizes awarded, there are two People's Choice prizes of $5,000, which are voted on during the final competition round by the 'live' audience.

The José Iturbi International Music Competition awards over $100,000 in cash prizes includes two first place prizes of $10,000 in each category (one for a pianist and one for a singer). In addition to the traditional prizes awarded, there are two People's Choice prizes of $5,000, which are voted on during the final competition round by the 'live' audience.

The José Iturbi International Music Competition awards over $100,000 in cash prizes includes two first place prizes of $10,000 in each category (one for a pianist and one for a singer). In addition to the traditional prizes awarded, there are two People's Choice prizes of $5,000, which are voted on during the final competition round by the 'live' audience.

So far this season, Susan Graham has triumphed in Berlioz's Damnation de Faust at Lyric Opera of Chicago, in Strauss's Rosenkavalier at New York's Metropolitan Opera, in Mahler's Rückert-Lieder with the San Francisco Symphony, and in Purcell's Dido and Aeneas on a West Coast tour.

Antony Walker will make his Met debut conducting Gluck's Orfeo ed Euridice next season at the Met.

So far this season, Susan Graham has triumphed in Berlioz's Damnation de Faust at Lyric Opera of Chicago, in Strauss's Rosenkavalier at New York's Metropolitan Opera, in Mahler's Rückert-Lieder with the San Francisco Symphony, and in Purcell's Dido and Aeneas on a West Coast tour.

Affirming the role of New York City Opera as a leader in the development of American opera, the company's celebrated annual new music festival, the newly-renamed VOX Contemporary American Opera Lab, will return on Friday, April 30, and Saturday, May 1, to the Skirball Center for the Performing Arts (566 LaGuardia Place, at Washington Square South) at New York University.