Ginger Rogers danced her way into the hearts of millions-and into the arms of Fred Astaire-in some of filmdom's best-loved musicals. Beginning July 27, Cumberland County Playhouse gives you the chance to see Ginger's awe-inspiring story brought to life in Backwards in High Heels, a new musical set to some of the 20th century's best-known music.
SAVE THE DATE: The 2012 First Night Honorees, Most Promising Actors and the First Night Star Award winners will be revealed on Monday, July 23, at the First Night Preview Party...details to follow.
It's supposed to be 108 degrees in the Nashville area by week's end, which means stepping outside will likely leave you melted, quite literally and figuratively. But if you do have to venture out of doors, perhaps a trip to the theater is a good idea…it'll be dark and cool (with any luck, the AC will be working-and you know which theaters we're talking about) and you'll be entertained, perhaps even transported to another world. Or not. In the meantime, we present you with installment number four of Music City Confidential-our continuing effort to create a sense of community and build up some enthusiasm and excitement for the live theater industry here in our alarmingly sweaty region. So, press on, gentle readers and catch up on the latest adventures of the theaterati…
Today's spotlight hones in on a supremely talented trio of individuals from Cumberland County Playhouse in Crossville. The altogether amazingly talented Ron Murphy is the company's resident music director (who truly has his work cut out for him since musicals are the stock in trade at CCP), the beautiful and vibrant Lindy Pendzick (who we first saw onstage in Brigadoon and most recently as Maria in The Sound of Music-and she stars opposite her husband Greg Pendzick in the nostalgic comedy See Rock City) and the versatile and charming Michael Ruff (whose burgeoning resume includes starmaking turns in Duck Hunter Shoots Angel, Dreamgirls, Brigadoon and, most recently, as Hoke in Driving Miss Daisy, opposite Carol Irvin and Daniel W. Black).
Carol Irvin, Michael Ruff and Daniel W. Black star in Cumberland County Playhouse's 48th season-opening production of Alfred Uhry's Pulitzer Prize-winning Driving Miss Daisy, which opens this Saturday, January 21.
Carol Irvin, Michael Ruff and Daniel W. Black star in Cumberland County Playhouse's 48th season-opening production of Alfred Uhry's Pulitzer Prize-winning Driving Miss Daisy, which opens this Saturday, January 21.
Carol Irvin, Michael Ruff and Daniel W. Black star in Cumberland County Playhouse's 48th season-opening production of Alfred Uhry's Pulitzer Prize-winning Driving Miss Daisy, which opens this Saturday, January 21.
Playwright Nate Eppler, Mas Nashville's FIVE, the Boiler Room Theatre, Lipscomb University's Hairspray, ACT 1's American Buffalo and the national touring company of Memphis, the Musical were the top winners at Sunday night's Midwinter's First Night at Nashville's Keeton Theatre, which also featured the presentation of the BroadwayWorld.com Nashville and Tennessee theatre awards.
With almost 150 performers taking to the stage of Belmont University's Troutt Theatre on Sunday night, September 4, members of the theater community throughout Tennessee joined together to fete the six members of the 2011 Class of First Night Honorees.
Make no mistake about it: The leading men (aka Britt Hancock and Daniel W. Black) in Cumberland County Playhouse's production of the Kander and Ebb musical Chicago very nearly steal the show right out from under their leading ladies. In fact, it is safe to say that Hancock and Black deliver two of the best portrayals of their characters (Hancock is Billy Flynn, Black is Amos Hart) in the history of theater - or the world, for that matter.
On Friday, August 12, Nicole Begue Hackmann and Nathaniel Hackmann bring their amazing vocal prowess to the stage with Songs of Faith & Freedom, followed a week later by a concert on August 19 by the Knoxville Jazz Orchestra. On Sunday, August 21, Artists of the Cumberland (featuring Mike Stone and The Dark Side Band, Melissa Ellis, D.J. Garrison, Regina Stevens, Marley Wyatt, and Steve Boyce) will take the stage.
Could there possibly be a showtune more rousing than the eponymous 'Oklahoma!' from Rodgers and Hammerstein's historic musical - or an opening number more iconic or more easily identifiable than 'Oh, What a Beautiful Mornin'? With lyrics and melodies so memorable that you're likely to find yourself singing along (perhaps even before you realize it!) anytime you hear them played, they are among the best-known songs in American musical theater.
By turns, Duck Hunter Shoots Angel will make you laugh out loud, consider deep and philosophical questions and, perhaps, even shed a few tears. Certainly, it's funny and heartwarming, and yet another example of writer Mitch Albom's estimable ability to provoke thought while entertaining - which, quite frankly, has become the stock in trade of the artistic collective at Crossville's Cumberland County Playhouse.
While Little Shop of Horrors' Audrey II continues to rampage and rip up the Adventure Theatre at Crossville's Cumberland County Playhouse (the show runs through August 6), with Greg Pendzick, Lindy Pendzick, Jason Ross, Daniel W. Black and an all-star cast lending their estimable talents to the tale of murder, mirth and mayhem in the flower shop that figures prominently in the Alan Menken/Howard Ashman musical. Here's a glimpse at the production's 'Feed Me.'
Now that CCP's trio of actress playing the urchins - Leila Nelson, Joann Coleman and Ali Gritz - have been given the chance to put their own unique spins on their roles, we dragged them away from rehearsals (or was it a performance?) to give us their take on the whole Little Shop experience in Crossville.
Nicole Begue Hackman is so perfectly cast as Eliza Doolittle in Lerner and Loewe classic My Fair Lady at Cumberland County Playhouse that all those other characters that people the musical may seem superfluous, despite the splendid performances of the rest of the cast. Oh, certainly, their characters aren't really extraneous, but Hackman's portrayal of the Cockney flower girl is so spot-on, so multi-dimensional and delightful - and she sings the role so exquisitely - that you may just find yourself aching to attend the races at Ascot or to hear your favorite opera Aida at Covent Garden when you are transported by onstage magic to 1912 England.
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