Danny Gavigan News

The Victorians are very confused in this vivid and animated version of THE IMPORTANCE OF BEING EARNEST at The Everyman.

Everyman Theatre's next show in the 2018-2019 season is The Importance of Being Earnest, a light-hearted romantic comedy packed with twists, turns, and witty repartee.  Directed by Joseph W. Ritsch Artistic Director of Rep Stage, the tale of worlds turned topsy-turvy with assumed identities lampoons the absurdity of Victorian virtues.  The Everyman production showcases a subtext that is as relevant today as it was to its intended 19th-century audience-Wilde's "bachelor" compatriots-inside jokes abound through subtly scripted details.  The play runs December 4 - December 30, 2018.  

Everyman Theatre traveled to Ireland for their first show of the 2018-2019 season, producing the Brian Friel work DANCING AT LUGHNASA. The piece revolves around a family living in 1930s Ireland, and the memories of one little boy and one particular summer. The cast, which included many members of the repertory company of Everyman and a few new additions are top-notch. They presented a work that was both beautiful and heartbreaking.

Your sense of home lives in the boundaries of childhood memory. Aspects of the larger world are distilled to smaller moments that define each person's life. The intricate patterns of past and present, memory and reality choreograph the story of Everyman's DANCING AT LUGHNASA, Brian Friel's 1991 Tony-award-winning play.

Irish master storyteller Brian Friel casts a nostalgic and transportive tale of five unmarried sisters and a household framed by their strength and persistence in the cherished classic Dancing at Lughnasa, directed by Amber Paige McGinnis, at Baltimore's Everyman Theatre, September 4 through October 7, 2018.

Irish master storyteller Brian Friel casts a nostalgic and transportive tale of five unmarried sisters and a household framed by their strength and persistence in the cherished classic Dancing at Lughnasa, directed by Amber Paige McGinnis, at Baltimore's Everyman Theatre, September 4 through October 7, 2018.

Having previously broken Everyman Theatre's all-time advance sales record, The Book of Joseph (on stage through June 10) has now achieved a new box office feat, unseating August Wilson's Fences as the theatre's highest-grossing play in 28 years-with 13 performances still to go including an added weeknight on June 5.

The psychological arcs of history are sometimes lost in the details and dates. THE BOOK OF JOSEPH amplifies those emotional truths as it follows the Hollander family's past struggle to survive World War II and present struggle to deal with the reverberations of a past we both wish to remember and seek to forget.

On October 22, 1986, Richard Hollander was a well-known television reporter for Baltimore's WBAL-TV with his wife Ellen (an attorney and currently a U.S. District Court Judge) and three children, Craig, Hillary, and Brett (currently a sport reporter for WBAL).

The mysterious discovery of a dusty old suitcase hidden away reveal pieces to a much larger puzzle-and a sweeping family history kept secret for generations-in The Book of Joseph, by acclaimed playwright Karen Hartman, based on the life of Joseph A. Hollander and his family. Combining documentary and drama with a sprawling cast and breathtaking set design, the thrilling new play, The Book of Joseph is directed by Everyman Theatre Associate Artistic Director Noah Himmelstein, and runs May 9 through June 10, 2018-accompanied with a comprehensive roster of associated community events.

Furthering its established, 27-year reputation for best-in-class subscriber loyalty and exceptional artistic achievement, Everyman Theatre proudly announces its 2018/19 Season-a gloriously compelling showcase for the esteemed Resident Company which celebrates exciting new voices in playwriting alongside long-celebrated masters of the form.

The mysterious discovery of a dusty old suitcase hidden away reveal pieces to a much larger puzzle-and a sweeping family history kept secret for generations-in The Book of Joseph, by acclaimed playwright Karen Hartman, based on the life of Joseph A. Hollander and his family. Combining documentary and drama with a sprawling cast and breathtaking set design, the thrilling new play, The Book of Joseph is directed by Everyman Theatre Associate Artistic Director Noah Himmelstein, and runs May 9 through June 10, 2018-accompanied with a comprehensive roster of associated community events.

Long Day's Journey Into Night takes an audience on a foggy trip into the dysfunction of the Tyrone family.

Actor Kurt Rhodes talks about his role in O'Neill play.

Eugene O'Neill's Pulitzer Prize and Tony Award-winning masterpiece, Long Day's Journey Into Night, storms to Baltimore's Everyman Theatre with a masterful cast, fantastically moody and atmospheric realization, and sweeping themes of addiction, love and forgiveness on stage January 31 through March 4, 2018.

Ford's Theatre's must-see production is raw and gripping in its emotional intensity. Led by Craig Wallace's powerhouse performance as Willy Loman, Miller's Pulitzer Prize winning play is as relevant now, maybe more so, in its questioning of the American dream as it was when it first opened.

Ford's Theatre Society announced full casting and the design team for Arthur Miller's "Death of a Salesman," directed by Stephen Rayne.

Ford's Theatre Society announced full casting and the design team for Arthur Miller's "Death of a Salesman," directed by Stephen Rayne.

Today's subject, Gregory Linington, is currently living his theatre life onstage at Theater J playing Harry Hyman, the doctor with a big heart and strong attraction to one of his patients, in Arthur Miller's rarely produced Broken Glass. The production has been extended and now runs through July 16th.

Everyone in the theater community of Baltimore seems to be talking about the mad-cap, truly hilarious production of NOISES OFF happening at Everyman Theatre this month. After reading a few glowing reviews, I was finally lucky enough to see it this week. And honestly, I'm not sure the reviews did the show justice. It was spectacular! The time and energy that I'm sure it took the actors to learn and master the choreography alone truly showed in their performances. The entire production was a master class in farce, and I'm not sure I've ever laughed so much in a theater before.