Danny Gavigan News

The mysterious discovery of a dusty old suitcase hidden away reveal pieces to a much larger puzzle-and a sweeping family history kept secret for generations-in The Book of Joseph, by acclaimed playwright Karen Hartman, based on the life of Joseph A. Hollander and his family. Combining documentary and drama with a sprawling cast and breathtaking set design, the thrilling new play, The Book of Joseph is directed by Everyman Theatre Associate Artistic Director Noah Himmelstein, and runs May 9 through June 10, 2018-accompanied with a comprehensive roster of associated community events.

Furthering its established, 27-year reputation for best-in-class subscriber loyalty and exceptional artistic achievement, Everyman Theatre proudly announces its 2018/19 Season-a gloriously compelling showcase for the esteemed Resident Company which celebrates exciting new voices in playwriting alongside long-celebrated masters of the form.

The mysterious discovery of a dusty old suitcase hidden away reveal pieces to a much larger puzzle-and a sweeping family history kept secret for generations-in The Book of Joseph, by acclaimed playwright Karen Hartman, based on the life of Joseph A. Hollander and his family. Combining documentary and drama with a sprawling cast and breathtaking set design, the thrilling new play, The Book of Joseph is directed by Everyman Theatre Associate Artistic Director Noah Himmelstein, and runs May 9 through June 10, 2018-accompanied with a comprehensive roster of associated community events.

Long Day's Journey Into Night takes an audience on a foggy trip into the dysfunction of the Tyrone family.

Actor Kurt Rhodes talks about his role in O'Neill play.

Eugene O'Neill's Pulitzer Prize and Tony Award-winning masterpiece, Long Day's Journey Into Night, storms to Baltimore's Everyman Theatre with a masterful cast, fantastically moody and atmospheric realization, and sweeping themes of addiction, love and forgiveness on stage January 31 through March 4, 2018.

Ford's Theatre's must-see production is raw and gripping in its emotional intensity. Led by Craig Wallace's powerhouse performance as Willy Loman, Miller's Pulitzer Prize winning play is as relevant now, maybe more so, in its questioning of the American dream as it was when it first opened.

Ford's Theatre Society announced full casting and the design team for Arthur Miller's "Death of a Salesman," directed by Stephen Rayne.

Ford's Theatre Society announced full casting and the design team for Arthur Miller's "Death of a Salesman," directed by Stephen Rayne.

Today's subject, Gregory Linington, is currently living his theatre life onstage at Theater J playing Harry Hyman, the doctor with a big heart and strong attraction to one of his patients, in Arthur Miller's rarely produced Broken Glass. The production has been extended and now runs through July 16th.

Everyone in the theater community of Baltimore seems to be talking about the mad-cap, truly hilarious production of NOISES OFF happening at Everyman Theatre this month. After reading a few glowing reviews, I was finally lucky enough to see it this week. And honestly, I'm not sure the reviews did the show justice. It was spectacular! The time and energy that I'm sure it took the actors to learn and master the choreography alone truly showed in their performances. The entire production was a master class in farce, and I'm not sure I've ever laughed so much in a theater before.

Ford's Theatre Society announced that it set revenue and attendance records with its 2016-2017 theatrical season, which included the musicals Come From Away and Ragtime, productions of A Christmas Carol and Edward Albee's Who's Afraid of Virginia Woolf? and the one-act play One Destiny. More than 153,000 patrons attended performances, and ticket sales brought in more than $6 million, making 2016-2017 the highest attended and highest grossing theatrical season in Ford's Theatre history.

It truly is one of the funniest plays I've ever seen.

Everyman Theatre pays exquisite attention to detail and creates an astounding feat of comedy in its production of NOISES OFF. The cast demonstrates comedic chops and executes pratfalls and buffoonery with commitment and perfect timing. Do yourself, your lungs and your liver a favor and laugh at the raucous riot. Don't be surprised if you find yourself craving sardines afterwards.

Everyman Theatre's Resident Company of actors transforms into a British company of actors during the 1970s in this hotly anticipated revival of Tony Award-Winner Michael Frayn's side-splitting farce to end all farces, Noises Off, directed by Founding Artistic Director Vincent M. Lancisi and running from May 17 through June 18, 2017.

The nominations for the 8th Annual Indie Series Awards were revealed on Wednesday, February 1. The ISAs celebrate the best in independently produced scripted entertainment created for the Web. Nominations were announced in 29 categories.

Albee's characters are shockingly volatile. They curse, they drink and they revel in inflecting pain. It's funny, heartbreaking and yes, slightly familiar. Who's Afraid of Virginia Woolf? may have debuted in 1962 but the truth it provokes still feels relevant.

Two shows in Repertory: DEATH OF A SALESMAN and A STREETCAR NAMED DESIRE...it just doesn't get better than this.

We in the audience are continually torn between cheering the gumption and the desire behind Blanche's lies and being appalled at the human cost the lies inflict, not least on the teller of them.