It is the 1980s, Liverpool, England. Frank is a tutor of English in his fifties whose disillusioned outlook on life drives him to drink and to bury himself in his books. Enter Rita, a forthright 26 year-old hairdresser who is eager to learn and to change her social circumstances through the pursuit of higher education.
LA Ballet returns the essential holiday tradition of THE NUTCRACKER ballet to hometown audiences during the month of December, including venues in Glendale, Hollywood, Westwood and Redondo Beach. This production is the perfect introduction to classic ballet for the whole family as there are many children of all ages in the cast, all students of Los Angeles Ballet School. And given the number of touring companies bringing productions to Los Angeles, it's nice to be able to support a hometown ballet company where many of the featured dancers were born in our area.
The Performing Arts School at bergenPAC announces the 2017 Master Class series in residence with Principal Ballet Dancers. The classes will be held at The Performing Arts School at bergenPAC-1 Depot Square, Englewood, NJ 07631.
Los Angeles Ballet's eleventh season celebrates the masters and introduces LA to a new choreographer that is changing the dance landscape. The season opened with Modernists/Ballet Visionaries which features works of three icons of their time: August Bournonville, 1805-79, creator of the Danish Bournonville style of ballet, still vibrant today; George Balanchine, 1904-82, Master choreographer who transformed American dance and created modern American ballet; Aszure Barton, contemporary choreographer who is leading ballet into rich, new territory. The program includes Bournonville's Napoli Pas de Six and Tarantella, Balanchine's Stravinsky Violin Concerto and the Los Angeles Ballet Premiere of Barton's Untouched (2010).
LA Ballet's upcoming 2016/2017 Season launches their second decade and embraces the full-length classical ballets, the Balanchine repertoire that so revolutionized the dance world, and the commitment to identify, nurture and present both emerging and world-renowned choreographers. Co-Artistic Directors Thordal Christensen and Colleen Neary have announced the next season includes two full-length story ballets, the family-friendly comic ballet "Coppelia" and the holiday favorite "The Nutcracker" and two mixed bill programs, "Modernists /Directors' Choice" and "Balanchine/Master of the Dance." The upcoming season will also reintroduce pre-performance discussions, hosted by Christensen and Neary and their guests (at select performances).
DON QUIXOTE is a fantastic Los Angeles Ballet production, filled with the dreams of the Don (Adam Luders), the love of Kitri and Basilio (technically perfect and emotionally evocative dancers Julie Cinquemani and Kenta Shimizu) and the adventures that follow them during this epic tale. There is something for everyone: humor, love, adventure and lots of beauty performed by a lively cast of characters from village folk to gypsies to flamenco dancers who will enthrall audiences of all ages.
Premiered by Los Angeles Ballet in 2011, GISELLE is a haunting and ethereal masterwork; the perfect embodiment of the Romantic ideal to kick off its tenth season. Continuing its mission to offer world-class professional ballet to greater Los Angeles, the season will include four full-length story ballets including new productions of Don Quixote and Romeo and Juliet and the return of the company's critically-acclaimed productions of Giselle and The Nutcracker.
THE SLEEPING BEAUTY ballet with glorious music by Tchaikovsky premiered in Moscow in 1890. With original choreography by Marius Petipa, it is considered one of the greatest story ballets of all time and the epitome of classical ballet. The story represents much more than just the fairy tale, showing us that even when poisoned by the forces of evil, the power of love can surmount any roadblock and triumph. Los Angeles Ballet Co-Artistic Directors Thordal Christensen and Colleen Neary have adapted the ballet with their own original choreography, based after Petipa. Their World Premiere LA Ballet presentation proved to be a spectacular work of artistic excellence thanks to the remarkable LA Ballet dancers.
Set to Tchaikovsky's sweeping score, the success of SWAN LAKE depends on its Odette/Odile, the sweetly vulnerable white swan/cunningly malevolent black swan. On the Los Angeles Ballet's 2014/2015 season opening night, the miraculous Allynne Noelle captivated with fragile, fluttering arms and superb footwork of the white swan to perfection. Ulrik Birkkjaer's Prince Siegfried lifts appeared so fluid, you would think Noelle was as light as a feather.
Francis Patrelle, the artistic director/resident choreographer of Dances Patrelle says in a program note that prior to 1982 he had never seen any version of the Romeo and Juliet ballet. It certainly sounds strange to me. Where had he been all that time? It seems that everyone I knew in the dance world had seen some production of it. Even my brothers, who detest ballet, had seen the Fonteyn/Nureyev movie. Be that as it may, I won't hold it against him.
With performances through June 21 in Los Angeles, the two-act story ballet LA SYLPHIDE will be paired with George Balanchine's romantic SERENADE at four of Los Angeles Ballet's home venues: UCLA's Royce Hall, The Alex Theatre in Glendale, Redondo Beach Performing Arts Center, and Valley Performing Arts Center in Northridge. Los Angeles Ballet will be touring out of California for the first time, presenting the same production in Seattle, Washington on June 27, 2014, at McCaw Hall at Seattle Center.
Orange County, Calif.—Dec. 3, 2013—One of Russia's most fascinating and complex composers—Dmitri Shostakovich—goes under the magnifying glass when Pacific Symphony partners with Chapman University's Global Arts Program to present “Decoding Shostakovich,” a festival dedicated to the iconic composer, whose life unfolded under the Soviet system. There are myriad reasons for a festival devoted to this fascinating man, beginning with the tremendous impact he had on classical music in Russia and beyond. Through classical concerts and a wide array of presentations (discussions, film, dance, lecture, piano recital, theater, symposium, book club and master classes), “Decoding Shostakovich” probes deeply into the man to reveal the composer's relationship to his home country, its culture and politics and the effects these had on his music. The festival, which began in November, continues into February 2014. For more information about “Decoding Shostakovich,” visit: http://www.pacificsymphony.org/shostakovich_festival. (See the complete festival schedule below.)
The Music Center will partner with Los Angeles Ballet to present that company's productions of Agon and Rubies this evening, July 6 at 7:30 pm, free to the public. Both have music by Igor Stravinsky and choreography by George Balanchine. This free event, under the stars in Grand Park and open to everyone, is part of the broad array of free public events The Music Center is presenting at Grand Park. The event is a one of a kind opportunity to spread a blanket, bring a picnic basket, and enjoy ballet in a whole new way.
The Music Center will partner with Los Angeles Ballet to present that company's productions of Agon and Rubies on Saturday evening July 6 at 7:30 pm, free to the public. Both have music by Igor Stravinsky and choreography by George Balanchine. This free event, under the stars in Grand Park and open to everyone, is part of the broad array of free public events The Music Center is presenting at Grand Park. The event is a one of a kind opportunity to spread a blanket, bring a picnic basket, and enjoy ballet in a whole new way.
The Music Center announces that it will partner with Los Angeles Ballet to present that company's productions of Agon and Rubies on Saturday evening July 6, free to the public. Both have music by Igor Stravinsky and choreography by George Balanchine.
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