Fault Line Theatre presents THE WEDGE HORSE, a new play written by 2015 Page 73 Playwriting Fellow Nick Gandiello and directed by Aaron Rossini. THE WEDGE HORSE opens tonight, February 3, at IATI Theater Mainstage (64 East 4th St, New York, NY). It will run through February 21, 2016.
Fault Line Theatre presents THE WEDGE HORSE, a new play written by 2015 Page 73 Playwriting Fellow Nick Gandiello and directed by Aaron Rossini. THE WEDGE HORSE begins previews tonight, January 29, 2016 at IATI Theater Mainstage (64 East 4th St, New York, NY), with an opening night currently scheduled for February 3, 2016. THE WEDGE HORSE will run through February 21, 2016.
Ariel Nichole Reid*, Ben Williams* (Clubbed Thumb, La Mama, EST), Craig Wesley Divino* (Fault Line Theatre) and Ryan Salvato (Speakeasy Dollhouse's 'Ziegfeld's Midnight Frolic') are set to appear in the world-premiere production of Jim Knable's DESTINY AND THE LITTLE MAN, an adaptation of George Bernard Shaw's THE MAN OF DESTINY.
Ariel Nichole Reid*, Ben Williams* (Clubbed Thumb, La Mama, EST), Craig Wesley Divino* (Fault Line Theatre) and Ryan Salvato (Speakeasy Dollhouse's 'Ziegfeld's Midnight Frolic') are set to appear in the world-premiere production of Jim Knable's DESTINY AND THE LITTLE MAN, an adaptation of George Bernard Shaw's THE MAN OF DESTINY.
'Nightcap Riot: Mombucha' encompasses a concert, beverage tasting/'brewtorial,' and full theatrical production of the JIm Knable's world-premiere adapatation of George Bernard Shaw's 'The Man of Destiny' titled 'Destiny and the Little Man,' directed by Bruce Levitt. Only 50 people per night are allowed admission to this experience, which runs from January 15th - February 14th, 2016 over 16 performances. 15 different bands, 5 comedians, magicians, a mixologist from Union Square Hospitality and a kombucha brewer make up the balance of the greater Nightcap Riot: Mombucha cast.
FAULT LINE THEATRE has announced THE WEDGE HORSE, a new play written by 2015 Page 73 Playwriting Fellow Nick Gandiello and directed by Aaron Rossini. THE WEDGE HORSE begins previews on January 29, 2016 at IATI Theater Mainstage (64 East 4th St, New York, NY), with an opening night currently scheduled for February 3, 2016. THE WEDGE HORSE will run through February 21, 2016. Tickets are on-sale now by visiting http://faultlinetheatre.tix.com/.
The Cincinnati Playhouse in the Park's joyous, time-honored celebration of the true spirit of the holidays achieves the quarter-century mark this season as U.S. Bank presents Charles Dickens' iconic story A CHRISTMAS CAROL. The beloved tale, enjoyed each season by multiple generations of Cincinnatians, will be performed for its 25th year in the Playhouse's Robert S. Marx Theatre from Nov. 25 through Dec. 30.
FAULT LINE THEATRE has announced AT THE TABLE, a new play written and directed by GLAAD Award-Winner MICHAEL PERLMAN (From White Plains). AT THE TABLE begins previews on June 13, 2015 on the Mainstage at HERE ARTS CENTER (145 Avenue of the Americas, New York, NY 10013), with an opening night currently scheduled for June 21, 2015. AT THE TABLE will run through July 19, 2015.
Three holiday spirits - Christmas Past, Present and Future - conspire to redeem a miserly humbug at the Cincinnati Playhouse in the Park as U.S. Bank presents Charles Dickens' iconic holiday story, A CHRISTMAS CAROL. The beloved tale, enjoyed each season by multiple generations of Cincinnatians, will be performed for its 24th year in the Playhouse's Robert S. Marx Theatre from tonight Nov. 26 through Dec. 28.
Three holiday spirits - Christmas Past, Present and Future - conspire to redeem a miserly humbug at the Cincinnati Playhouse in the Park as U.S. Bank presents Charles Dickens' iconic holiday story, A CHRISTMAS CAROL. The beloved tale, enjoyed each season by multiple generations of Cincinnatians, will be performed for its 24th year in the Playhouse's Robert S. Marx Theatre from Nov. 26 through Dec. 28.
