Daniel Schlosberg News

HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by The New Yorker and 'pioneering' by The New York Times-launches its fifth season with its Annual Halloween Drag Extravaganza, this year titled DRAGUS MAXIMUS, a homersexual opera odyssey.

HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by The New Yorker and 'pioneering' by The New York Times-launches its fifth season with its Annual Halloween Drag Extravaganza, this year titled DRAGUS MAXIMUS, a homersexual opera odyssey.

After last season's much-buzzed-about Butterfly and Carmen, HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker-returns to Baruch Performing Arts Center with its fourth annual Spring Festival May 2-13, 2018. Heartbeat premieres adaptations of two operatic masterpieces, both radically staged, trimmed down and re-orchestrated: Mozart's DON GIOVANNI and Beethoven's FIDELIO.

After last season's much-buzzed-about Butterfly and Carmen, HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker-returns to Baruch Performing Arts Center with its fourth annual Spring Festival May 2-13, 2018. Heartbeat premieres adaptations of two operatic masterpieces, both radically staged, trimmed down and re-orchestrated: Mozart's DON GIOVANNI and Beethoven's FIDELIO.

Despite some great music, nobody ever said that Beethoven's FIDELIO is an easy opera to love. Yet, the reduced, revised and reconfigured 90-minute version that Heartbeat Opera premiered the other night--as part of this year's NY Opera Fest from the New York Opera Alliance--showed some fearless work that was somehow true to the original yet very current. This tale of the rescue of a political prisoner, Florestan, by his wife, Leonore, disguised as a prison guard, will always work. And the powerful use of a chorus of prisoners–here, represented by projected work of actual prison choruses from around the Midwest—was a master stroke.

After last season's much-buzzed-about Butterfly and Carmen, HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker-returns to Baruch Performing Arts Center with its fourth annual Spring Festival May 2-13, 2018. Heartbeat will premiere adaptations of two operatic masterpieces, both radically staged, trimmed down and re-orchestrated: Mozart's DON GIOVANNI and Beethoven's FIDELIO. 

Invisible Anatomy's Debut Album DISSECTIONS Out 3/30

The New York Virtuoso Singers, Harold Rosenbaum, Conductor and Artistic Director, will present ASCAP Morton Gould Young Composer Awards Concert, the first event of their 2017-18 concert season on Sunday, October 29 @ 3:00 PM at St. Ignatius of Antioch Church, 552 West End Avenue, New York, NY.

The Music Institute of Chicago announces the 30th anniversary season of its annual Chicago Duo Piano Festival (CDPF) beginning this fall with a concert program Friday, October 27 at Nichols Concert Hall, 1490 Chicago Avenue, Evanston and continuing with a year of performances and a youth duo piano competition.

After its celebrated reinterpretations of Butterfly and Carmen last spring, HEARTBEAT OPERA the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker launches its fourth season with its Annual Halloween Drag Extravaganza, this year titled ALL THE WORLD'S A DRAG! Shakespeare in love...with opera. Three performances take place at National Sawdust on October 30 at 7:30 p.m. and October 31 at 7.30 p.m. and 10:00 p.m.

There's lots going on in the world of opera in New York City, as shown by the gamut of offerings under the umbrella of the ongoing New York OperaFest, co-organized by the New York Opera Alliance and Opera America. In the last week, the New Opera NYC gave us a cockeyed look at Rimsky-Korsakov's LE COQ D'OR (THE GOLDEN COCKEREL), while Heartbeat Opera took an ax to Puccini, and gave us a 'Madama'-less BUTTERFLY.

Seven emerging composers have been selected as participants in the Minnesota Orchestra's 15th annual Composer Institute, Institute Director Kevin Puts announced today.

After a wildly successful Halloween Drag Extravaganza at National Sawdust and a sold-out performance on The High Line, HEARTBEAT OPERA presents its third annual Spring Festival, this year at Baruch Performing Arts Center from May 20–28, 2017. Heartbeat will premiere 90-minute versions of two operatic masterpieces, both radically staged and re-orchestrated: Puccini's BUTTERFLY and Bizet's CARMEN. 

Yale Rep has just released the first footage from its critically acclaimed production of ASSASSINS, book by John Weidman, music and lyrics by Stephen Sondheim, directed by James Bundy, running through April 8. Check it out below!

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. The concerts, all held on Sundays, include performances of works by both younger composers and the teachers who have influenced their development. Each concert is preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader.

Last performed by the company in 2011 at bergenPAC, Verismo Opera announces tenor Raúl Melo, a guest artist at the Metropolitan Opera for nine seasons, will premiere with the company and perform the role of Radames.

James Levine, Christoph Eschenbach, Gustavo Dudamel, Susanna Malkki, Kent Nagano, a "virtual" Esa-Pekka Salonen, and three conductors making Chicago Symphony Orchestra debuts take the podium. 

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. The concerts, all held on Sundays, include performances of works by both younger composers and the teachers who have influenced their development. Each concert is preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader.

YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) continues its 50th Anniversary Season with a new production of ASSASSINS, book by John Weidman, music and lyrics by Stephen Sondheim, directed by James Bundy, March 17-April 8, at the University Theatre (222 York Street). Opening Night is March 23.

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers.