HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by The New Yorker and 'pioneering' by The New York Times-launches its fifth season with its Annual Halloween Drag Extravaganza, this year titled DRAGUS MA
HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by The New Yorker and 'pioneering' by The New York Times-launches its fifth season with its Annual Halloween Drag Extravaganza, this year titled DRAGUS MA
After last season's much-buzzed-about Butterfly and Carmen, HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker-returns to Baruch Performing Arts Center with its fourth annual
After last season's much-buzzed-about Butterfly and Carmen, HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker-returns to Baruch Performing Arts Center with its fourth annual
Despite some great music, nobody ever said that Beethoven's FIDELIO is an easy opera to love.
After last season's much-buzzed-about Butterfly and Carmen, HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker-returns to Baruch Performing Arts Center with its fourth a
Invisible Anatomy's Debut Album DISSECTIONS Out 3/30
The New York Virtuoso Singers, Harold Rosenbaum, Conductor and Artistic Director, will present ASCAP Morton Gould Young Composer Awards Concert, the first event of their 2017-18 concert season on Sunday, October 29 @ 3:00 PM at St.
The Music Institute of Chicago announces the 30th anniversary season of its annual Chicago Duo Piano Festival (CDPF) beginning this fall with a concert program Friday, October 27 at Nichols Concert Hall, 1490 Chicago Avenue, Evanston and continuing with a year of performances and a youth duo piano c
After its celebrated reinterpretations of Butterfly and Carmen last spring, HEARTBEAT OPERA the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker launches its fourth season with its Annual Hall
There's lots going on in the world of opera in New York City, as shown by the gamut of offerings under the umbrella of the ongoing New York OperaFest, co-organized by the New York Opera Alliance and Opera America.
Seven emerging composers have been selected as participants in the Minnesota Orchestra's 15th annual Composer Institute, Institute Director Kevin Puts announced today.
After a wildly successful Halloween Drag Extravaganza at National Sawdust and a sold-out performance on The High Line, HEARTBEAT OPERA presents its third annual Spring Festival, this year at Baruch Performing Arts Center from May 20–28, 2017.
Yale Rep has just released the first footage from its critically acclaimed production of ASSASSINS, book by John Weidman, music and lyrics by Stephen Sondheim, directed by James Bundy, running through April 8.
Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St).
Last performed by the company in 2011 at bergenPAC, Verismo Opera announces tenor Raúl Melo, a guest artist at the Metropolitan Opera for nine seasons, will premiere with the company and perform the role of Radames.
James Levine, Christoph Eschenbach, Gustavo Dudamel, Susanna Malkki, Kent Nagano, a "virtual" Esa-Pekka Salonen, and three conductors making Chicago Symphony Orchestra debuts take the podium.
Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St).
YALE REPERTORY THEATRE (James Bundy, Artistic Director; Victoria Nolan, Managing Director) continues its 50th Anniversary Season with a new production of ASSASSINS, book by John Weidman, music and lyrics by Stephen Sondheim, directed by James Bundy, March 17-April 8, at the University Theatre (222 Y
Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St).
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