Tennessee Shakespeare Company (TSC), the Mid-South's professional classical theatre, opens its seventh performance season with a resurrection of William Shakespeare's Richard III inside Duncan-Williams Performance Hall at Germantown Performing Arts Center over Halloween.
Tennessee Shakespeare Company (TSC), the Mid-South's professional classical theatre, opens its seventh performance season with a resurrection of William Shakespeare's Richard III inside Duncan-Williams Performance Hall at Germantown Performing Arts Center over Halloween.
The world premiere of BREATHING TIME, a new play written by Beau Willimon and presented Off-Broadway by Fault Line Theatre, opens tonight, Thursday, March 27, 2014 at Teatro IATI (64 E. 4th Street, New York, NY) after beginning previews on Friday, March 21, 2014. Directed by Aaron Rossini, BREATHING TIME runs through Sunday, April 13, 2014. Tickets are available now on SmartTix.com.
Performances begin tomorrow night - Friday, March 21 - for the world premiere of BREATHING TIME, a new play written by Beau Willimon and presented Off-Broadway by Fault Line Theatre. BREATHING TIME is directed by Aaron Rossini and officially opens on Thursday, March 27, 2014 at Teatro IATI (64 E. 4th Street, New York, NY) and runs through Sunday, April 13, 2014. Tickets are available now on SmartTix.com.
Casting has been announced for the world premiere of BREATHING TIME, a new play by "House of Cards" creator Beau Willimon, directed by Aaron Rossini and presented Off-Broadway by Fault Line Theatre. The cast will feature Whitney Conkling, Craig Wesley Divino, Lee Dolson, John Racioppo, Shannon Marie Sullivan and Molly Thomas. Preview performances begin Friday, March 21 prior to an official press opening of Thursday, March 27 at Teatro Iati (64 East 4th Street) in Manhattan.
Broken Nose Theatre (BNT) is continues its second season with the Chicago Premiere of From White Plains, written by Michael Perlman - in collaboration with Aaron Rossini, Craig Wesley Divino, Karl Gregory, and Jimmy King, the actors in the original production - which from its initial run went on to receive the GLAAD Award for Best New Off-Off Broadway Play. Directed by BNT Ensemble Member Spenser Davis, From White Plains will run in the Downstairs Studio at the Greenhouse Theater Center, 2257 North Lincoln Ave., tonight, January 24th - February 23rd.
Broken Nose Theatre (BNT) is continues its second season with the Chicago Premiere of From White Plains, written by Michael Perlman - in collaboration with Aaron Rossini, Craig Wesley Divino, Karl Gregory, and Jimmy King, the actors in the original production - which from its initial run went on to receive the GLAAD Award for Best New Off-Off Broadway Play. Directed by BNT Ensemble Member Spenser Davis, From White Plains will run in the Downstairs Studio at the Greenhouse Theater Center, 2257 North Lincoln Ave., January 24th - February 23rd. The show runs Thursdays through Saturdays at 7:30 p.m., and Sundays at 2:30 p.m. Preview performances are from January 24th - 26th and 29th - 30th, with Press Opening on January 31st. Tickets to From White Plains range from $15 - $25 and are available online at www.greenhousetheater.org or by calling the box office at 773.404.7336.
Fault Line Theatre will present two world-premiere's in early 2014 - Crystal Finn's THE FAIRE, about the behind the scenes lives of five Renaissance Faire performers in Northern California from February 7 through March 2 at the 4th Street Theatre (83 East 4th Street) in Manhattan; followed by BREATHING TIME by Beau Willimon ("Farragut North" and Netflix's "House of Cards" with Kevin Spacey) from March 21 through April 13 at Teatro Iati (64 East 4th Street) in Manhattan. Both productions will be directed by Fault Line Theatre co-Artistic Director Aaron Rossini.
Broken Nose Theatre (BNT) follows up their inaugural season (featuring ROOMS: a rock romance, the 'surprise hit of the summer' (Hedy Weiss, Chicago Sun Times) with their 2013-2014 season built on the theme of 'Lessons: the things we've learned.'
Michael Perlman's 2012 Off-Off-Broadway play is not your typical anti-bullying polemic; rather it uses its bully pulpit to allow believers of opposing camps to search their souls and have their say. Three-dimensional characters give legitimacy to their conflicting points of view in the heartfelt performances of a tight-knit quartet of actors.